DRN Reference Resource
Books
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Albiez, Sean and Pattie, David (eds.) | 2010 | Kraftwerk: Music Non Stop. New York / London: Continuum. | link | 4/6/2018 |
| Anderson, Tammy | 2009 | Rave Culture: the Alteration and Decline of a Philadelphia Music Scene. Philadelphia: Temple University Press. | link | 4/6/2018 |
| Anthony, Wayne | 1998 | Class of 88: The True Acid House Experience. London: Virgin. | 4/6/2018 | |
| Anthony, Wayne | 1999 | Spanish Highs: Sex, Drugs & Excess in Ibiza. London: Virgin. | 4/6/2018 | |
| Ayers, Michael D | 2006 | Cybersounds: Essays On Virtual Music Culture. New York: Peter Lang. | 4/6/2018 | |
| Bahr, Xenia and Oliver Rossdeutscher | 1995 | No Rites: Techno-House in Hamburg. Hamburg: Kellner. | 4/6/2018 | |
| Barr, Tim | 2000 | Techno: The Rough Guide. London: Rough Guide Ltd. | 4/6/2018 | |
| Beeler, Stanley | 2007 | Dance, Drugs, and Escape: The Club Scene in Literature, Film, and Television Since the Late 1980s. Jefferson, N.C: McFarland & Co. | 4/6/2018 | |
| Belle-Fortune, Brian | 2004 | All Crews: Journeys Through Jungle / Drum & Bass Culture. London: Vision. | 4/6/2018 | |
| Bennett, Andy, Barry Shank and Jason Toynbee | 2006 | Popular Music Studies Reader. New York: Routledge. | 4/6/2018 | |
| Bidder, Sean | 1999 | The Rough Guide to House. London: Rough Guides Ltd. | 4/6/2018 | |
| Bidder, Sean | 2001 | Pump Up The Volume: A History of House. London: Channel 4 Books. | 4/6/2018 | |
| Blackman, Shane | 2004 | Chilling Out: the cultural politics of substance consumption, youth and drug policy. Maidenhead: Open University Press. | 4/6/2018 | |
| Breinl, Christiana | 2012 | Free Tekno : Geschichte einer Gegenkultur. Wien: Lit-Verlag. | 4/6/2018 | |
| Brewtser, Bill & Frank Broughton | 1999 | Last Night a DJ Saved My Life. New York: Grove Press. | 4/6/2018 | |
| Bull, Michale, Les Back | 2003 | The Auditory Culuture Reader (Sensory Formation). Oxford: Berg. | 4/6/2018 | |
| Bussman, Jane | 1998 | Once in a Lifetime: The Crazy Days of Acid House and Afterwards. London: Virgin. | 4/6/2018 | |
| Butler, Mark J | 2006 | Unlocking the Groove: Rhythm, meter and musical design in electronic dance music. Bloomington and Indianapolis, IN: Indiana University Press. | 4/6/2018 | |
| Chang, Jeff | 2005 | Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York: Picador. | 4/6/2018 | |
| Collin, Matthew | 1997 | Altered State: The Story of Ecstasy Culture and Acid House. London: Serpent's Tail. | 4/6/2018 | |
| Colombié, Thierry, Nacer Lalam and Michel Schiray | 2000 | Drogue et techno: les trafiquants de rave. Paris: Stock. | 4/6/2018 | |
| Courtney, Dave | 2000 | Raving Lunacy: Clubbed to Death - Adventures on the Rave Scene. London: Virgin. | 4/6/2018 | |
| D'Andrea, Anthony | 2007 | Global Nomads: Techno and New Age as Transnational Countercultures. London/New York: Routledge. | 4/6/2018 | |
| De Haro, Sarah and Wilfrid Estéve | 2002 | 3672: La Free Story. Paris: Trouble-Fête. | 4/6/2018 | |
| de Jong, Alex, Marc Shuilenberg | 2006 | Mediapolis: Popular Culture and the City. Rotterdam: 010 Publishers. | 4/6/2018 | |
| Eshun, Kodwo | 1998 | More Brilliant Than The Sun: Adventures In Sonic Fiction. London: Quartet Books. | 4/6/2018 | |
| Fikentscher, Kai | 2000 | "You Better Work!": Underground Dance Music in New York City. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Fink, Robert | 2005 | Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press. | 4/6/2018 | |
| Fritz, Jimi | 1999 | Rave Culture: An Insider's Overview. Canada: Smallfry Press. | 4/6/2018 | |
| Gaillot, Michel | 1998 | Multiple Meaning Techno: An Artistic and Political Laboratory of the Present. Paris: Editions Dis Voir. | 4/6/2018 | |
| Garratt, Sheryl | 1998 | Adventures in Wonderland: A Decade of Club Culture. London: Headline. | 4/6/2018 | |
| Geoffrey Hunt, Molly Moloney and Kristin Evans | 2010 | Youth, Drugs and Nightlife. London and New York: Routledge. | 4/6/2018 | |
| Gilbert, Jeremy and Ewan Pearson | 1999 | Discographies: Dance Music, Culture and the Politics of Sound. London: Routledge. | 4/6/2018 | |
| Green, Jared | 2005 | DJ, Dance and Rave Culture. Detroit: Greenhaven Press. | 4/6/2018 | |
| Grynszpan, Emmanuel | 1999 | Bruyante Techno: réflexion sur le son de la free party. Nantes: M. Séteun. | 4/6/2018 | |
| Hebdige, Dick | 1987 | Cut 'n' Mix: Culture, Identity and Caribbean Music. New York: Methuen. | 4/6/2018 | |
| Hitzler, Ronald and Michaela Pfadenhauer | 2001 | Techno-Soziologie : Erkundungen einer Jugendkultur. Opladen: Leske + Budrich. | 4/6/2018 | |
| Hope, Donna P | 2006 | Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press. | 4/6/2018 | |
| Hutnyk, John | 2000 | Critique of Exotica: music, politics and the culture industry. London: Pluto Press. | 4/6/2018 | |
| Hutton, Fiona | 2006 | Risky Pleasures? Club Cultures and Feminine Identities. Aldershot: Ashgate. | 4/6/2018 | |
| Jackson, Phil | 2004 | Inside Clubbing: Sensual Experiments in the Art of Being Human. Oxford: Berg. | 4/6/2018 | |
| Jagodzinski, Jan | 2005 | Music in Youth Culture: A Lacanian Approach. New York :: Palgrave Macmillan. | 4/6/2018 | |
| James, Martin | 1997 | State of Bass: Jungle - The Story So Far. Basingstoke: Boxtree/ Macmillan. | 4/6/2018 | |
| James, Martin | 1998 | Prodigy: Adventures with the Voodoo Crew. London: Ebury Press. | 4/6/2018 | |
| James, Martin | 2001 | Moby: Replay - His Life and Times. London: Independent Music Press. | 4/6/2018 | |
| James, Martin | 2002 | Fatboy Slim: Funk Soul Brother. London: Sanctuary. | 4/6/2018 | |
| James, Martin | 2002 | Prodigy. London: Sanctuary. | 4/6/2018 | |
| James, Martin | 2003 | French Connections - From Discotheque to Discovery. London: Sanctuary. | 4/6/2018 | |
| Kemper, Christian | 2004 | Mapping techno: jugendliche Mentalitäten der 90er. Frankfurt am Main: Peter Lang. | 4/6/2018 | |
| Knowles, Cynthia | 2001 | Up all Night: A Closer Look at Club Drugs and Rave Culture. Geneseo, N.Y: Red House Press. | 4/6/2018 | |
| Lawrence, Pete and Vicki Howard (eds) | 2004 | Crossfade: A Big Chill Anthology. London: Serpent’s Tail. | 4/6/2018 | |
| Lawrence, Tim | 2003 | Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Durham and London: Duke University Press. | 4/6/2018 | |
| Leloup, Jean-Yves | 2007 | Digital Magma : de l'utopie des rave parties à la génération ipod. Paris: Scali. | 4/6/2018 | |
| Leloup, Jean-Yves | 2010 | Digital Magma:From the Utopia of Rave Parties to the Ipod Generation. New York: Lukas & Sternberg. | 4/6/2018 | |
| Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou | 1999 | Global Tekno vol.1 : Voyage initiatique au cœur de la musique électronique. Paris: Camion Blanc. | 4/6/2018 | |
| Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou | 2008 | Global Techno 1.0 : l'authentique histoire de la musique électronique. Paris: Scali. | 4/6/2018 | |
| Leneghan, Sean | 2010 | The Varities of Ecstasy Experience: An Exploration of Person, Mind and Body in Sydney's Club Culture. Sydney Australia: Lambert Academic Press. | 4/6/2018 | |
| Lysloff, René T.A. and Leslie C. Gay, editors | 2003 | Music and Technoculture. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Malbon, Ben | 1999 | Clubbing: dancing, ecstasy and vitality. London: Routledge. | 4/6/2018 | |
| Mellonee V. Burnim and Portia K. Maultsby | 2006 | African American Music: An Introduction. New York: Routledge. | 4/6/2018 | |
| Pinch, Trevor, Frank Trocco | 2002 | Analog Days: The Invention and Impact of the Moog Synthesizer. Boston: Harvard University Press. | 4/6/2018 | |
| Pini, Maria | 2001 | Club Cultures and Female Subjectivity: the move from home to house. Hampshire: Palgrave. | 4/6/2018 | |
| Prendergast, Mark | 2000 | The Ambient Century: from Mahler to Moby – the Evolution of Sound in the Electronic Age. London: Bloomsbury. | 4/6/2018 | |
| Push & Mireille Silcott | 2000 | The book of E: All About Ecstasy. London: Omnibus. | 4/6/2018 | |
| Queudrus, Sandy | 2000 | Un Maquis Techno: Modes de'Engagement et Pratiques Sociales dans la Free-Party. Paris: IRMA editions. | 4/6/2018 | |
| Racine, Étienne | 2002 | Le Phénomène Techno: Clubs, Raves, Free-parties. Paris: Imago. | 4/6/2018 | |
| Rapp, Tobias | 2009 | Lost and Sound: Berlin, Techno und der Easyjetset. Frankfurt am Main: Suhrkamp. | 4/6/2018 | |
| Redhead, Steve | 1993 | Rave off: Politics and Deviance in Contemporary Youth Culture. Avebury: Aldershot. | 4/6/2018 | |
| Redhead, Steve (ed.) | 1997 | The Clubcultures Reader: readings in popular cultural studies. Oxford: Blackwell. | 4/6/2018 | |
| Reynolds, Simon | 2012 | Energy Flash: A Journey Through Rave Music and Dance Culture (Reprint Edition) | 8/6/2018 | |
| Rietveld, Hillegonda C | 1998 | This Is Our House: House Music, Cultural Spaces and Technologies. Aldershot: Ashgate. | 4/6/2018 | |
| Rupert Till | 2010 | Pop Cult: religion and popular music. London: Continuum. | link | 4/6/2018 |
| Saldanha, Arun | 2007 | Psychedelic White: Goa Trance and the Viscosity of Race. Minneapolis: University of Minnesota Press. | 4/6/2018 | |
| Saunders, Nicholas | 1993 | E for Ecstasy. London: Nicholas Saunders. | link | 4/6/2018 |
| Saunders, Nicholas and Rick Doblin | 1996 | Ecstasy: Dance, trance & transformation. San Francisco: Quick American Publishing Company. | 4/6/2018 | |
| Shapiro, Peter | 1999 | Drum'n'bass: The Rough Guide. London: Rough Guide Ltd. | 4/6/2018 | |
| Shapiro, Peter ed | 2000 | Modulations: A History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha Productions Inc. | 4/6/2018 | |
| Sicko, Dan | 1999 | Techno Rebels: The Renegades of Electronic Funk. New York: Billboard Books. | 4/6/2018 | |
| Silcott, Mireille | 1999 | Rave America: New school dancescapes. Quebec: ECW Press. | 4/6/2018 | |
| Simon A. Morrison | 2010 | Discombobulated - Dispatches From The Wrong Side. London: Headpress. | link | 4/6/2018 |
| Snoman, Rick | 2004 | The Dance Music Manual: Tools, Toys and Techniques. Boston: Focal Press. | 4/6/2018 | |
| St John, Graham | 2009 | Technomad: Global Raving Countercultures. London: Equinox. | link | 4/6/2018 |
| St John, Graham (ed) | 2001 | FreeNRG: Notes From the Edge of the Dance Floor. Altona: Common Ground. | link | 4/6/2018 |
| St John, Graham (ed) | 2004 | Rave Culture and Religion. New York: Routledge. | 4/6/2018 | |
| St John, Graham (ed) | 2010 | The Local Scenes and Global Culture of Psytrance. New York: Routledge. | 4/6/2018 | |
| Sterneck, Wolfgang | 2005 | Tandzende Sterne: Party, Tribes und Widerstand. Frankfurt-main: Nacthtschatten and KomstA. | 4/6/2018 | |
| Stolzoff, Norman | 2000 | Wake the Town and Tell the People: Dancehall Culture in Jamaica. London: Duke University Press. | 4/6/2018 | |
| Stone, C. J | 1996 | Fierce Dancing: Adventures in the Underground. London: Faber and Faber. | 4/6/2018 | |
| Sylvan, Robin | 2005 | Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. New York: Routledge. | 4/6/2018 | |
| Sylvan, Robin Daniel | 2002 | Traces of the spirit: The religious dimensions of popular music. New York: New York University Press. | 4/6/2018 | |
| Taylor, Timothy D | 2001 | Strange Sounds: Music, Technology & Culture. New York: Routledge. | 4/6/2018 | |
| Thornton, Sarah | 1996 | Club Cultures: Music, Media, and Subcultural Capital. Hanover: Wesleyan University Press. | 4/6/2018 | |
| Toop, David | 1995 | Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent's Tail. | 4/6/2018 | |
| Toop, David | 2004 | Haunted Weather: Music, Silence, and Memory. London: Serpents Tail. | 4/6/2018 | |
| Twist, Cinnamon (ed.) | 1999 | Guerillas of Harmony: Communiques from the Dance Underground. LA: Tribal Donut. | 4/6/2018 | |
| Vaudrin, Marie-Claude | 2004 | La musique techno, ou, Le retour de Dionysos: je rave, tu raves, nous rêvons. Paris: Harmattan. | 4/6/2018 | |
| Veal, Michael | 2007 | Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Weinel, Jon | 2018 | Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media. New York: Oxford University Press. | link | 6/15/2018 |
| Whelan, Andrew | 2008 | Breakcore: identity and interaction on peer-to-peer. Newcastle: Cambridge Scholars. | link | 4/6/2018 |
| Wilder, Eliot | 2005 | Endtroducing. London: Continuum Books. | 4/6/2018 | |
| Wilson, Brian | 2006 | Fight, Flight Or Chill: Subcultures, Youth, And Rave In The Twenty-first Century. Kingston, Ontario: McGill-Queen's University Press. | 4/6/2018 | |
| St John, Graham (ed) | 2017 | Weekend Societies: Electronic Dance Music Festivals and Event-Cultures. New York: Bloomsbury. | 6/25/2018 | |
| Butler, Mark J | 2014 | "Playing with Something That Runs : Technology, Improvisation, and Composition in DJ and Laptop Performance." New York, NY: Oxford University Press. | link | 6/25/2018 |
| St John, Graham | 2013 | Global Tribe: Technology, Spirituality and Psytrance. Sheffield: Equinox Publishing. | 6/25/2018 | |
| Lawrence, Tim | 2016 | Life and Death on the New York Dance Floor 1980–1983. Durham and London: Duke University Press. | 7/30/2018 | |
| Brøvig-Hanssen, Ragnhild, and Anne Danielsen | 2016 | Digital Signatures. The Impact of Digitization on Popular Music Sound. Cambridge and London: MIT Press | link | 7/30/2018 |
| Rappe, Michael | 2010 | Under Construction. Kontextbezogene Analyse afroamerikanischer Popmusik. Köln: Dohr | link | 7/30/2018 |
| Chrysagis, E. and P. Karampampas (eds) | 2017 | "Collaborative Intimacies: Anthropologies of Sound and Movement." ‘Dance and Performance Studies’ book series, New York and Oxford: Berghahn. | link | 8/21/2018 |
| Anniss, Matt | 2019 | Join The Future: Bleep Techno and the Birth of British Bass Music. London: Velocity Press | link | 6/23/2019 |
Book Chapters
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Albiez, Sean | 2003 | "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. | 4/6/2018 | |
| Bates, Eliot | 2004 | "Glitches, Bugs, and Hisses: the degeneration of musical recordings and the contemporary musical work." In Bad Music: Music that you love to hate, edited by Chris Washburne and Maiken Derno. New York: Routledge. | 4/6/2018 | |
| Bennett, Andy | 2000 | "Dance Music, Local Identity and Urban Space." In Popular Music and Youth Culture: Music, Identity and Place, edited by (Bennett, Andy). New York: St. Martin's Press, 73-102. | 4/6/2018 | |
| Birgy, Phillipe | 2003 | "French Electronic Music: The Invention of a Tradition." In Popular Music in France from Chanson to Techno: Culture, Identity and Society, edited by Hugh Dauncey and Steve Cannon. Aldershot: Ashgate, 225-242. | 4/6/2018 | |
| Butler, Mark J | 2005 | "‘Everybody Needs a 303, Everybody Loves a Filter’: Electronic Dance Music and the Aesthetics of Obsolescence." In Digital Media: Transformations in Human Communication, edited by Paul Messaris and Lee Humphreys. New York: Peter Lang, 111-18. | 4/6/2018 | |
| Carrington, Ben and Brian Wilson | 2004 | "Dance Nation: Rethinking Youth Subcultural Theory." In After Subculture: Critical Studies of Contemporary Youth Culture, edited by Andy Bennett and Keith Kahn-Harris. New York: Palgrave, 65-78. | 4/6/2018 | |
| Chan, Seb | 1999 | "Bubbling Acid: Sydney’s Techno Underground." In Australian Youth Subcultures: On the Margins and in the Mainstream, edited by Rob White. Hobart: ACYS Publications, 65-73. | 4/6/2018 | |
| D'Andrea, Anthony | 2003 | "Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa." In Rave Culture and Religion, edited by Graham St. John. New York and London: Routledge, 236-255. | 4/6/2018 | |
| Davis, Erik | 2004 | "Hedonic Tantra: Golden Goa’s Trance Transmission." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 256-272. | 4/6/2018 | |
| Dyer, Richard | 1990 | "In Defence of Disco." In On Record: Rock, Pop and the Written Word, edited by Simon Frith and Andrew Goodwin. New York: Pantheon, 410-418. | 4/6/2018 | |
| Fikentscher, Kai | 2003 | "There's not a problem I can't fix, 'cause I can do it in the mix: On the Performative Technology of 12-inch Vinyl." In Music and Technoculture, edited by Lysloff, René and Gay, Leslie C. Middletown: Wesleyan University Press, 290-315. | 4/6/2018 | |
| Fikentscher, Kai | 2006 | "Disco and House." In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 456-470. | 4/6/2018 | |
| Gadir, Tami | 2017 | "'I Don't Play Girly House Music': Women, Sonic Stereotyping, and the Dancing DJ." In the Routledge Research Companion to Popular Music and Gender, edited by Stan Hawkins. London and New York: Routledge, 196–210. | link | 6/15/2018 |
| Garcia, Luis-Manuel | 2013 | "Crowd Solidarity on the Dance Floor in Paris and Berlin." In Musical Performance and the Changing City: Post-industrial Contexts in Europe and the United States, edited by Fabian Holt and Carsten Wergin, 227–255. New York, NY: Routledge. | link | 5/9/2018 |
| Gauthier, François | 2004 | "Rapturous Ruptures: The ‘Instituant’ Religious Experience of Rave." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 65-84. | 4/6/2018 | |
| Gerard, Morgan | 2004 | "Selecting Ritual: DJs, Dancers and Liminality in Underground Dance Music." In Rave Culture and Religion, edited by Graham St. John. London: Routledge, 167-184. | 4/6/2018 | |
| Gibson, Chris | 2001 | "Appropriating the Means of Production: Dance Music Industries and Contested Digital Space." In FreeNRG: Notes From the Edge of the Dance Floor, edited by Graham St John. Melbourne: Common Ground, 237-255. | 4/6/2018 | |
| Gore, G | 1997 | "Trance, dance and Tribalism in Rave Culture." In Dance in the City, edited by Thomas, Helen. London: MacMillan, 73-83. | 4/6/2018 | |
| Grayson, Kyle | 2008 | "The (Geo)Politics of Dancing: Illicit Drugs and Canadian Rave." In Chasing Dragons: Security, Identity, and Illicit Drugs in Canada, edited by Kyle Grayson. Toronto: University of Toronto Press. | 4/6/2018 | |
| Hall, Joanna | 2008 | "Mapping the Multifarious: The Genrification of Dance Music Club Cultures." In Decentring Dancing Texts: The Challenge of Interpreting Dances, edited by Lansdale, J. Basingstoke: Palgrave Macmillan. | 4/6/2018 | |
| Hesmondhalgh, David, and Caspar Melville | 2001 | "Urban Breakbeat Culture." In Global Noise: Rap and Hip-Hop Outside the USA, edited by Timothy Mitchell. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Hill, Desmond | 1999 | "Mobile Anarchy: The House Movement, Shamanism and Community." In Psychedelics Reimagined, edited by Thomas Lyttle. New York: Autonomedia, 95-106. | 4/6/2018 | |
| Hitzler, Ronald & Pfadenhauer, Michaela | 2002 | "Existential Strategies: The Making of Community and Politics in the Techno/Rave Scene." In Postmodern Existential Sociology, edited by Joseph Kotarba and John Johnson. Walnut Creek: Alta Mira, 87-101. | 4/6/2018 | |
| Huq, Rupa | 1999 | "The Right to Rave: Opposition to the Criminal Justice and Public Order Act 1994." In Storming the Millennium: The New Politics of Change, edited by Tim Jordan. London: Lawrence and Wishart, 15-33. | 4/6/2018 | |
| Huq, Rupa | 2002 | "Raving, not drowning: Authenticity, pleasure and politics in the electronic dance music scene." In Popular Music Studies, edited by David Hesmondhalgh and Keith Negus. London: Arnold. | 4/6/2018 | |
| Kiliman, Daymon | 2016 | "The Liberating Potential of Continuously Variable Circuitry: Postmodern Analogs in Electronic Dance Music Culture." In Ontic Flows: From Digital Humanities to Posthumanities, edited by Matt Bernico and Manuela Kolke. New York: Atropos Press, 49-75. | 3/9/2019 | |
| Lasén, Amparo | 2004 | "El baile de las mákinas." In Musiques, arts et technologies, edited by Roberto Barbanti, Enrique Lynch, Carmen Pardo, and Makis Solomos. Paris: L'Harmattan, 303-315. | 4/6/2018 | |
| Lipsitz, George | 2007 | "Techno: The Hidden History of Automation." In Footsteps In The Dark: The Hidden Histories of Popular Music, edited by None. Minneapolis: Univ of Minnesota Press, 238-62. | link | 4/6/2018 |
| Malbon , Ben | 1998 | "Clubbing: Consumption, Identity and the Spatial Practices of Every-Night Life." In Cool Places: Geographies of Youth Cultures, edited by Skelton, T and Valentine, G. London: Routledge, 266-286. | 4/6/2018 | |
| May, Beverly | 2006 | "Techno." In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 313-352. | 4/6/2018 | |
| McRobbie, Angela | 1994 | "Shut up and Dance: Youth Culture and Changing Modes of Femininity." In Postmodernism and Popular Culture, edited by McRobbie, Angela. London; New York: Routledge. | 4/6/2018 | |
| Measham, F. and K. Moore | 2006 | "Reluctant Reflexivity, Implicit Insider Knowledge, and the Development of Club Studies." In Drugs, Clubs and Young People: Sociological and Public Health Perspectives, edited by B.Sanders. Aldershot: Ashgate. | 4/6/2018 | |
| Melechi, Antonio | 1993 | "The Ecstasy of Disappearance." In Rave Off: Politics and Deviance in Contemporary Youth Culture, edited by Redhead, Steve. Avebury: Aldershot, 29-40. | 4/6/2018 | |
| Moore, K | 2003 | "E-heads Vs Beer Monsters: Researching young people’s drug consumption in dance club settings." In Researching Youth: Issues, Controversies and Dilemmas, edited by A. Bennett, S. Miles, and M. Cielslik (eds.). London: Palgrave. | 4/6/2018 | |
| Moore, Karenza | 2006 | "“Sort Drugs, Make Mates”: The Use and Meanings of Mobiles in Club Culture." In Consuming Music Together: Social and collaborative aspects of music consumption technologies, edited by B. Brown and K. O’Hara (eds.). Netherlands: Springer. | 4/6/2018 | |
| Moore, Karenza | 2009 | "Exploring Emotional and Spiritual Expression amongst 'Crasher Clubbers'." In Religion and Youth, edited by S. Collins-Mayo and B. Pink-Dandelion (eds.). Aldershot: Ashgate. | 4/6/2018 | |
| Murray, Enda | 2001 | "Sound Systems and Australian DiY Culture: Folk Music for the Dot Com Generation." In FreeNRG: Notes From the Edge of the Dance Floor, edited by Graham St John. Melbourne: Common Ground, 57-70. | 4/6/2018 | |
| Nye, Sean | 2006 | "Techno in der BRAVO: eine wahre Geschichte." In 50 Jahre BRAVO, edited by Archiv der Jugendkulturen. Berlin: Verlag Archiv der Jugendkulturen, 210-25. | 4/6/2018 | |
| Pini, Maria | 1997 | "Cyborgs, Nomads and the Raving Feminine." In Dance in the City, edited by Thomas, H. London: Macmillan, 111-129. | 4/6/2018 | |
| Pini, Maria | 1998 | "‘Peak Practices’: The Production and Regulation of Ecstatic Bodies." In The Virtual Embodied: Presence/Practice/Technology, edited by John Wood. London: Routledge, 168-177. | 4/6/2018 | |
| Portnoy, Sean | 1999 | "This is Fascism? Raves and the Politics of Dancing." In Reading Rock and Roll: Authenticity, Appropriation, Aesthetics, edited by Kevin Dettmar and William Richey. New York: Columbia University Press, 191-208. | 4/6/2018 | |
| Reynolds, Simon | 1997 | "Rave Culture: Living Dream or Living Death?." In The Clubcultures Reader: Readings in Popular Cultural Studies, edited by Redhead, Steve. Oxford: Blackwell, 102-111. | 4/6/2018 | |
| Reynolds, Simon | 1997 | "Return to Eden: Innocence, Indolence and Pastoralism in Psychedelic Music, 1966-1996." In Psychedelica Britannica: Hallucinogenic Drugs in Britain, edited by Antonio Melechi. London: Turnaround, 143-165. | 4/6/2018 | |
| Rietveld, Hillegonda | 1998 | "Repetitive Beats: Free Parties and the Politics of Contemporary DiY Dance Culture in Britain." In DiY Culture: Party and Protest in Nineties Britain, edited by George McKay. London: Verso, 243-268. | 4/6/2018 | |
| Rietveld, Hillegonda C | 1993 | "Living the Dream." In Rave Off, Politics and Deviance in Contemporary Youth Culture, edited by Steve Redhead. Aldershot (UK): Avebury/Ashgate, 41 - 78. | 4/6/2018 | |
| Rietveld, Hillegonda C | 1998 | "The House Sound of Chicago." In The Clubcultures Reader, edited by S. Redhead. Oxford: Blackwell. | 4/6/2018 | |
| Rietveld, Hillegonda C | 2001 | "Im Strom des Techno." In Handbuch der Musik im 20. Jahrhundert: Rock- und Popmusik, edited by Peter Wicke. Laaber (Germany): Laaber-Verlag. | 4/6/2018 | |
| Rietveld, Hillegonda C | 2004 | "House: The Hacienda Must Be Built." In Crossfade, edited by Pete Lawrence and Vicki Howard. London: Serpent's Tail, 119 - 140. | 4/6/2018 | |
| Rietveld, Hillegonda C | 2004 | "Ephemeral Spirit: Sacrificial Cyborg and Soulful Community." In Rave and Religion, edited by Graham St John. London & New York: Routledge, 45 - 60. | link | 4/6/2018 |
| Rietveld, Hillegonda C | 2005 | "Into the Spectrum of Techno." In Techno Visions, edited by Harald Wiltsche. Vienna (Austria) and Bozen (Italy): Folio. | 4/6/2018 | |
| Rietveld, Hillegonda C | 2007 | "The Residual Soul Sonic Force of the Vinyl 12" Dance Single." In Residual Media, edited by Charles Ackland. Minnesota: University of Minnesota Press, 97 - 114. | 4/6/2018 | |
| Ross, Andrew | 2003 | "Back to basics with the Roland 303." In Music and technoculture, edited by Lysloff, René and Leslie Gay. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Spring, Ken | 2004 | "Behind the Rave: Structure and Agency in a Rave Scene." In Music Scenes: Local, Translocal and Virtual, edited by Andy Bennett and Richard A. Peterson. Nashville, TN: Vanderbilt University Press, 48-63. | 4/6/2018 | |
| St John, Graham | 2003 | "Post-Rave Technotribalism and the Carnival of Protest." In The Post-Subcultures Reader, edited by Muggleton, David and Weinzierl, Rupert. London: Berg, 65-82. | 4/6/2018 | |
| St John, Graham | 2008 | "Trance Tribes and Dance Vibes: Victor Turner and Trance Dance Culture." In Victor Turner and Contemporary Cultural Performance, edited by Graham St John. New York: Berghahn, 149-173. | 4/6/2018 | |
| St John, Graham | 2010 | "Liminal Culture and Global Movement: The Transitional World of Psytrance." In The Local Scenes and Global Culture of Psytrance, edited by Graham St John. New York: Routledge, 220-246. | 4/6/2018 | |
| St John, Graham | 2011 | "Rave From the Grave: Dark Trance and the Return of the Dead." In Zombies Are Us: Essays on the Humanity of the Walking Dead, edited by Cory James Rushton and Christopher M. Moreman. Jefferson, N.C: McFarland, 24-39. | 4/6/2018 | |
| St John, Graham | 2011 | "The 2012 Movement, Visionary Arts and Psytrance Culture." In 2012: Decoding the Countercultural Apocalypse, edited by Joseph Gelfer. London: Equinox, 123-143. | 4/6/2018 | |
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| Till, Rupert | 2009 | "Popular Music as Religion: from trance dancing to worshipping popular music icons." In The Quest for Spirituality and Religion / Es glaubt: Suchen nach Spiritualität und Religion, edited by Niederberger, Lukas; Müller, Lars. Baden, Switzerland: Lars Muller Publishers. | 4/6/2018 | |
| Till, Rupert | 2009 | "Possession trance ritual in electronic dance music culture: a popular ritual technology for reenchantment, addressing the crisis of the homeless self, and reinserting the individual into the community." In Exploring Religion and the Sacred in a Media Age, edited by Deacy, Chris. London: Ashgate. | 4/6/2018 | |
| Till, Rupert | 2011 | "21st Century Trance Cult: Electronic Dance Music Culture as a Form of Possession Trance, and its Role in Replacing the Traditional Roles of Religions Within Western European Popular Youth Culture." In Religion and Popular Music in Europe, edited by Thomas Bossius, Andreas Hager and Keith Kahn Harris. London: I. B. Tauris, 145-162. | link | 4/6/2018 |
| Ueno, Toshiya | 2003 | "Unlearning to Raver: Techno-Party as Contact Zone in Trans-Local Formations." In The Post-Subcultures Reader, edited by David Muggleton and Rupert Weinzierl. Oxford: Berg, 101-117. | 4/6/2018 | |
| van Veen, tobias c | 2004 | "The Reverb Engine." In Unsorted: An A to Z for Sonic Acts X, edited by Arie Altena. Amsterdam: Sonic Acts / de Balie Press, 104-110. | 4/6/2018 | |
| Vitos, Botond | 2010 | "DemenCZe: Psychedelic Madhouse in the Czech Republic." In The Local Scenes and Global Culture of Psytrance, edited by Graham St John. New York: Routledge, 151-169. | 4/6/2018 | |
| Vitos, Botond | 2015 | "Pushing the Boundaries: Investigating the Musical and Social Aesthetics of Dark Psytrance." In Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture, edited by Emília Simão, Sérgio Tenreiro de Magalhães, Armando Malheiro da Silva. Hershey PA: IGI Global, 260–277. | link | 6/15/2018 |
| Whelan, Andrew | 2006 | "Do U Produce?: Subcultural Capital and Amateur Musicianship in Peer-to-Peer Networks." In Cybersounds: Essays on Virtual Music Culture, edited by Ayers, Michael. New York: Peter Lang, 57-81. | 4/6/2018 | |
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| O'Grady, Alice | 2017 | “Dancing Outdoors: the DIY ethic of the campsite, the politics of outdoor space and the aesthetics of the UK alternative festival circuit”, In Weekend societies: electronic dance music festivals and event-cultures, edited by Graham St John. London: Bloomsbury. 137-158. | link | 7/2/2018 |
| St John, Graham | 2012 | "Indian Spirit: Amerindians and the Techno-Tribes of Psytrance." In Tribal Fantasies: Native Americans in the European Imagination, 1900-Present, edited by James Mackay and David Stirrup. New York: Palgrave MacMillan, 173–195. | 7/2/2018 | |
| St John, Graham and Chiara Baldini | 2012 | "Dancing at the Crossroads of Consciousness: Techno-Mysticism, Visionary Arts and Portugal’s Boom Festival." In Handbook of New Religions and Cultural Production, edited by Carole M. Cusack and Alex Norman. Leiden: Brill, 521–552. | 7/2/2018 | |
| St John, Graham | 2012 | "Experience, Tribalism and Remixology in Global Psytrance Culture." In What Matters? Ethnographies of Value in a Not So Secular Age, edited by Courtney Bender and Ann Taves. New York: Columbia University Press, 248–275. | 7/2/2018 | |
| St John, Graham | 2014 | "Begoggled in the Theater of Awe: Electronic Dance Music Culture at Burning Man." In Playa Dust: Collected Stories from Burning Man, edited by Samantha Krukowski. London: Black Dog Publishing, 144–159. | 7/2/2018 | |
| St John, Graham | 2014 | "Goatrance Travellers: Psytrance and its Seasoned Progeny." In The Globalization of Musics in Transit: Musical Migration and Tourism, edited by Simone Krüger and Ruxandra Trandafoiu. New York: Routledge, 160–182. | 7/2/2018 | |
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| St John, Graham | 2016 | "Spiritechnics: Liminalité et techno-chamanisme dans la psytrance." In Anthropologies du corps en transes, edited by Sébastien Baud. Paris: Connaissances et Savoirs, 259–279. | 7/2/2018 | |
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Journal Articles
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Albiez, Sean | 2003 | "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. | 4/6/2018 | |
| Albiez, Sean | 2005 | "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152. | 4/6/2018 | |
| Amico, Stephen | 2001 | "'I Want Muscles': House music, homosexuality and masculine signification." Popular Music 20(3), 359-378. | 4/6/2018 | |
| Anderson, Tammy L | 2009 | "Better to Complicate Rather than Homogenize Urban Nightlife." Sociological Forum 24(4), . | 4/6/2018 | |
| Ashline, William | 2002 | "Clicky Aesthetics: Deleuze, Headphonics, and the Minimalist Assemblage of 'Aberrations'." Strategies: Journal of Theory, Culture, Politics 15(1), 87-104. | 4/6/2018 | |
| Baumann, Gerd | 1990 | "The Reinvention of Bhangra. Social Change and Aesthetic Shifts in Punjabi Music in Britain." World of Music 32(2), 81-98. | 4/6/2018 | |
| Bennett, Andy | 1999 | "Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste." Sociology 33(3), 599-617. | 4/6/2018 | |
| Bradby, B | 1993 | "Sampling Sexuality: Gender, Technology and the Body in Dance Music." Popular Music 12(2), 155-176. | 4/6/2018 | |
| Butler, Mark J | 2001 | "Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music." Music Theory Online 7(6), n/a. | link | 4/6/2018 |
| Butler, Mark J | 2005 | ""Hearing Kaleidoscopes: Embedded Grouping Dissonance in Electronic Dance Music."." twentieth-century music 2(2), 221-243. | 4/6/2018 | |
| Butler, Mark J | 2007 | "• “Elektronische Tanzmusik: Loops, Patterns, Samples, Tracks – Musikalische Identitäten im Fluss.”." Lettre International 79, 113-117. | 4/6/2018 | |
| Cascone, Kim | 2000 | "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music." Computer Music Journal 24(4), 12-18. | link | 4/6/2018 |
| Cascone, Kim | 2002 | "Laptop Music—Counterfeiting Aura in the Age of Infinite Reproduction." Parachute 107, 52-60. | 4/6/2018 | |
| Cascone, Kim | 2004 | "Grain, Sequence, System (three levels of reception in the performance of laptop music)." Hz 4, N/A. | link | 4/6/2018 |
| Chapman, Dale | 2003 | "Hermeneutics of Suspicion: Paranoia and the Technological Sublime in Drum n' Bass Music." Echo: A Music-Centered Journal V(2), . | link | 4/6/2018 |
| Cole, David R | 2007 | "Techno-shamanism and Educational Research." Ashé! Journal of Experimental Spirituality 6(1), 6-34. | link | 4/6/2018 |
| Cole, Fred and Hannan, Michael | 1997 | "Goa Trance: A Psykotropic Trip Through Tribedelic Landscapes." Perfect Beat 3(3), ??. | 4/6/2018 | |
| Collins, Karen | 2005 | "Dead Channel Surfing: The commonalities between cyberpunk literature and industrial music." Popular Music 24(2), 165-178. | 4/6/2018 | |
| David Fernández | 2006 | "Discogràfiques dance. Una indústria cultural en transformació." Treballs de comunicació 21, 125-138. | link | 4/6/2018 |
| Demers, Joanna | 2006 | "Dancing machines: ‘Dance Dance Revolution’, cybernetic dance, and musical taste." Popular Music 25(3), 401-414. | link | 4/6/2018 |
| Fairley, Jan | 2006 | "Dancing back to front: regeton, sexuality, gender and transnationalism in Cuba." Popular Music 25(3), 471-488. | link | 4/6/2018 |
| Farrugia, Rebekah | 2004 | "Sisterdjs in the house: Electronic/dance music and women centered spaces on the net." Women’s Studies in Communication 27(2), 236-262. | 4/6/2018 | |
| Farrugia, Rebekah, Thomas Swiss | 2005 | "Tracking the DJs: Vinyl Records, Work, and the Debate over New Technologies." Journal of Popular Music Studies 17(1), 30-44. | 4/6/2018 | |
| Fikentscher, Kai | 2000 | "Supremely clubbed, devastatingly dubbed: Some observations on the nature of mixes on 12-inch dance singles." Soundscapes: Journal on Media Culture 3 | link | 4/7/2018 |
| Fraser, Alistair & Ettlinger, Nancy | 2008 | "Fragile empowerment: The dynamic cultural economy of British drum and bass music." Geoforum 39(5), 1647-1656. | 4/6/2018 | |
| Gadir, Tami | 2013 | "Techno Intersections: an Aural Account of Research in Edinburgh." Dancecult: Journal of Electronic Dance Music Culture 5 (1), no pages. | link | 6/15/2018 |
| Gadir, Tami | 2016 | "Resistance or Reiteration? Rethinking Gender in DJ Cultures." Contemporary Music Review 35 (1): 115–129. | link | 6/15/2018 |
| Gadir, Tami | 2017 | "Forty-Seven DJs, Four Women: Meritocracy, Talent and Postfeminist Politics." Dancecult: Journal of Electronic Dance Music Culture 9 (1): 50–72. | link | 6/15/2018 |
| Garcia, Luis-Manuel | 2005 | "On and On: Repetition as Process and Pleasure in Electronic Dance Musi." Music Theory Online 11(4), . | link | 4/6/2018 |
| Garcia, Luis-Manuel | 2011 | "Pathological Crowds: Affect and Danger in Responses to the Love Parade Disaster at Duisburg." Dancecult: Journal of Electronic Dance Music Culture 2(1), no pages. | link | 4/6/2018 |
| Garcia, Luis-Manuel | 2015 | "At Home, I’m a Tourist: Musical Migration and Affective Citizenship in Berlin." Journal of Urban Cultural Studies 2 (1+2):121–134. | link | 5/9/2018 |
| Garcia, Luis-Manuel | 2015 | "Beats, Flesh, and Grain: Sonic Tactility and Affect in Electronic Dance Music." Sound Studies 1 (1):59–76. | link | 5/9/2018 |
| Garcia, Luis-Manuel | 2017 | "Agonistic Festivities: Urban Nightlife Scenes and the Sociability of ‘Anti-Social’ Fun." Annals of Leisure Research:1–18. | link | 5/9/2018 |
| Gauthier, François | 2005 | "Orpheus and the Underground: Raves and Implicit Religion—From Interpretation to Critique." Implicit Religion 8(3), 217-265. | 4/6/2018 | |
| Gilbert, Jeremy | 1997 | "Soundtrack to an Uncivil Society: Rave Culture, The Criminal Justice Act and the Politics of Modernity." New Formations 31, 5-24. | 4/6/2018 | |
| Goulding, Christina, Avi Shankar and Richard Elliott | 2002 | "Working Weeks, Rave Weekends: Identity Fragmentation and the Emergence of New Communities." Consumption Markets & Culture 5(2), 261-284. | 4/6/2018 | |
| Greener, Tracey, Robert Hollands | 2006 | "Beyond Subculture and Post-subculture? The Case of Virtual Psytrance." Journal of Youth Studies 9(4), 393-418. | 4/6/2018 | |
| Halfacree, Keith and Rob Kitchin | 1996 | "‘Madchester Rave on’: Placing the Fragments of Popular Music." Arena 28(1), 47-55. | 4/6/2018 | |
| Hansen, Kjetil Falkenberg | 2002 | "The Basics of Scratching." Journal of New Music Research 31(4), 357-365. | link | 4/6/2018 |
| Harrison, Anthony Kwame | 2006 | "‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts." Popular Music 25(2), 283-301. | 4/6/2018 | |
| Hecker, Tim | 2002 | "Sound and the 'Victorious Realm of Electricity'." Parachute 107, 60-68. | 4/6/2018 | |
| Hemment, D | 1996 | "E is for Ekstasis." New Formations 31, 23-38. | 4/6/2018 | |
| Hesmondhalgh, David | 1997 | "The Cultural Politics of Dance Music." Soundings 5, 167-178. | 4/6/2018 | |
| Hesmondhalgh, David | 1998 | "The British Dance Music Industry: A Case Study of Independent Cultural Production." British Journal of Sociology 49(2), 234-251. | 4/6/2018 | |
| Hesmondhalgh, David | 2006 | "Digital Sampling and Cultural Inequality." Social Legal Studies 15(1), 53-75. | 4/6/2018 | |
| Hier, Sean | 2002 | "Raves, Risks and the Ecstacy Panic: A Case Study in the Subversive Nature of Moral Regulation." Canadian Journal of Sociology 27(1), 33-57. | 4/6/2018 | |
| Hill, Andrew | 2002 | "Acid House and Thatcherism: Noise, the Mob and the English Countryside." The British Journal of Sociology 53(1), 89-105. | 4/6/2018 | |
| Hill, Andrew | 2003 | "Acid House and Thatcherism: Contesting Spaces in late 1980s Britain." Space and Polity 7(3), 219-232. | 4/6/2018 | |
| Hope, Donna P | 2004 | "The British link-up crew." Interventions 6(1), 101-117. | 4/6/2018 | |
| Hutson, Scott | 1999 | "Technoshamanism: spiritual healing in the rave subculture." Popular Music and Society 23(3), 53-77. | 4/6/2018 | |
| Jones, Simon | 1995 | "Rocking the House: Sound System Cultures and the Politics of Space." Journal of Popular Music Studies 7, 1-24. | 4/6/2018 | |
| Jordan, Tim | 1996 | "Collective Bodies: Raving and the Politics of Gilles Deleuze and Felix Guattari." Body and Society 1(1`), 125-144. | 4/6/2018 | |
| Langlois, Tony | 1992 | "Can You Feel It? DJs and House Music Culture in the UK." Popular Music 11(2), 229-238. | 4/6/2018 | |
| Lasén, Amparo | 1999 | "Une filiation bâtarde (techno et musique contemporaine)." Cultures en mouvement 21, 49-52. | 4/6/2018 | |
| Lasén, Amparo | 2002 | "“Notas de felicidad extrema. La experiencia musical dance/ Notes of extreme happiness. Dance music experience”." PAC (Pensament i Arts Contemporanis) 2(2), 47-61. | 4/6/2018 | |
| Lasén, Amparo and Martínez de Albeniz, Iñaki | 2001 | "El tecno: variaciones sobre la globalización." Política y Sociedad 36, 129-149. | 4/6/2018 | |
| Loza, Susana | 2001 | "Sampling (hetero)sexuality: diva-ness and discipline in electronic dance music." Popular Music 20(3), 349-357. | link | 4/6/2018 |
| Luckman, Susan | 2003 | "Going Bush and Finding one’s “Tribe”: Raving, Escape and the Bush Doof." Continuum: Journal of Media and Cultural Studies 17(3), 315-330. | 4/6/2018 | |
| Lynch, Gordon and Emily Badger | 2006 | "The Mainstream Post-Rave Club Scene as a Secondary Institution: A British Perspective." Culture and Religion 7(1), 27-40. | 4/6/2018 | |
| Madrid, Alejandro L | 2003 | "Navigating Ideologies in ‘In-Between’ Cultures. Signifying Practices in Nor-tec Music." Latin American Music Review 24(23), 270-286. | 4/6/2018 | |
| Madrid, Alejandro L | 2005 | "Imagining Modernity, Revising Tradition. Nor-tec Music in Tijuana and Other Borders." Popular Music and Society 28(5), 595-618. | link | 4/6/2018 |
| Madrid, Alejandro L | 2006 | "Dancing with Desire. Cultural Embodiment in Tijuana's Nor-tec Music and Dance." Popular Music 25(3), 383-399. | 4/6/2018 | |
| Manuel, Peter, and Wayne Marshall | 2006 | "The riddim method: aesthetics, practice, and ownership in Jamaican dancehall." Popular Music 25(03), 447-470. | 4/6/2018 | |
| Marontate, Jan | 2005 | "Digital recording and the reconfiguration of music as performance." American Behavioral Scientist 48(11), 1422-1438. | 4/6/2018 | |
| Marsh, Charity | 2006 | "‘Understand Us Before You End Us’: Regulation, Governmentality, and the Confessional Practices of Raving Bodies." Popular Music 25/3, 415-430. | 4/6/2018 | |
| Martin, Daniel | 1999 | "Power Play and Party Politics: The Significance of Raving." Journal of Popular Culture 32(4), 77-99. | link | 4/6/2018 |
| McCutcheon, Mark A | 2007 | "Techno, Frankenstein and Copyright." Popular Music 26(2), 259-280. | 4/6/2018 | |
| McLeod, Kembrew | 2001 | "Genres, Subgenres, Sub-Subgenres and more: Musical and Social Difference Within Electronic Dance Music Communities." Journal of Popular Music Studies 13, 59-75. | 4/6/2018 | |
| Miles, S. and Moore, K | 2004 | "Young People, Dance and the Subcultural Consumption of Drugs." Addiction Research and Theory 12(6), 507-524. | 4/6/2018 | |
| Moloney, Molly, Geoffrey Hunt and Kristin Evans | 2008 | "Asian American identity and drug consumption: From acculturation to normalization." Journal of Ethnicity and Substance Abuse 7(1), 376-403. | link | 4/6/2018 |
| Montano, Ed | 2008 | "'You’re Not A Real DJ Unless You Play Vinyl’ – Technology and Formats – The Progression of Dance Music and DJ Culture." Journal on the Art of Record Production 3, 1-9. | 4/6/2018 | |
| Montano, Ed | 2009 | "The Sydney Dance Music Scene and the Global Diffusion of Contemporary Club Culture." Transforming Cultures eJournal 4(1), 43-59. | link | 4/6/2018 |
| Montano, Ed | 2009 | "DJ Culture in the Commercial Sydney Dance Music Scene." Dancecult: Journal of Electronic Dance Music Culture 1(1), 81-93. | link | 4/6/2018 |
| Montano, Ed | 2009 | ""Being Kept in the 'Back' Doesn't Mean That We're Sort of the Poor Cousin": Dance Music and Club Culture in Sydney." Stuck in the Middle: The Mainstream and Its Discontents: Selected Proceedings of the 2008 IASPM-ANZ Conference 1, 135-141. | 4/6/2018 | |
| Montano, Ed | 2010 | "'How do you know he's not playing Pac-Man while he's supposed to be DJing?': technology, formats and the digital future of DJ culture." Popular Music 29(3), 397-416. | 4/6/2018 | |
| Montano, Ed | 2010 | "Back to the Old Skool: Building the Dance Music Canon." What's It Worth?: 'Value' and Popular Music: Selected Papers from the 2009 IASPM Australia-New Zealand Conference 1, 43-47. | 4/6/2018 | |
| Montano, Ed | 2011 | "Festival Fever and International DJs: The Changing Shape of DJ Culture in Sydney’s Commercial Electronic Dance Music Scene." Dancecult: Journal of Electronic Dance Music Culture 2(1), 63-89. | link | 4/6/2018 |
| Moore, David | 1995 | "Raves and the Bohemian search for self and community: a contribution to the anthropology of public events." Anthropological Forum 7(2), 193-214. | 4/6/2018 | |
| Moore, K | 2004 | "A Commitment to Clubbing." Peace Review: A Journal of Social Justice 16(4), 459-465. | 4/6/2018 | |
| Nehring, Neil | 2007 | "'Everyone's Given Up and Just Wants to Go Dancing': From Punk to Rave in the Thatcher Era." Popular Music and Society 30(1), 1-18. | 4/6/2018 | |
| Noys, Benjamin | 1995 | "Into the 'Jungle'." Popular Music 14(3), 321-332. | link | 4/6/2018 |
| Ott, Bill & Brian Herman | 2003 | "Mixed Messages: Resistance and Reappropriation in Rave Culture." Western Journal of Communication 67(3), 249-270. | 4/6/2018 | |
| Partridge, Christopher | 2006 | "The Spiritual and the Revolutionary: Alternative Spirituality, British Free Festivals and the Emergence of Rave Culture." Culture and Religion 7(1), 41-60. | 4/6/2018 | |
| Peterson, Richard A | 1978 | ""'Disco!' Its Distinctive Sound Isn't Just Another Fad." Chronicle of Higher Education October 26-27, . | 4/6/2018 | |
| Philip R. Kavanaugh and Tammy L. Anderson | 2008 | “Solidarity and Drug Use in the ElectronicDance Music Scene.”." The Sociological Quarterly 49, 181-208. | 4/6/2018 | |
| Race, Kane | 2003 | "The death of the dance party." Australian Humanities Review 30, n/a. | link | 4/6/2018 |
| Ragland, Cathy | 2003 | "Mexican Deejays and the Transnational Space of Youth Dances in New York and New Jersey." Ethnomusicology 47(3), 338-354. | link | 4/6/2018 |
| Richardson, John | 2005 | "'The Digital Won't Let Me Go': Constructions of the Virtual and the Real in Gorillaz' 'Clint Eastwood'." Journal of Popular Music Studies 17(1), 1-29. | 4/6/2018 | |
| Rill, Brian | 2006 | "Rave, Communitas, and Embodied Idealism." Music Therapy Today 7(3), 648-661. | link | 4/6/2018 |
| Rodgers, Tara | 2003 | "On the process and aesthetics of sampling in electronic music production." Organized Sound 8, 313-320. | link | 4/6/2018 |
| Rodkey, Christopher | 1999 | "The Existential Notion that "God is Dead" in Industrial Music." Exordium 8, 17-27. | 4/6/2018 | |
| Rodkey, Christopher | 2004 | "Reconsidering Noise in Theology and in Praxis." Doxology 21, 72-91. | 4/6/2018 | |
| Saldanha, Arun | 2002 | "Music Tourism and Factions of Bodies in Goa." Tourist Studies 1, 43-62. | 4/6/2018 | |
| Schaub, Christoph | 2009 | "Beyond the Hood? Detroit Techno, Underground Resistance, and African American Metropolitan Identity Politics." FIAR: forum for inter-america research 2(2), none. | link | 4/6/2018 |
| Schütze, Bernard | 2001 | "Carnivalesque Mutations in the Bahian Carnival and Rave Culture." Religiologiques 24, 155-163. | 4/6/2018 | |
| Sean Nye | 2009 | "Love Parade, Please Not Again: A Berlin Cultural History." Echo: A Music-Centered Journal 9(1), 40. | link | 4/6/2018 |
| Siokou, Christine | 2002 | "Seeking the Vibe." Youth Studies Australia 21(1), 11-18. | 4/6/2018 | |
| Siokou, Christine and David Moore | 2008 | " ‘This is not a rave!’: Changes in the commercialised Melbourne rave/dance party scene." Youth Studies Australia 27(3), 50-57. | 4/6/2018 | |
| Siokou, Christine. Moore, David. and Lee, Helen. (2010) | 2010 | "‘Muzzas’ and ‘Old Skool Ravers’: Ethnicity, drugs and the changing face of Melbourne’s dance party/club scene." Health Sociology Review 19(2), 192-204. | link | 4/6/2018 |
| Smith, Jacob | 2004 | "I Can See Tomorrow In Your Dance: A Study of Dance Dance Revolution and Music Video Games." Journal of Popular Music Studies 16(1), 58-84. | 4/6/2018 | |
| Sommer, Sally | 2001 | "C’mon to my House: Underground-House Dancing." Dance Research Journal 33(2), 72-86. | 4/6/2018 | |
| St John, Graham | 2001 | "The Battle of the Bands: ConFest Musics and the Politics of Authenticity." Perfect Beat 5(2), 69-90. | 4/6/2018 | |
| St John, Graham | 2005 | "Outback Vibes: Sound Systems on the Road to Legitimacy." Postcolonial Studies: Culture, Politics, Economy 8(3), 321-336. | 4/6/2018 | |
| St John, Graham | 2005 | "Off Road Show: Techno, Protest and Feral Theatre." Continuum: Journal of Media and Cultural Studies 19(1), 7-22. | 4/6/2018 | |
| St John, Graham | 2006 | "Electronic Dance Music Culture and Religion: An Overview." Culture and Religion 7(1), 1-26. | 4/6/2018 | |
| St John, Graham | 2009 | "Neotrance and the Psychedelic Festival." Dancecult: Journal of Electronic Dance Music Culture 1(1), 35-64. | link | 4/6/2018 |
| St John, Graham | 2010 | "Making a Noise—Making a Difference: Techno-Punk and Terra-ism." Dancecult: Journal of Electronic Dance Music Culture 1(2), 1-28.. | link | 4/6/2018 |
| St John, Graham | 2011 | "DJ Goa Gil: Kalifornian Exile, Dark Yogi and Dreaded Anomaly." Dancecult: Journal of Electronic Dance Music Culture 3(1), 97-128. | link | 4/6/2018 |
| Stanley-Niaah, Sonjah | 2004 | "Kingston's Dancehall: A Story of Space and Celebration." Space & Culture 7(1), 102-118. | 4/6/2018 | |
| Szepanksi, Achim | 2002 | "Digital Music and Media Theory." Parachute 107, 24-27. | 4/6/2018 | |
| Takahashi, Melanie and Tim Olaveson. 2003 | 2003 | "Music, Dance and Raving Bodies: Raving as Spirituality in the Central Canadian Rave Scene." Journal of Ritual Studies 17(2), 72-96. | 4/6/2018 | |
| Tammy L. Anderson and Philip R. Kavanaugh | 2007 | “A ‘Rave’ Review: Conceptual Interests and Analytical Shifts in Research on Rave Culture.”." Sociology Compass 1, 499-519. | 4/6/2018 | |
| Till, Rupert | 2006 | "The Nine O’Clock Service: Mixing Club Culture and Postmodern Christianity”." Culture and Religion 7(1), 93-110. | 4/6/2018 | |
| Tramacchi, Des | 2000 | "Field tripping: psychedelic communitas and ritual in the Australian bush." Journal of Contemporary Religion 15(2), 201-213. | 4/6/2018 | |
| Turner, Tad | 2003 | "The Resonance of the Cubicle: Laptop Performance in Post-digital Musics." Contemporary Music Review 22(4), 81-92. | 4/6/2018 | |
| van der Laan, J.M | 2007 | "Is it Live, or is it Memorex?." Bulletin of Science Technology Society 27(2), 136-141. | link | 4/6/2018 |
| van Veen, Tobias C | 2003 | "It’s Not a Rave." Journal for the Arts, Sciences and Technology 1(2), 90-96. | 4/6/2018 | |
| van Veen, tobias c | 2003 | "FUCK ART LET’S DANCE." FUSE 26(3), 12-19. | link | 4/6/2018 |
| van Veen, tobias c | 2003 | "It's Not A Rave, Officer [v 1.0]." FUSE 26(1), 30-39. | 4/6/2018 | |
| van Veen, tobias c | 2003 | "It's Not A Rave, Officer [v 2.0]." Graduate Researcher: Journal for the Arts, Sciences and Technology 1(2), 90-96. | link | 4/6/2018 |
| van Veen, tobias c | 2003 | "Turn/Stile: Interpreting Udo Kasemets’ 'CaleNdarON'." Leonardo Music Journal 13, N/A. | link | 4/6/2018 |
| van Veen, tobias c | 2003 | "warehouse . space: rave culture, selling-out, and sonic revolution." Capital 1(1), 10-12. | link | 4/6/2018 |
| van Veen, tobias c | 2005 | "Sonic Warfare, Tactical SoundSystems and the Post-World of Grey Filastine." FUSE 28(4), 11-17. | link | 4/6/2018 |
| van Veen, tobias c | 2006 | "Rhythm Science, Part 1." ElectronicBookReview.com: Music Sound Noise 12-23-2006, N/A. | link | 4/6/2018 |
| Velayutham, S and A. Wise | 2001 | " Dancing with Ga(y)nesh: Rethinking Cultural Appropriation in Multicultural Australia." Postcolonial Studies 4(2), 143-160. | 4/6/2018 | |
| Vitos, Botond | 2009 | "The Inverted Sublimity of the Dark Psytrance Dance Floor." Dancecult: Journal of Electronic Dance Music Culture 1(1), 137-141. | link | 4/6/2018 |
| Vitos, Botond | 2012 | "Discursive Demarcation and Identity Construction in the Czech Psytrance Scene: Experiential Versus Ideological Motivations." EastBound 3(1), 1-22. | link | 4/6/2018 |
| Vitos, Botond | 2014 | "Along the Lines of the Roland TB-303: Three Perversions of Acid Techno." Dancecult: Journal of Electronic Dance Music Culture 6 (1). | link | 6/15/2018 |
| Vitos, Botond | 2014 | "'An Avatar . . . in a Physical Space': Researching the Mediated Immediacy of Electronic Dance Floors." Dancecult: Journal of Electronic Dance Music Culture 6 (2), 1–21. | link | 6/15/2018 |
| Vitos, Botond | 2015 | "Tracing the Lines of an Electronic Tattoo: The Covert Operation of Melbourne Techno." Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture 16 (1–2), 51–70. | link | 6/15/2018 |
| Vitos, Botond | 2017 | "'Go Out on the Weekends to the Forest, Get Trashed and Dance': Residual Behaviors and Reconfigured Environments at Psytrance Festivals." Leisure Sciences 39 (6), 543–560. | link | 6/15/2018 |
| Vitos, Botond | 2017 | "The Dance Floor Experiment: Researching the Mediating Technologies and Embodied Experiences of Electronic Dance Music Events." Popular Music and Society 40 (2), 131–150. | link | 6/15/2018 |
| Williams, Gilbert | 1986 | "The Black Disc Jockey as Cultural Hero." Popular Music and Society 10(3), 79-90. | 4/6/2018 | |
| Wilson, Brian | 2002 | "The Canadian Rave Scene and Five Theses on Youth Resistance." Canadian Journal of Sociology 27(3), 373-412. | 4/6/2018 | |
| Fraser, Alistair | 2014 | "On the Content and Contribution of MCs in British Drum 'n' Bass." Dancecult: Journal of Electronic Dance Music Culture 6(2): 42-60. | link | 6/25/2018 |
| Fraser, Alistair | 2012 | "The spaces, politics, and cultural economies of electronic dance music." Geography Compass 6(8): 500-511. | link | 6/26/2018 |
| O'Grady, Alice | 2012 | “Spaces of play: the spatial dimensions of underground club culture and locating the subjunctive.” Dancecult: Journal of Electronic Dance Music Culture 4(1): 86-106. | link | 7/2/2018 |
| O'Grady, Alice and Rebekka Kill | 2013 | “Exploring Festival Performance as a State of Encounter.” Arts and Humanities in Higher Education: an international journal of theory, research and practice 12(2-3): 268-283. | link | 7/2/2018 |
| O'Grady, Alice | 2013 | “Exploring radical openness: a porous model for relational festival performance.” Studies in Theatre and Performance 33(2): 133-151. | link | 7/2/2018 |
| O'Grady, Alice | 2013 | “Interrupting flow: researching play, performance and immersion in festival scenes.” Dancecult: Journal of Electronic Dance Music Culture 5(1): 18-38. | link | 7/2/2018 |
| O'Grady, Alice | 2015 | “Dancing Outdoors: DiY Ethics and Democratised Practices of Well-being on the UK Alternative Festival Circuit.” Dancecult: Journal of Electronic Dance Music Culture 7(1): 76-96. | link | 7/2/2018 |
| St John, Graham | 2012 | "Freak Media: Vibe Tribes, Sampledelic Outlaws and Israeli Psytrance." Continuum: Journal of Media and Cultural Studies 26(3): 437–447. | link | 7/2/2018 |
| St John, Graham | 2012 | "Seasoned Exodus: The Exile Mosaic of Psyculture." Dancecult: Journal of Electronic Dance Music Culture 4(1): 4–37. | link | 7/2/2018 |
| St John, Graham | 2013 | "The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture." Dancecult: Journal of Electronic Dance Music Culture 5(2): 56–87. | link | 7/2/2018 |
| St John, Graham | 2013 | "Aliens Are Us: Cosmic Liminality, Remixticism and Alienation in Psytrance." Journal of Religion and Popular Culture 25(2): 186–204. | link | 7/2/2018 |
| St John, Graham | 2013 | "Writing the Vibe: Arts of Representation in Electronic Dance Music Culture." Dancecult: Journal of Electronic Dance Music Culture 5(1). | link | 7/2/2018 |
| St John, Graham | 2015 | "Introduction to Weekend Societies: EDM Festivals & Event-Cultures." Dancecult: Journal of Electronic Dance Music Culture 7(1): 1–14. | link | 7/2/2018 |
| Aguiar, Rafae | 2014 | "Na Cabine Do Dj: Observações Na Noite Dos Djs Underground De Música Eletrônica De Fortaleza." Monografia (Graduação em Ciências Sociais), Universidade Federal do Ceará. | link | 8/20/2018 |
Theses and Dissertations
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Abreu, Carolina | 2005 | Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. | link | 4/6/2018 |
| Avery, Anthony P | 2005 | Folklore and alternative masculinities in a rave scene. Ph.D. Dissertation (Folklore), University of New Mexico. | 4/6/2018 | |
| Bates, Eliot | 1997 | Ambient Music. M.A. Thesis (Ethnomusicology), Wesleyan University. | link | 4/6/2018 |
| Borthwick, Stuart | 1998 | Dance, Culture, Television: An Analysis of the Politics of Contemproary Dance Culture and its Televisual Representations. Ph.D. Dissertation, Liverpool John Moores University. | link | 4/6/2018 |
| Butler, Mark J | 2003 | Unlocking the groove: Rhythm, meter, and musical design in electronic dance music. Ph.D. Dissertation, Indiana University. | 4/6/2018 | |
| Chan, Sara Wei-Ming | 2003 | Imaginary soundscapes : electronic music culture and the aesthetics of the virtual. M.A. Thesis, Ryerson University and York University. | 4/6/2018 | |
| Farrugia, Rebekah L | 2004 | Spin-sters: Women, new media technologies and electronic/dance music. Ph.D. Dissertation (Communication studies), University of Iowa. | 4/6/2018 | |
| Ferrigno, Emily | 2008 | Technologies of Emotion: Creating and Performing Drum 'n' Bass. Ph.D. Dissertation (Ethnomusicology), Wesleyan University. | 4/6/2018 | |
| Gadir, Tami | 2014 | Musical Meaning and Social Significance: Techno Triggers for Dancing. Ph.D. Dissertation (Music), University of Edinburgh. | link | 6/15/2018 |
| Garcia, Luis-Manuel | 2011 | ‘Can You Feel It, Too?’: Intimacy and Affect at Electronic Dance Music Events. Ph.D. Dissertation (Department of Music, Ethnomusicology), University of Chicago. | 4/6/2018 | |
| Goldschmitt, Kariann Elaine | 2004 | Foreign Bodies: innovation, repetition, and corporeality in electronic dance music. M.A. Thesis (Music), University of California, San Diego. | 4/6/2018 | |
| Hemmerling, Scott | 1999 | Trance Dancing in Modern Urban America: Rave Culture and the Search for Ritual. M.A. Thesis (M.S. Thesis), University of New Orleans. | 4/6/2018 | |
| Hutton, Fiona | 2001 | Making Out in the City: Negotiating the Feminine on Club Scenes in Manchester. Ph.D. Dissertation, Manchester Metropolitan University. | 4/6/2018 | |
| Kale, Stephanie | 2006 | Beyond Gender?: Women in the Cultural Economy of Electronic Music. M.A. Thesis (Institute of Political Economy), Carleton University. | 4/6/2018 | |
| Kau, Cheryleen | 2006 | Raves and drug use. M.A. Thesis (Criminology), California State University, Long Beach. | 4/6/2018 | |
| Kavanaugh, Philip R | 2006 | Solidarity and drug use in the electronic dance music scene. M.A. Thesis (Cultural Anthropology), University of Delaware. | 4/6/2018 | |
| Kelly, Robert Thomas | 2001 | Physicality and the Edmonton electronic dance music experience. M.A. Thesis, University of Alberta. | 4/6/2018 | |
| Loza, Susana Ilma | 2004 | Global rhetoric, transnational markets: The (post)modern trajectories of electronic dance music. Ph.D. Dissertation, University of California Berkeley. | 4/6/2018 | |
| Luckman, Susan | 2002 | Party people : mapping contemporary dance music cultures in Australia. Ph.D. Dissertation, University of Queensland. | 4/6/2018 | |
| Luvaas, Brent Adam | 2004 | Electro clashes: the politics, practice, and performance of an electronic dance music. M.A. Thesis (Anthropology), University of California, Los Angeles. | 4/6/2018 | |
| Malone, Seamus | 2008 | M24:Starlight. M.A. Thesis (London Consortium / Cultural Studies), University of London / Birkbeck College. | link | 4/6/2018 |
| Marsh, Charity | 2005 | Raving Cyborgs, Queering Practices, and Discourses of Freedom: The Search for Meaning in Toronto's Rave Culture. Ph.D. Dissertation (Popular Music Studies/ Ethnomusicology), York University, Toronto, Canada. | 4/6/2018 | |
| Miller, Graham | 2005 | The Sound of The Third Wave: Science Fiction, Imaginary Machines and the Future of Techno. M.A. Thesis (Ethnomusicology), York University, Toronto. | 4/6/2018 | |
| Montano, Ed | 2007 | DJs, Clubs and Vinyl: The Cultural Commodification and Operational Logics of Contemporary Commercial Dance Music in Sydney. Ph.D. Dissertation (Department of Contemporary Music Studies), Macquarie University. | link | 4/6/2018 |
| Rodkey, Christopher | 2002 | Form, Fragmentation, and Theonomy: Noise as an Expression of Reality. M.A. Thesis (The Divinity School), University of Chicago. | 4/6/2018 | |
| Schmidt, Joshua | 2006 | Fused by Paradox: The Challenge of Being an Israeli Psy-trancer. M.A. Thesis, Ben-Gurion University of the Negev. | 4/6/2018 | |
| Sellin, Yara | 1999 | San Francisco style rave music performance practice and analysis. M.S. Thesis, University of California, Santa Cruz. | 4/6/2018 | |
| Sellin, Yara | 2005 | DJ: Performer, Cyborg, Dominatrix. Ph.D. Dissertation (Musicology), University of California, Los Angeles. | 4/6/2018 | |
| Sliavaite, Kristina | 1998 | When Global Becomes Local: Rave Culture in Lithuania. M.A. Thesis (Department of Social Anthropology), Lund University. | link | 4/6/2018 |
| Sylvan, Robin Daniel | 1998 | Traces of the spirit: The religious dimensions of popular music. Ph.D. Dissertation (Religious Studies), University of California, Santa Barbara. | 4/6/2018 | |
| Terpstra, Hans | 2011 | Transforming the jungle: The transition to digital labels in the world of drum ‘n bass. M.A. Thesis (New Media), University of Amsterdam. | link | 4/6/2018 |
| Vályi, Gábor | 2002 | Grassroots cultural globalisation in the east-central European nu jazz scene. M.A. Thesis (Sociology/ Centre for Urban and Community Research), Goldsmiths College (University of London). | link | 4/6/2018 |
| van Veen, tobias c | 2004 | Reconstruction & Rhythm Science: networks and properties of remix culture. M.A. Thesis (Art History and Communication Studies), McGill University. | link | 4/6/2018 |
| Vecchiola, Carla | 2006 | Detroit's rhythmic resistance: Electronic music and community pride. Ph.D. Dissertation (American Studies), University of Michigan. | 4/6/2018 | |
| Zeiner-Henriksen, Hans T | 2010 | The “PoumTchak” Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music. PhD Thesis (Musicology), University of Oslo, Norway. | link | 4/7/2018 |
| Aguiar, Rafael Silveira de | 2018 | Eu Só Vou Dizer Que Você É Um Dj Daqui A Dez Anos: A Busca Por Reconhecimento E Consagração Entre Os Dj De. Fortaleza - Ce. Dissertação. Programa de Pós-Graduação em Comunicação. Universidade Federal do Ceará | link | 3/7/2019 |
| Castagner, Marc-Olivier | 2019 | Rave-o-lution et appareillages de sécurité en Occident : Résonances 24 heures [Rave-o-lution and security apparatuses in the West : 24 hours Resounding]. Ph.D. Dissertation (Political Science), University of Ottawa | link | 5/12/2019 |
Filmography
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Bredow, Gary | 2006 | High Tech Soul: The Creation of Techno Music. USA: Plexifilm. | link | 4/27/2018 |
| Frisch, Tom | 1999 | Rave culture. | link | 4/27/2018 |
| Latham, Adam | 2006 | Short films of dance parties from UK orbital Sunrise in 1989 to Moontribe Gatherings in the Mojave. | link | 4/28/2018 |
Conference Proceedings
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Gates, Carrie, Subramanian, Sriram, Gutwin, Carl | 2006 | DJs' perspectives on interaction and awareness in nightclubs. DIS '06 Proceedings of the 6th conference on Designing Interactive System, 70-79 | link | 4/28/2018 |
| Zeiner-Henriksen, Hans T | 2006 | A multimedia-enhanced conference paper on early house production methods and their cultural functions and implications. "Manchester, Music and Place" at the Manchester Institute for Popular Culture, Manchester Metropolitan University | link | 4/29/2018 |
| St John, Graham | 2015 | Remixticism: DMT, Psychedelic Electronica and Mystical Experience. In Neurotransmissions: Essays on Psychedelics from Breaking Convention, edited by Dave King, Cameron Adams, David Luke, Ben Sessa, and Aimee Tollan. London: Strange Attractor Press, 215–228. | 7/2/2018 |
Other Resources
Complete Reference List
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| Beeler, Stanley | 2007 | Dance, Drugs, and Escape: The Club Scene in Literature, Film, and Television Since the Late 1980s. Jefferson, N.C: McFarland & Co. | 4/6/2018 | 1_book | |
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| Bussman, Jane | 1998 | Once in a Lifetime: The Crazy Days of Acid House and Afterwards. London: Virgin. | 4/6/2018 | 1_book | |
| Butler, Mark J | 2006 | Unlocking the Groove: Rhythm, meter and musical design in electronic dance music. Bloomington and Indianapolis, IN: Indiana University Press. | 4/6/2018 | 1_book | |
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| Fikentscher, Kai | 2000 | "You Better Work!": Underground Dance Music in New York City. Middletown: Wesleyan University Press. | 4/6/2018 | 1_book | |
| Fink, Robert | 2005 | Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press. | 4/6/2018 | 1_book | |
| Fritz, Jimi | 1999 | Rave Culture: An Insider's Overview. Canada: Smallfry Press. | 4/6/2018 | 1_book | |
| Gaillot, Michel | 1998 | Multiple Meaning Techno: An Artistic and Political Laboratory of the Present. Paris: Editions Dis Voir. | 4/6/2018 | 1_book | |
| Garratt, Sheryl | 1998 | Adventures in Wonderland: A Decade of Club Culture. London: Headline. | 4/6/2018 | 1_book | |
| Geoffrey Hunt, Molly Moloney and Kristin Evans | 2010 | Youth, Drugs and Nightlife. London and New York: Routledge. | 4/6/2018 | 1_book | |
| Gilbert, Jeremy and Ewan Pearson | 1999 | Discographies: Dance Music, Culture and the Politics of Sound. London: Routledge. | 4/6/2018 | 1_book | |
| Green, Jared | 2005 | DJ, Dance and Rave Culture. Detroit: Greenhaven Press. | 4/6/2018 | 1_book | |
| Grynszpan, Emmanuel | 1999 | Bruyante Techno: réflexion sur le son de la free party. Nantes: M. Séteun. | 4/6/2018 | 1_book | |
| Hebdige, Dick | 1987 | Cut 'n' Mix: Culture, Identity and Caribbean Music. New York: Methuen. | 4/6/2018 | 1_book | |
| Hitzler, Ronald and Michaela Pfadenhauer | 2001 | Techno-Soziologie : Erkundungen einer Jugendkultur. Opladen: Leske + Budrich. | 4/6/2018 | 1_book | |
| Hope, Donna P | 2006 | Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press. | 4/6/2018 | 1_book | |
| Hutnyk, John | 2000 | Critique of Exotica: music, politics and the culture industry. London: Pluto Press. | 4/6/2018 | 1_book | |
| Hutton, Fiona | 2006 | Risky Pleasures? Club Cultures and Feminine Identities. Aldershot: Ashgate. | 4/6/2018 | 1_book | |
| Jackson, Phil | 2004 | Inside Clubbing: Sensual Experiments in the Art of Being Human. Oxford: Berg. | 4/6/2018 | 1_book | |
| Jagodzinski, Jan | 2005 | Music in Youth Culture: A Lacanian Approach. New York :: Palgrave Macmillan. | 4/6/2018 | 1_book | |
| James, Martin | 1997 | State of Bass: Jungle - The Story So Far. Basingstoke: Boxtree/ Macmillan. | 4/6/2018 | 1_book | |
| James, Martin | 1998 | Prodigy: Adventures with the Voodoo Crew. London: Ebury Press. | 4/6/2018 | 1_book | |
| James, Martin | 2001 | Moby: Replay - His Life and Times. London: Independent Music Press. | 4/6/2018 | 1_book | |
| James, Martin | 2002 | Fatboy Slim: Funk Soul Brother. London: Sanctuary. | 4/6/2018 | 1_book | |
| James, Martin | 2002 | Prodigy. London: Sanctuary. | 4/6/2018 | 1_book | |
| James, Martin | 2003 | French Connections - From Discotheque to Discovery. London: Sanctuary. | 4/6/2018 | 1_book | |
| Kemper, Christian | 2004 | Mapping techno: jugendliche Mentalitäten der 90er. Frankfurt am Main: Peter Lang. | 4/6/2018 | 1_book | |
| Knowles, Cynthia | 2001 | Up all Night: A Closer Look at Club Drugs and Rave Culture. Geneseo, N.Y: Red House Press. | 4/6/2018 | 1_book | |
| Lawrence, Pete and Vicki Howard (eds) | 2004 | Crossfade: A Big Chill Anthology. London: Serpent’s Tail. | 4/6/2018 | 1_book | |
| Lawrence, Tim | 2003 | Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Durham and London: Duke University Press. | 4/6/2018 | 1_book | |
| Leloup, Jean-Yves | 2007 | Digital Magma : de l'utopie des rave parties à la génération ipod. Paris: Scali. | 4/6/2018 | 1_book | |
| Leloup, Jean-Yves | 2010 | Digital Magma:From the Utopia of Rave Parties to the Ipod Generation. New York: Lukas & Sternberg. | 4/6/2018 | 1_book | |
| Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou | 1999 | Global Tekno vol.1 : Voyage initiatique au cœur de la musique électronique. Paris: Camion Blanc. | 4/6/2018 | 1_book | |
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| Leneghan, Sean | 2010 | The Varities of Ecstasy Experience: An Exploration of Person, Mind and Body in Sydney's Club Culture. Sydney Australia: Lambert Academic Press. | 4/6/2018 | 1_book | |
| Lysloff, René T.A. and Leslie C. Gay, editors | 2003 | Music and Technoculture. Middletown: Wesleyan University Press. | 4/6/2018 | 1_book | |
| Malbon, Ben | 1999 | Clubbing: dancing, ecstasy and vitality. London: Routledge. | 4/6/2018 | 1_book | |
| Mellonee V. Burnim and Portia K. Maultsby | 2006 | African American Music: An Introduction. New York: Routledge. | 4/6/2018 | 1_book | |
| Pinch, Trevor, Frank Trocco | 2002 | Analog Days: The Invention and Impact of the Moog Synthesizer. Boston: Harvard University Press. | 4/6/2018 | 1_book | |
| Pini, Maria | 2001 | Club Cultures and Female Subjectivity: the move from home to house. Hampshire: Palgrave. | 4/6/2018 | 1_book | |
| Prendergast, Mark | 2000 | The Ambient Century: from Mahler to Moby – the Evolution of Sound in the Electronic Age. London: Bloomsbury. | 4/6/2018 | 1_book | |
| Push & Mireille Silcott | 2000 | The book of E: All About Ecstasy. London: Omnibus. | 4/6/2018 | 1_book | |
| Queudrus, Sandy | 2000 | Un Maquis Techno: Modes de'Engagement et Pratiques Sociales dans la Free-Party. Paris: IRMA editions. | 4/6/2018 | 1_book | |
| Racine, Étienne | 2002 | Le Phénomène Techno: Clubs, Raves, Free-parties. Paris: Imago. | 4/6/2018 | 1_book | |
| Rapp, Tobias | 2009 | Lost and Sound: Berlin, Techno und der Easyjetset. Frankfurt am Main: Suhrkamp. | 4/6/2018 | 1_book | |
| Redhead, Steve | 1993 | Rave off: Politics and Deviance in Contemporary Youth Culture. Avebury: Aldershot. | 4/6/2018 | 1_book | |
| Redhead, Steve (ed.) | 1997 | The Clubcultures Reader: readings in popular cultural studies. Oxford: Blackwell. | 4/6/2018 | 1_book | |
| Reynolds, Simon | 2012 | Energy Flash: A Journey Through Rave Music and Dance Culture (Reprint Edition) | 8/6/2018 | 1_book | |
| Rietveld, Hillegonda C | 1998 | This Is Our House: House Music, Cultural Spaces and Technologies. Aldershot: Ashgate. | 4/6/2018 | 1_book | |
| Rupert Till | 2010 | Pop Cult: religion and popular music. London: Continuum. | link | 4/6/2018 | 1_book |
| Saldanha, Arun | 2007 | Psychedelic White: Goa Trance and the Viscosity of Race. Minneapolis: University of Minnesota Press. | 4/6/2018 | 1_book | |
| Saunders, Nicholas | 1993 | E for Ecstasy. London: Nicholas Saunders. | link | 4/6/2018 | 1_book |
| Saunders, Nicholas and Rick Doblin | 1996 | Ecstasy: Dance, trance & transformation. San Francisco: Quick American Publishing Company. | 4/6/2018 | 1_book | |
| Shapiro, Peter | 1999 | Drum'n'bass: The Rough Guide. London: Rough Guide Ltd. | 4/6/2018 | 1_book | |
| Shapiro, Peter ed | 2000 | Modulations: A History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha Productions Inc. | 4/6/2018 | 1_book | |
| Sicko, Dan | 1999 | Techno Rebels: The Renegades of Electronic Funk. New York: Billboard Books. | 4/6/2018 | 1_book | |
| Silcott, Mireille | 1999 | Rave America: New school dancescapes. Quebec: ECW Press. | 4/6/2018 | 1_book | |
| Simon A. Morrison | 2010 | Discombobulated - Dispatches From The Wrong Side. London: Headpress. | link | 4/6/2018 | 1_book |
| Snoman, Rick | 2004 | The Dance Music Manual: Tools, Toys and Techniques. Boston: Focal Press. | 4/6/2018 | 1_book | |
| St John, Graham | 2009 | Technomad: Global Raving Countercultures. London: Equinox. | link | 4/6/2018 | 1_book |
| St John, Graham (ed) | 2001 | FreeNRG: Notes From the Edge of the Dance Floor. Altona: Common Ground. | link | 4/6/2018 | 1_book |
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| St John, Graham | 2012 | "Freak Media: Vibe Tribes, Sampledelic Outlaws and Israeli Psytrance." Continuum: Journal of Media and Cultural Studies 26(3): 437–447. | link | 7/2/2018 | 3_article |
| St John, Graham | 2012 | "Seasoned Exodus: The Exile Mosaic of Psyculture." Dancecult: Journal of Electronic Dance Music Culture 4(1): 4–37. | link | 7/2/2018 | 3_article |
| St John, Graham | 2013 | "The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture." Dancecult: Journal of Electronic Dance Music Culture 5(2): 56–87. | link | 7/2/2018 | 3_article |
| St John, Graham | 2013 | "Aliens Are Us: Cosmic Liminality, Remixticism and Alienation in Psytrance." Journal of Religion and Popular Culture 25(2): 186–204. | link | 7/2/2018 | 3_article |
| St John, Graham | 2013 | "Writing the Vibe: Arts of Representation in Electronic Dance Music Culture." Dancecult: Journal of Electronic Dance Music Culture 5(1). | link | 7/2/2018 | 3_article |
| St John, Graham | 2015 | "Introduction to Weekend Societies: EDM Festivals & Event-Cultures." Dancecult: Journal of Electronic Dance Music Culture 7(1): 1–14. | link | 7/2/2018 | 3_article |
| St John, Graham | 2012 | "Indian Spirit: Amerindians and the Techno-Tribes of Psytrance." In Tribal Fantasies: Native Americans in the European Imagination, 1900-Present, edited by James Mackay and David Stirrup. New York: Palgrave MacMillan, 173–195. | 7/2/2018 | 2_chapter | |
| St John, Graham and Chiara Baldini | 2012 | "Dancing at the Crossroads of Consciousness: Techno-Mysticism, Visionary Arts and Portugal’s Boom Festival." In Handbook of New Religions and Cultural Production, edited by Carole M. Cusack and Alex Norman. Leiden: Brill, 521–552. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2012 | "Experience, Tribalism and Remixology in Global Psytrance Culture." In What Matters? Ethnographies of Value in a Not So Secular Age, edited by Courtney Bender and Ann Taves. New York: Columbia University Press, 248–275. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2014 | "Begoggled in the Theater of Awe: Electronic Dance Music Culture at Burning Man." In Playa Dust: Collected Stories from Burning Man, edited by Samantha Krukowski. London: Black Dog Publishing, 144–159. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2014 | "Goatrance Travellers: Psytrance and its Seasoned Progeny." In The Globalization of Musics in Transit: Musical Migration and Tourism, edited by Simone Krüger and Ruxandra Trandafoiu. New York: Routledge, 160–182. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2015 | "Electronic Dance Music Events." In The Routledge Companion to Religion and Popular Culture, edited by John Lyden and Eric Michael Mazur. New York: Routledge, 336–355. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2015 | "Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance." The Sage Handbook of Popular Music, edited by Andy Bennett and Steve Waksman. London: Sage Publications, 243–260. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2016 | "Spiritechnics: Liminalité et techno-chamanisme dans la psytrance." In Anthropologies du corps en transes, edited by Sébastien Baud. Paris: Connaissances et Savoirs, 259–279. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2017 | "Charms War: Dance Camps and Sound Cars at Burning Man." In Weekend Societies: Electronic Dance Music Festivals and Event-Cultures, edited by Graham St John. New York: Bloomsbury, 219–244. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2017 | "Techno-Shamanism and Trance." In The Bloomsbury Handbook of Religion and Popular Music, edited by Chris Partridge and Marcus Moberg. London: Bloomsbury, 278–285. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2015 | Remixticism: DMT, Psychedelic Electronica and Mystical Experience. In Neurotransmissions: Essays on Psychedelics from Breaking Convention, edited by Dave King, Cameron Adams, David Luke, Ben Sessa, and Aimee Tollan. London: Strange Attractor Press, 215–228. | 7/2/2018 | 6_conference | |
| St John, Graham | 2013 | Global Tribe: Technology, Spirituality and Psytrance. Sheffield: Equinox Publishing. | 6/25/2018 | 1_book | |
| Gilli, Lorenz | 2017 | "'Navigate Your Set'. Zur Virtuosität von DJs." In Schneller, höher, lauter. Virtuosität in populären Musiken, edited by Thomas Phleps. Bielefeld: transcript,153–179 | link | 7/30/2018 | 2_chapter |
| Lawrence, Tim | 2016 | Life and Death on the New York Dance Floor 1980–1983. Durham and London: Duke University Press. | 7/30/2018 | 1_book | |
| Brøvig-Hanssen, Ragnhild, and Anne Danielsen | 2016 | Digital Signatures. The Impact of Digitization on Popular Music Sound. Cambridge and London: MIT Press | link | 7/30/2018 | 1_book |
| Rappe, Michael | 2010 | Under Construction. Kontextbezogene Analyse afroamerikanischer Popmusik. Köln: Dohr | link | 7/30/2018 | 1_book |
| Aguiar, Rafae | 2014 | "Na Cabine Do Dj: Observações Na Noite Dos Djs Underground De Música Eletrônica De Fortaleza." Monografia (Graduação em Ciências Sociais), Universidade Federal do Ceará. | link | 8/20/2018 | 3_article |
| Chrysagis, E. and P. Karampampas (eds) | 2017 | "Collaborative Intimacies: Anthropologies of Sound and Movement." ‘Dance and Performance Studies’ book series, New York and Oxford: Berghahn. | link | 8/21/2018 | 1_book |
| Avery, Anthony | 2005 | “‘I feel that I’m freer to show my feminine side’: Folklore and Alternative Masculinities in a Rave Scene.” In Manly Traditions: The Folk Roots of American Masculinities, edited by Simon J. Bronner. Bloomington: Indiana University Press, 157-170. | link | 8/27/2018 | 2_chapter |
| Avery, Anthony | 2016 | “Rave.” In Youth Cultures in America, edited by Simon J. Bronner and Cindy Dell Clark. New York: ABC-CLIO, 578-581. | link | 8/29/2018 | 2_chapter |
| Aguiar, Rafael Silveira de | 2018 | Eu Só Vou Dizer Que Você É Um Dj Daqui A Dez Anos: A Busca Por Reconhecimento E Consagração Entre Os Dj De. Fortaleza - Ce. Dissertação. Programa de Pós-Graduação em Comunicação. Universidade Federal do Ceará | link | 3/7/2019 | 4_thesis |
| Castagner, Marc-Olivier | 2019 | Rave-o-lution et appareillages de sécurité en Occident : Résonances 24 heures [Rave-o-lution and security apparatuses in the West : 24 hours Resounding]. Ph.D. Dissertation (Political Science), University of Ottawa | link | 5/12/2019 | 4_thesis |
| Anniss, Matt | 2019 | Join The Future: Bleep Techno and the Birth of British Bass Music. London: Velocity Press | link | 6/23/2019 | 1_book |