DRN Reference Resource

Author(s)YearPublicationLinkDate Added
Albiez, Sean and Pattie, David (eds.)2010Kraftwerk: Music Non Stop. New York / London: Continuum.link4/6/2018
Anderson, Tammy2009Rave Culture: the Alteration and Decline of a Philadelphia Music Scene. Philadelphia: Temple University Press.link4/6/2018
Anthony, Wayne1998Class of 88: The True Acid House Experience. London: Virgin.4/6/2018
Anthony, Wayne1999Spanish Highs: Sex, Drugs & Excess in Ibiza. London: Virgin.4/6/2018
Ayers, Michael D2006Cybersounds: Essays On Virtual Music Culture. New York: Peter Lang.4/6/2018
Bahr, Xenia and Oliver Rossdeutscher1995No Rites: Techno-House in Hamburg. Hamburg: Kellner.4/6/2018
Barr, Tim2000Techno: The Rough Guide. London: Rough Guide Ltd.4/6/2018
Beeler, Stanley2007Dance, Drugs, and Escape: The Club Scene in Literature, Film, and Television Since the Late 1980s. Jefferson, N.C: McFarland & Co.4/6/2018
Belle-Fortune, Brian2004All Crews: Journeys Through Jungle / Drum & Bass Culture. London: Vision.4/6/2018
Bennett, Andy, Barry Shank and Jason Toynbee2006Popular Music Studies Reader. New York: Routledge.4/6/2018
Bidder, Sean1999The Rough Guide to House. London: Rough Guides Ltd.4/6/2018
Bidder, Sean2001Pump Up The Volume: A History of House. London: Channel 4 Books.4/6/2018
Blackman, Shane2004Chilling Out: the cultural politics of substance consumption, youth and drug policy. Maidenhead: Open University Press.4/6/2018
Breinl, Christiana2012Free Tekno : Geschichte einer Gegenkultur. Wien: Lit-Verlag.4/6/2018
Brewtser, Bill & Frank Broughton1999Last Night a DJ Saved My Life. New York: Grove Press.4/6/2018
Bull, Michale, Les Back2003The Auditory Culuture Reader (Sensory Formation). Oxford: Berg.4/6/2018
Bussman, Jane1998Once in a Lifetime: The Crazy Days of Acid House and Afterwards. London: Virgin.4/6/2018
Butler, Mark J2006Unlocking the Groove: Rhythm, meter and musical design in electronic dance music. Bloomington and Indianapolis, IN: Indiana University Press.4/6/2018
Chang, Jeff2005Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York: Picador.4/6/2018
Collin, Matthew1997Altered State: The Story of Ecstasy Culture and Acid House. London: Serpent's Tail.4/6/2018
Colombié, Thierry, Nacer Lalam and Michel Schiray2000Drogue et techno: les trafiquants de rave. Paris: Stock.4/6/2018
Courtney, Dave2000Raving Lunacy: Clubbed to Death - Adventures on the Rave Scene. London: Virgin.4/6/2018
D'Andrea, Anthony2007Global Nomads: Techno and New Age as Transnational Countercultures. London/New York: Routledge.4/6/2018
De Haro, Sarah and Wilfrid Estéve20023672: La Free Story. Paris: Trouble-Fête.4/6/2018
de Jong, Alex, Marc Shuilenberg2006Mediapolis: Popular Culture and the City. Rotterdam: 010 Publishers.4/6/2018
Eshun, Kodwo1998More Brilliant Than The Sun: Adventures In Sonic Fiction. London: Quartet Books.4/6/2018
Fikentscher, Kai2000"You Better Work!": Underground Dance Music in New York City. Middletown: Wesleyan University Press.4/6/2018
Fink, Robert2005Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press.4/6/2018
Fritz, Jimi1999Rave Culture: An Insider's Overview. Canada: Smallfry Press.4/6/2018
Gaillot, Michel1998Multiple Meaning Techno: An Artistic and Political Laboratory of the Present. Paris: Editions Dis Voir.4/6/2018
Garratt, Sheryl1998Adventures in Wonderland: A Decade of Club Culture. London: Headline.4/6/2018
Geoffrey Hunt, Molly Moloney and Kristin Evans2010Youth, Drugs and Nightlife. London and New York: Routledge.4/6/2018
Gilbert, Jeremy and Ewan Pearson1999Discographies: Dance Music, Culture and the Politics of Sound. London: Routledge.4/6/2018
Green, Jared2005DJ, Dance and Rave Culture. Detroit: Greenhaven Press.4/6/2018
Grynszpan, Emmanuel1999Bruyante Techno: réflexion sur le son de la free party. Nantes: M. Séteun.4/6/2018
Hebdige, Dick1987Cut 'n' Mix: Culture, Identity and Caribbean Music. New York: Methuen.4/6/2018
Hitzler, Ronald and Michaela Pfadenhauer2001Techno-Soziologie : Erkundungen einer Jugendkultur. Opladen: Leske + Budrich.4/6/2018
Hope, Donna P2006Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press.4/6/2018
Hutnyk, John2000Critique of Exotica: music, politics and the culture industry. London: Pluto Press.4/6/2018
Hutton, Fiona2006Risky Pleasures? Club Cultures and Feminine Identities. Aldershot: Ashgate.4/6/2018
Jackson, Phil2004Inside Clubbing: Sensual Experiments in the Art of Being Human. Oxford: Berg.4/6/2018
Jagodzinski, Jan2005Music in Youth Culture: A Lacanian Approach. New York :: Palgrave Macmillan.4/6/2018
James, Martin1997State of Bass: Jungle - The Story So Far. Basingstoke: Boxtree/ Macmillan.4/6/2018
James, Martin1998Prodigy: Adventures with the Voodoo Crew. London: Ebury Press.4/6/2018
James, Martin2001Moby: Replay - His Life and Times. London: Independent Music Press.4/6/2018
James, Martin2002Fatboy Slim: Funk Soul Brother. London: Sanctuary.4/6/2018
James, Martin2002Prodigy. London: Sanctuary.4/6/2018
James, Martin2003French Connections - From Discotheque to Discovery. London: Sanctuary.4/6/2018
Kemper, Christian2004Mapping techno: jugendliche Mentalitäten der 90er. Frankfurt am Main: Peter Lang.4/6/2018
Knowles, Cynthia2001Up all Night: A Closer Look at Club Drugs and Rave Culture. Geneseo, N.Y: Red House Press.4/6/2018
Lawrence, Pete and Vicki Howard (eds)2004Crossfade: A Big Chill Anthology. London: Serpent’s Tail.4/6/2018
Lawrence, Tim2003Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Durham and London: Duke University Press.4/6/2018
Leloup, Jean-Yves2007Digital Magma : de l'utopie des rave parties à la génération ipod. Paris: Scali.4/6/2018
Leloup, Jean-Yves2010Digital Magma:From the Utopia of Rave Parties to the Ipod Generation. New York: Lukas & Sternberg.4/6/2018
Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou1999Global Tekno vol.1 : Voyage initiatique au cœur de la musique électronique. Paris: Camion Blanc.4/6/2018
Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou2008Global Techno 1.0 : l'authentique histoire de la musique électronique. Paris: Scali.4/6/2018
Leneghan, Sean2010The Varities of Ecstasy Experience: An Exploration of Person, Mind and Body in Sydney's Club Culture. Sydney Australia: Lambert Academic Press.4/6/2018
Lysloff, René T.A. and Leslie C. Gay, editors2003Music and Technoculture. Middletown: Wesleyan University Press.4/6/2018
Malbon, Ben1999Clubbing: dancing, ecstasy and vitality. London: Routledge.4/6/2018
Mellonee V. Burnim and Portia K. Maultsby2006African American Music: An Introduction. New York: Routledge.4/6/2018
Pinch, Trevor, Frank Trocco2002Analog Days: The Invention and Impact of the Moog Synthesizer. Boston: Harvard University Press.4/6/2018
Pini, Maria2001Club Cultures and Female Subjectivity: the move from home to house. Hampshire: Palgrave.4/6/2018
Prendergast, Mark2000The Ambient Century: from Mahler to Moby – the Evolution of Sound in the Electronic Age. London: Bloomsbury.4/6/2018
Push & Mireille Silcott2000The book of E: All About Ecstasy. London: Omnibus.4/6/2018
Queudrus, Sandy2000Un Maquis Techno: Modes de'Engagement et Pratiques Sociales dans la Free-Party. Paris: IRMA editions.4/6/2018
Racine, Étienne2002Le Phénomène Techno: Clubs, Raves, Free-parties. Paris: Imago.4/6/2018
Rapp, Tobias2009Lost and Sound: Berlin, Techno und der Easyjetset. Frankfurt am Main: Suhrkamp.4/6/2018
Redhead, Steve1993Rave off: Politics and Deviance in Contemporary Youth Culture. Avebury: Aldershot.4/6/2018
Redhead, Steve (ed.)1997The Clubcultures Reader: readings in popular cultural studies. Oxford: Blackwell.4/6/2018
Reynolds, Simon2012Energy Flash: A Journey Through Rave Music and Dance Culture (Reprint Edition)8/6/2018
Rietveld, Hillegonda C1998This Is Our House: House Music, Cultural Spaces and Technologies. Aldershot: Ashgate.4/6/2018
Rupert Till2010Pop Cult: religion and popular music. London: Continuum.link4/6/2018
Saldanha, Arun2007Psychedelic White: Goa Trance and the Viscosity of Race. Minneapolis: University of Minnesota Press.4/6/2018
Saunders, Nicholas1993E for Ecstasy. London: Nicholas Saunders.link4/6/2018
Saunders, Nicholas and Rick Doblin1996Ecstasy: Dance, trance & transformation. San Francisco: Quick American Publishing Company.4/6/2018
Shapiro, Peter1999Drum'n'bass: The Rough Guide. London: Rough Guide Ltd.4/6/2018
Shapiro, Peter ed2000Modulations: A History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha Productions Inc.4/6/2018
Sicko, Dan1999Techno Rebels: The Renegades of Electronic Funk. New York: Billboard Books.4/6/2018
Silcott, Mireille1999Rave America: New school dancescapes. Quebec: ECW Press.4/6/2018
Simon A. Morrison2010Discombobulated - Dispatches From The Wrong Side. London: Headpress.link4/6/2018
Snoman, Rick2004The Dance Music Manual: Tools, Toys and Techniques. Boston: Focal Press.4/6/2018
St John, Graham2009Technomad: Global Raving Countercultures. London: Equinox.link4/6/2018
St John, Graham (ed)2001FreeNRG: Notes From the Edge of the Dance Floor. Altona: Common Ground.link4/6/2018
St John, Graham (ed)2004Rave Culture and Religion. New York: Routledge.4/6/2018
St John, Graham (ed)2010The Local Scenes and Global Culture of Psytrance. New York: Routledge.4/6/2018
Sterneck, Wolfgang2005Tandzende Sterne: Party, Tribes und Widerstand. Frankfurt-main: Nacthtschatten and KomstA.4/6/2018
Stolzoff, Norman2000Wake the Town and Tell the People: Dancehall Culture in Jamaica. London: Duke University Press.4/6/2018
Stone, C. J1996Fierce Dancing: Adventures in the Underground. London: Faber and Faber.4/6/2018
Sylvan, Robin2005Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. New York: Routledge.4/6/2018
Sylvan, Robin Daniel2002Traces of the spirit: The religious dimensions of popular music. New York: New York University Press.4/6/2018
Taylor, Timothy D2001Strange Sounds: Music, Technology & Culture. New York: Routledge.4/6/2018
Thornton, Sarah1996Club Cultures: Music, Media, and Subcultural Capital. Hanover: Wesleyan University Press.4/6/2018
Toop, David1995Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent's Tail.4/6/2018
Toop, David2004Haunted Weather: Music, Silence, and Memory. London: Serpents Tail.4/6/2018
Twist, Cinnamon (ed.)1999Guerillas of Harmony: Communiques from the Dance Underground. LA: Tribal Donut.4/6/2018
Vaudrin, Marie-Claude2004La musique techno, ou, Le retour de Dionysos: je rave, tu raves, nous rêvons. Paris: Harmattan.4/6/2018
Veal, Michael2007Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan University Press.4/6/2018
Weinel, Jon2018Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media. New York: Oxford University Press.link6/15/2018
Whelan, Andrew2008Breakcore: identity and interaction on peer-to-peer. Newcastle: Cambridge Scholars.link4/6/2018
Wilder, Eliot2005Endtroducing. London: Continuum Books.4/6/2018
Wilson, Brian2006Fight, Flight Or Chill: Subcultures, Youth, And Rave In The Twenty-first Century. Kingston, Ontario: McGill-Queen's University Press.4/6/2018
St John, Graham (ed)2017Weekend Societies: Electronic Dance Music Festivals and Event-Cultures. New York: Bloomsbury.6/25/2018
Butler, Mark J2014"Playing with Something That Runs : Technology, Improvisation, and Composition in DJ and Laptop Performance." New York, NY: Oxford University Press.link6/25/2018
St John, Graham2013Global Tribe: Technology, Spirituality and Psytrance. Sheffield: Equinox Publishing.6/25/2018
Lawrence, Tim2016Life and Death on the New York Dance Floor 1980–1983. Durham and London: Duke University Press.7/30/2018
Brøvig-Hanssen, Ragnhild, and Anne Danielsen2016Digital Signatures. The Impact of Digitization on Popular Music Sound. Cambridge and London: MIT Presslink7/30/2018
Rappe, Michael2010Under Construction. Kontextbezogene Analyse afroamerikanischer Popmusik. Köln: Dohrlink7/30/2018
Chrysagis, E. and P. Karampampas (eds)2017"Collaborative Intimacies: Anthropologies of Sound and Movement." ‘Dance and Performance Studies’ book series, New York and Oxford: Berghahn.link8/21/2018
Anniss, Matt2019Join The Future: Bleep Techno and the Birth of British Bass Music. London: Velocity Presslink6/23/2019
Papic, Mariette2016The Digital Nomad Manifestolink1/19/2020
Etyang, J. H., J. Nyairo and F. Sievers (Eds)2020TEN CITIES : Clubbing in Nairobi, Cairo, Kyiv, Johannesburg, Naples, Berlin, Luanda, Lagos, Bristol, Lisbon 1960 - March 2020link12/21/2020

Author(s)YearPublicationLinkDate Added
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Bates, Eliot2004"Glitches, Bugs, and Hisses: the degeneration of musical recordings and the contemporary musical work." In Bad Music: Music that you love to hate, edited by Chris Washburne and Maiken Derno. New York: Routledge.4/6/2018
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Butler, Mark J2005"‘Everybody Needs a 303, Everybody Loves a Filter’: Electronic Dance Music and the Aesthetics of Obsolescence." In Digital Media: Transformations in Human Communication, edited by Paul Messaris and Lee Humphreys. New York: Peter Lang, 111-18.4/6/2018
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Dyer, Richard1990"In Defence of Disco." In On Record: Rock, Pop and the Written Word, edited by Simon Frith and Andrew Goodwin. New York: Pantheon, 410-418.4/6/2018
Fikentscher, Kai2003"There's not a problem I can't fix, 'cause I can do it in the mix: On the Performative Technology of 12-inch Vinyl." In Music and Technoculture, edited by Lysloff, René and Gay, Leslie C. Middletown: Wesleyan University Press, 290-315.4/6/2018
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Garcia, Luis-Manuel2013"Crowd Solidarity on the Dance Floor in Paris and Berlin." In Musical Performance and the Changing City: Post-industrial Contexts in Europe and the United States, edited by Fabian Holt and Carsten Wergin, 227–255. New York, NY: Routledge.link5/9/2018
Gauthier, François2004"Rapturous Ruptures: The ‘Instituant’ Religious Experience of Rave." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 65-84.4/6/2018
Gerard, Morgan2004"Selecting Ritual: DJs, Dancers and Liminality in Underground Dance Music." In Rave Culture and Religion, edited by Graham St. John. London: Routledge, 167-184.4/6/2018
Gibson, Chris2001"Appropriating the Means of Production: Dance Music Industries and Contested Digital Space." In FreeNRG: Notes From the Edge of the Dance Floor, edited by Graham St John. Melbourne: Common Ground, 237-255.4/6/2018
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Hall, Joanna2008"Mapping the Multifarious: The Genrification of Dance Music Club Cultures." In Decentring Dancing Texts: The Challenge of Interpreting Dances, edited by Lansdale, J. Basingstoke: Palgrave Macmillan.4/6/2018
Hesmondhalgh, David, and Caspar Melville2001"Urban Breakbeat Culture." In Global Noise: Rap and Hip-Hop Outside the USA, edited by Timothy Mitchell. Middletown: Wesleyan University Press.4/6/2018
Hill, Desmond1999"Mobile Anarchy: The House Movement, Shamanism and Community." In Psychedelics Reimagined, edited by Thomas Lyttle. New York: Autonomedia, 95-106.4/6/2018
Hitzler, Ronald & Pfadenhauer, Michaela2002"Existential Strategies: The Making of Community and Politics in the Techno/Rave Scene." In Postmodern Existential Sociology, edited by Joseph Kotarba and John Johnson. Walnut Creek: Alta Mira, 87-101.4/6/2018
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Till, Rupert2009"Popular Music as Religion: from trance dancing to worshipping popular music icons." In The Quest for Spirituality and Religion / Es glaubt: Suchen nach Spiritualität und Religion, edited by Niederberger, Lukas; Müller, Lars. Baden, Switzerland: Lars Muller Publishers.4/6/2018
Till, Rupert2009"Possession trance ritual in electronic dance music culture: a popular ritual technology for reenchantment, addressing the crisis of the homeless self, and reinserting the individual into the community." In Exploring Religion and the Sacred in a Media Age, edited by Deacy, Chris. London: Ashgate.4/6/2018
Till, Rupert2011"21st Century Trance Cult: Electronic Dance Music Culture as a Form of Possession Trance, and its Role in Replacing the Traditional Roles of Religions Within Western European Popular Youth Culture." In Religion and Popular Music in Europe, edited by Thomas Bossius, Andreas Hager and Keith Kahn Harris. London: I. B. Tauris, 145-162.link4/6/2018
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St John, Graham2013"Aliens Are Us: Cosmic Liminality, Remixticism and Alienation in Psytrance." Journal of Religion and Popular Culture 25(2): 186–204.link7/2/2018
St John, Graham2013"Writing the Vibe: Arts of Representation in Electronic Dance Music Culture." Dancecult: Journal of Electronic Dance Music Culture 5(1).link7/2/2018
St John, Graham2015"Introduction to Weekend Societies: EDM Festivals & Event-Cultures." Dancecult: Journal of Electronic Dance Music Culture 7(1): 1–14.link7/2/2018
Aguiar, Rafae2014"Na Cabine Do Dj: Observações Na Noite Dos Djs Underground De Música Eletrônica De Fortaleza." Monografia (Graduação em Ciências Sociais), Universidade Federal do Ceará.link8/20/2018
Weinel, Jonathan2014"Shamanic diffusions: a technoshamanic philosophy of electroacoustic music" Sonic Ideas/Ideas Sonicas, vol. 6, no. 12link8/18/2019
Fraser, Alistair2019"Death of/in British Drum 'n' Bass Music." Dancecult: Journal of Electronic Dance Music Culture 11(1).link3/19/2021

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Abreu, Carolina2005Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo.link4/6/2018
Avery, Anthony P2005Folklore and alternative masculinities in a rave scene. Ph.D. Dissertation (Folklore), University of New Mexico.4/6/2018
Bates, Eliot1997Ambient Music. M.A. Thesis (Ethnomusicology), Wesleyan University.link4/6/2018
Borthwick, Stuart1998Dance, Culture, Television: An Analysis of the Politics of Contemproary Dance Culture and its Televisual Representations. Ph.D. Dissertation, Liverpool John Moores University.link4/6/2018
Butler, Mark J2003Unlocking the groove: Rhythm, meter, and musical design in electronic dance music. Ph.D. Dissertation, Indiana University.4/6/2018
Chan, Sara Wei-Ming2003Imaginary soundscapes : electronic music culture and the aesthetics of the virtual. M.A. Thesis, Ryerson University and York University.4/6/2018
Farrugia, Rebekah L2004Spin-sters: Women, new media technologies and electronic/dance music. Ph.D. Dissertation (Communication studies), University of Iowa.4/6/2018
Ferrigno, Emily2008Technologies of Emotion: Creating and Performing Drum 'n' Bass. Ph.D. Dissertation (Ethnomusicology), Wesleyan University.4/6/2018
Gadir, Tami2014Musical Meaning and Social Significance: Techno Triggers for Dancing. Ph.D. Dissertation (Music), University of Edinburgh.link6/15/2018
Garcia, Luis-Manuel2011‘Can You Feel It, Too?’: Intimacy and Affect at Electronic Dance Music Events. Ph.D. Dissertation (Department of Music, Ethnomusicology), University of Chicago.4/6/2018
Goldschmitt, Kariann Elaine2004Foreign Bodies: innovation, repetition, and corporeality in electronic dance music. M.A. Thesis (Music), University of California, San Diego.4/6/2018
Hemmerling, Scott1999Trance Dancing in Modern Urban America: Rave Culture and the Search for Ritual. M.A. Thesis (M.S. Thesis), University of New Orleans.4/6/2018
Hutton, Fiona2001Making Out in the City: Negotiating the Feminine on Club Scenes in Manchester. Ph.D. Dissertation, Manchester Metropolitan University.4/6/2018
Kale, Stephanie2006Beyond Gender?: Women in the Cultural Economy of Electronic Music. M.A. Thesis (Institute of Political Economy), Carleton University.4/6/2018
Kau, Cheryleen2006Raves and drug use. M.A. Thesis (Criminology), California State University, Long Beach.4/6/2018
Kavanaugh, Philip R2006Solidarity and drug use in the electronic dance music scene. M.A. Thesis (Cultural Anthropology), University of Delaware.4/6/2018
Kelly, Robert Thomas2001Physicality and the Edmonton electronic dance music experience. M.A. Thesis, University of Alberta.4/6/2018
Loza, Susana Ilma2004Global rhetoric, transnational markets: The (post)modern trajectories of electronic dance music. Ph.D. Dissertation, University of California Berkeley.4/6/2018
Luckman, Susan2002Party people : mapping contemporary dance music cultures in Australia. Ph.D. Dissertation, University of Queensland.4/6/2018
Luvaas, Brent Adam2004Electro clashes: the politics, practice, and performance of an electronic dance music. M.A. Thesis (Anthropology), University of California, Los Angeles.4/6/2018
Malone, Seamus2008M24:Starlight. M.A. Thesis (London Consortium / Cultural Studies), University of London / Birkbeck College.link4/6/2018
Marsh, Charity2005Raving Cyborgs, Queering Practices, and Discourses of Freedom: The Search for Meaning in Toronto's Rave Culture. Ph.D. Dissertation (Popular Music Studies/ Ethnomusicology), York University, Toronto, Canada.4/6/2018
Miller, Graham2005The Sound of The Third Wave: Science Fiction, Imaginary Machines and the Future of Techno. M.A. Thesis (Ethnomusicology), York University, Toronto.4/6/2018
Montano, Ed2007DJs, Clubs and Vinyl: The Cultural Commodification and Operational Logics of Contemporary Commercial Dance Music in Sydney. Ph.D. Dissertation (Department of Contemporary Music Studies), Macquarie University.link4/6/2018
Rodkey, Christopher2002Form, Fragmentation, and Theonomy: Noise as an Expression of Reality. M.A. Thesis (The Divinity School), University of Chicago.4/6/2018
Schmidt, Joshua2006Fused by Paradox: The Challenge of Being an Israeli Psy-trancer. M.A. Thesis, Ben-Gurion University of the Negev.4/6/2018
Sellin, Yara1999San Francisco style rave music performance practice and analysis. M.S. Thesis, University of California, Santa Cruz.4/6/2018
Sellin, Yara2005DJ: Performer, Cyborg, Dominatrix. Ph.D. Dissertation (Musicology), University of California, Los Angeles.4/6/2018
Sliavaite, Kristina1998When Global Becomes Local: Rave Culture in Lithuania. M.A. Thesis (Department of Social Anthropology), Lund University.link4/6/2018
Sylvan, Robin Daniel1998Traces of the spirit: The religious dimensions of popular music. Ph.D. Dissertation (Religious Studies), University of California, Santa Barbara.4/6/2018
Terpstra, Hans2011Transforming the jungle: The transition to digital labels in the world of drum ‘n bass. M.A. Thesis (New Media), University of Amsterdam.link4/6/2018
Vályi, Gábor2002Grassroots cultural globalisation in the east-central European nu jazz scene. M.A. Thesis (Sociology/ Centre for Urban and Community Research), Goldsmiths College (University of London).link4/6/2018
van Veen, tobias c2004Reconstruction & Rhythm Science: networks and properties of remix culture. M.A. Thesis (Art History and Communication Studies), McGill University.link4/6/2018
Vecchiola, Carla2006Detroit's rhythmic resistance: Electronic music and community pride. Ph.D. Dissertation (American Studies), University of Michigan.4/6/2018
Zeiner-Henriksen, Hans T2010The “PoumTchak” Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music. PhD Thesis (Musicology), University of Oslo, Norway.link4/7/2018
Aguiar, Rafael Silveira de2018Eu Só Vou Dizer Que Você É Um Dj Daqui A Dez Anos: A Busca Por Reconhecimento E Consagração Entre Os Dj De. Fortaleza - Ce. Dissertação. Programa de Pós-Graduação em Comunicação. Universidade Federal do Cearálink3/7/2019
Castagner, Marc-Olivier2019Rave-o-lution et appareillages de sécurité en Occident : Résonances 24 heures [Rave-o-lution and security apparatuses in the West : 24 hours Resounding]. Ph.D. Dissertation (Political Science), University of Ottawalink5/12/2019
Dalphond, Denise2014Detroit Players: Wax, Tracks, and Soul in Electronic Music. PhD dissertation. Indiana University.12/21/2020

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Bredow, Gary2006High Tech Soul: The Creation of Techno Music. USA: Plexifilm.link4/27/2018
Frisch, Tom1999Rave culture.link4/27/2018
Latham, Adam2006Short films of dance parties from UK orbital Sunrise in 1989 to Moontribe Gatherings in the Mojave.link4/28/2018

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Gates, Carrie, Subramanian, Sriram, Gutwin, Carl2006DJs' perspectives on interaction and awareness in nightclubs. DIS '06 Proceedings of the 6th conference on Designing Interactive System, 70-79 link4/28/2018
Zeiner-Henriksen, Hans T2006A multimedia-enhanced conference paper on early house production methods and their cultural functions and implications. "Manchester, Music and Place" at the Manchester Institute for Popular Culture, Manchester Metropolitan Universitylink4/29/2018
St John, Graham2015Remixticism: DMT, Psychedelic Electronica and Mystical Experience. In Neurotransmissions: Essays on Psychedelics from Breaking Convention, edited by Dave King, Cameron Adams, David Luke, Ben Sessa, and Aimee Tollan. London: Strange Attractor Press, 215–228.7/2/2018

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Cliff, Dave2005hpDJ: An automated DJ with floorshow feedback. Digital Media Systems Laboratory, HP Laboratories Bristollink4/29/2018
Garcia, Luis-Manuel2014An Alternate History of Sexuality in Club Culture. Resident Advisor.link5/9/2018

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Vecchiola, Carla2006Detroit's rhythmic resistance: Electronic music and community pride. Ph.D. Dissertation (American Studies), University of Michigan.4/6/20184_thesis
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Bredow, Gary2006High Tech Soul: The Creation of Techno Music. USA: Plexifilm.link4/27/20185_film
Frisch, Tom1999Rave culture.link4/27/20185_film
Latham, Adam2006Short films of dance parties from UK orbital Sunrise in 1989 to Moontribe Gatherings in the Mojave.link4/28/20185_film
Gates, Carrie, Subramanian, Sriram, Gutwin, Carl2006DJs' perspectives on interaction and awareness in nightclubs. DIS '06 Proceedings of the 6th conference on Designing Interactive System, 70-79 link4/28/20186_conference
Zeiner-Henriksen, Hans T2006A multimedia-enhanced conference paper on early house production methods and their cultural functions and implications. "Manchester, Music and Place" at the Manchester Institute for Popular Culture, Manchester Metropolitan Universitylink4/29/20186_conference
Cliff, Dave2005hpDJ: An automated DJ with floorshow feedback. Digital Media Systems Laboratory, HP Laboratories Bristollink4/29/20187_other
Garcia, Luis-Manuel2014An Alternate History of Sexuality in Club Culture. Resident Advisor.link5/9/20187_other
St John, Graham (ed)2017Weekend Societies: Electronic Dance Music Festivals and Event-Cultures. New York: Bloomsbury.6/25/20181_book
Butler, Mark J2014"Playing with Something That Runs : Technology, Improvisation, and Composition in DJ and Laptop Performance." New York, NY: Oxford University Press.link6/25/20181_book
Fraser, Alistair2014"On the Content and Contribution of MCs in British Drum 'n' Bass." Dancecult: Journal of Electronic Dance Music Culture 6(2): 42-60.link6/25/20183_article
Fraser, Alistair2012"The spaces, politics, and cultural economies of electronic dance music." Geography Compass 6(8): 500-511.link6/26/20183_article
O'Grady, Alice2012“Spaces of play: the spatial dimensions of underground club culture and locating the subjunctive.” Dancecult: Journal of Electronic Dance Music Culture 4(1): 86-106.link7/2/20183_article
O'Grady, Alice and Rebekka Kill2013“Exploring Festival Performance as a State of Encounter.” Arts and Humanities in Higher Education: an international journal of theory, research and practice 12(2-3): 268-283.link7/2/20183_article
O'Grady, Alice2013“Exploring radical openness: a porous model for relational festival performance.” Studies in Theatre and Performance 33(2): 133-151.link7/2/20183_article
O'Grady, Alice2013“Interrupting flow: researching play, performance and immersion in festival scenes.” Dancecult: Journal of Electronic Dance Music Culture 5(1): 18-38.link7/2/20183_article
O'Grady, Alice2015“Dancing Outdoors: DiY Ethics and Democratised Practices of Well-being on the UK Alternative Festival Circuit.” Dancecult: Journal of Electronic Dance Music Culture 7(1): 76-96.link7/2/20183_article
O'Grady, Alice2015“Alternative playworlds: Psytrance festivals, deep play and creative zones of transcendence.” In The Pop Festival: history, music, media, culture, edited by Gerogre McKay. London: Bloomsbury. 149-164.link7/2/20182_chapter
O'Grady, Alice2017“Dancing Outdoors: the DIY ethic of the campsite, the politics of outdoor space and the aesthetics of the UK alternative festival circuit”, In Weekend societies: electronic dance music festivals and event-cultures, edited by Graham St John. London: Bloomsbury. 137-158.link7/2/20182_chapter
St John, Graham2012"Freak Media: Vibe Tribes, Sampledelic Outlaws and Israeli Psytrance." Continuum: Journal of Media and Cultural Studies 26(3): 437–447.link7/2/20183_article
St John, Graham2012"Seasoned Exodus: The Exile Mosaic of Psyculture." Dancecult: Journal of Electronic Dance Music Culture 4(1): 4–37.link7/2/20183_article
St John, Graham2013"The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture." Dancecult: Journal of Electronic Dance Music Culture 5(2): 56–87.link7/2/20183_article
St John, Graham2013"Aliens Are Us: Cosmic Liminality, Remixticism and Alienation in Psytrance." Journal of Religion and Popular Culture 25(2): 186–204.link7/2/20183_article
St John, Graham2013"Writing the Vibe: Arts of Representation in Electronic Dance Music Culture." Dancecult: Journal of Electronic Dance Music Culture 5(1).link7/2/20183_article
St John, Graham2015"Introduction to Weekend Societies: EDM Festivals & Event-Cultures." Dancecult: Journal of Electronic Dance Music Culture 7(1): 1–14.link7/2/20183_article
St John, Graham2012"Indian Spirit: Amerindians and the Techno-Tribes of Psytrance." In Tribal Fantasies: Native Americans in the European Imagination, 1900-Present, edited by James Mackay and David Stirrup. New York: Palgrave MacMillan, 173–195.7/2/20182_chapter
St John, Graham and Chiara Baldini2012"Dancing at the Crossroads of Consciousness: Techno-Mysticism, Visionary Arts and Portugal’s Boom Festival." In Handbook of New Religions and Cultural Production, edited by Carole M. Cusack and Alex Norman. Leiden: Brill, 521–552.7/2/20182_chapter
St John, Graham2012"Experience, Tribalism and Remixology in Global Psytrance Culture." In What Matters? Ethnographies of Value in a Not So Secular Age, edited by Courtney Bender and Ann Taves. New York: Columbia University Press, 248–275.7/2/20182_chapter
St John, Graham2014"Begoggled in the Theater of Awe: Electronic Dance Music Culture at Burning Man." In Playa Dust: Collected Stories from Burning Man, edited by Samantha Krukowski. London: Black Dog Publishing, 144–159.7/2/20182_chapter
St John, Graham2014"Goatrance Travellers: Psytrance and its Seasoned Progeny." In The Globalization of Musics in Transit: Musical Migration and Tourism, edited by Simone Krüger and Ruxandra Trandafoiu. New York: Routledge, 160–182.7/2/20182_chapter
St John, Graham2015"Electronic Dance Music Events." In The Routledge Companion to Religion and Popular Culture, edited by John Lyden and Eric Michael Mazur. New York: Routledge, 336–355.7/2/20182_chapter
St John, Graham2015"Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance." The Sage Handbook of Popular Music, edited by Andy Bennett and Steve Waksman. London: Sage Publications, 243–260.7/2/20182_chapter
St John, Graham2016"Spiritechnics: Liminalité et techno-chamanisme dans la psytrance." In Anthropologies du corps en transes, edited by Sébastien Baud. Paris: Connaissances et Savoirs, 259–279.7/2/20182_chapter
St John, Graham2017"Charms War: Dance Camps and Sound Cars at Burning Man." In Weekend Societies: Electronic Dance Music Festivals and Event-Cultures, edited by Graham St John. New York: Bloomsbury, 219–244.7/2/20182_chapter
St John, Graham2017"Techno-Shamanism and Trance." In The Bloomsbury Handbook of Religion and Popular Music, edited by Chris Partridge and Marcus Moberg. London: Bloomsbury, 278–285.7/2/20182_chapter
St John, Graham2015Remixticism: DMT, Psychedelic Electronica and Mystical Experience. In Neurotransmissions: Essays on Psychedelics from Breaking Convention, edited by Dave King, Cameron Adams, David Luke, Ben Sessa, and Aimee Tollan. London: Strange Attractor Press, 215–228.7/2/20186_conference
St John, Graham2013Global Tribe: Technology, Spirituality and Psytrance. Sheffield: Equinox Publishing.6/25/20181_book
Gilli, Lorenz2017"'Navigate Your Set'. Zur Virtuosität von DJs." In Schneller, höher, lauter. Virtuosität in populären Musiken, edited by Thomas Phleps. Bielefeld: transcript,153–179link7/30/20182_chapter
Lawrence, Tim2016Life and Death on the New York Dance Floor 1980–1983. Durham and London: Duke University Press.7/30/20181_book
Brøvig-Hanssen, Ragnhild, and Anne Danielsen2016Digital Signatures. The Impact of Digitization on Popular Music Sound. Cambridge and London: MIT Presslink7/30/20181_book
Rappe, Michael2010Under Construction. Kontextbezogene Analyse afroamerikanischer Popmusik. Köln: Dohrlink7/30/20181_book
Aguiar, Rafae2014"Na Cabine Do Dj: Observações Na Noite Dos Djs Underground De Música Eletrônica De Fortaleza." Monografia (Graduação em Ciências Sociais), Universidade Federal do Ceará.link8/20/20183_article
Chrysagis, E. and P. Karampampas (eds)2017"Collaborative Intimacies: Anthropologies of Sound and Movement." ‘Dance and Performance Studies’ book series, New York and Oxford: Berghahn.link8/21/20181_book
Avery, Anthony2005“‘I feel that I’m freer to show my feminine side’: Folklore and Alternative Masculinities in a Rave Scene.” In Manly Traditions: The Folk Roots of American Masculinities, edited by Simon J. Bronner. Bloomington: Indiana University Press, 157-170.link8/27/20182_chapter
Avery, Anthony2016“Rave.” In Youth Cultures in America, edited by Simon J. Bronner and Cindy Dell Clark. New York: ABC-CLIO, 578-581.link8/29/20182_chapter
Aguiar, Rafael Silveira de2018Eu Só Vou Dizer Que Você É Um Dj Daqui A Dez Anos: A Busca Por Reconhecimento E Consagração Entre Os Dj De. Fortaleza - Ce. Dissertação. Programa de Pós-Graduação em Comunicação. Universidade Federal do Cearálink3/7/20194_thesis
Castagner, Marc-Olivier2019Rave-o-lution et appareillages de sécurité en Occident : Résonances 24 heures [Rave-o-lution and security apparatuses in the West : 24 hours Resounding]. Ph.D. Dissertation (Political Science), University of Ottawalink5/12/20194_thesis
Anniss, Matt2019Join The Future: Bleep Techno and the Birth of British Bass Music. London: Velocity Presslink6/23/20191_book
Weinel, Jonathan2014"Shamanic diffusions: a technoshamanic philosophy of electroacoustic music" Sonic Ideas/Ideas Sonicas, vol. 6, no. 12link8/18/20193_article
Crawford, Kahlil O2018“An existential shift from organicity to digitopia.” In 'Digitopia 2035: All Stories Collected', 9-10. Stamford: Gartner, 2018.8/19/20192_chapter
Papic, Mariette2016The Digital Nomad Manifestolink1/19/20201_book
Dalphond, Denise2014Detroit Players: Wax, Tracks, and Soul in Electronic Music. PhD dissertation. Indiana University.12/21/20204_thesis
Dalphond, Denise2018“Black Detroit: Sonic Distortion Fuels Social Distortion.” In Black Lives Matter and Music. Eds. Fernando Orejuela and Stephanie Shonekan. Bloomington, IN: Indiana University Press.12/21/20202_chapter
Dalphond, Denise2021“Black Electronic Music and Resistance.” In Oxford Handbook of Electronic Dance Music. Oxford: Oxford University Press.12/21/20202_chapter
Dalphond, Denise2014“Detroit Techno.” In African American Music: An Introduction, 2nd Ed. Eds. Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge.12/21/20202_chapter
Etyang, J. H., J. Nyairo and F. Sievers (Eds)2020TEN CITIES : Clubbing in Nairobi, Cairo, Kyiv, Johannesburg, Naples, Berlin, Luanda, Lagos, Bristol, Lisbon 1960 - March 2020link12/21/20201_book
Fraser, Alistair2019"Death of/in British Drum 'n' Bass Music." Dancecult: Journal of Electronic Dance Music Culture 11(1).link3/19/20213_article

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