DRN Reference Resource
Books
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Albiez, Sean and Pattie, David (eds.) | 2010 | Kraftwerk: Music Non Stop. New York / London: Continuum. | link | 4/6/2018 |
| Anderson, Tammy | 2009 | Rave Culture: the Alteration and Decline of a Philadelphia Music Scene. Philadelphia: Temple University Press. | link | 4/6/2018 |
| Anthony, Wayne | 1998 | Class of 88: The True Acid House Experience. London: Virgin. | 4/6/2018 | |
| Anthony, Wayne | 1999 | Spanish Highs: Sex, Drugs & Excess in Ibiza. London: Virgin. | 4/6/2018 | |
| Ayers, Michael D | 2006 | Cybersounds: Essays On Virtual Music Culture. New York: Peter Lang. | 4/6/2018 | |
| Bahr, Xenia and Oliver Rossdeutscher | 1995 | No Rites: Techno-House in Hamburg. Hamburg: Kellner. | 4/6/2018 | |
| Barr, Tim | 2000 | Techno: The Rough Guide. London: Rough Guide Ltd. | 4/6/2018 | |
| Beeler, Stanley | 2007 | Dance, Drugs, and Escape: The Club Scene in Literature, Film, and Television Since the Late 1980s. Jefferson, N.C: McFarland & Co. | 4/6/2018 | |
| Belle-Fortune, Brian | 2004 | All Crews: Journeys Through Jungle / Drum & Bass Culture. London: Vision. | 4/6/2018 | |
| Bennett, Andy, Barry Shank and Jason Toynbee | 2006 | Popular Music Studies Reader. New York: Routledge. | 4/6/2018 | |
| Bidder, Sean | 1999 | The Rough Guide to House. London: Rough Guides Ltd. | 4/6/2018 | |
| Bidder, Sean | 2001 | Pump Up The Volume: A History of House. London: Channel 4 Books. | 4/6/2018 | |
| Blackman, Shane | 2004 | Chilling Out: the cultural politics of substance consumption, youth and drug policy. Maidenhead: Open University Press. | 4/6/2018 | |
| Breinl, Christiana | 2012 | Free Tekno : Geschichte einer Gegenkultur. Wien: Lit-Verlag. | 4/6/2018 | |
| Brewtser, Bill & Frank Broughton | 1999 | Last Night a DJ Saved My Life. New York: Grove Press. | 4/6/2018 | |
| Bull, Michale, Les Back | 2003 | The Auditory Culuture Reader (Sensory Formation). Oxford: Berg. | 4/6/2018 | |
| Bussman, Jane | 1998 | Once in a Lifetime: The Crazy Days of Acid House and Afterwards. London: Virgin. | 4/6/2018 | |
| Butler, Mark J | 2006 | Unlocking the Groove: Rhythm, meter and musical design in electronic dance music. Bloomington and Indianapolis, IN: Indiana University Press. | 4/6/2018 | |
| Chang, Jeff | 2005 | Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York: Picador. | 4/6/2018 | |
| Collin, Matthew | 1997 | Altered State: The Story of Ecstasy Culture and Acid House. London: Serpent's Tail. | 4/6/2018 | |
| Colombié, Thierry, Nacer Lalam and Michel Schiray | 2000 | Drogue et techno: les trafiquants de rave. Paris: Stock. | 4/6/2018 | |
| Courtney, Dave | 2000 | Raving Lunacy: Clubbed to Death - Adventures on the Rave Scene. London: Virgin. | 4/6/2018 | |
| D'Andrea, Anthony | 2007 | Global Nomads: Techno and New Age as Transnational Countercultures. London/New York: Routledge. | 4/6/2018 | |
| De Haro, Sarah and Wilfrid Estéve | 2002 | 3672: La Free Story. Paris: Trouble-Fête. | 4/6/2018 | |
| de Jong, Alex, Marc Shuilenberg | 2006 | Mediapolis: Popular Culture and the City. Rotterdam: 010 Publishers. | 4/6/2018 | |
| Eshun, Kodwo | 1998 | More Brilliant Than The Sun: Adventures In Sonic Fiction. London: Quartet Books. | 4/6/2018 | |
| Fikentscher, Kai | 2000 | "You Better Work!": Underground Dance Music in New York City. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Fink, Robert | 2005 | Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press. | 4/6/2018 | |
| Fritz, Jimi | 1999 | Rave Culture: An Insider's Overview. Canada: Smallfry Press. | 4/6/2018 | |
| Gaillot, Michel | 1998 | Multiple Meaning Techno: An Artistic and Political Laboratory of the Present. Paris: Editions Dis Voir. | 4/6/2018 | |
| Garratt, Sheryl | 1998 | Adventures in Wonderland: A Decade of Club Culture. London: Headline. | 4/6/2018 | |
| Geoffrey Hunt, Molly Moloney and Kristin Evans | 2010 | Youth, Drugs and Nightlife. London and New York: Routledge. | 4/6/2018 | |
| Gilbert, Jeremy and Ewan Pearson | 1999 | Discographies: Dance Music, Culture and the Politics of Sound. London: Routledge. | 4/6/2018 | |
| Green, Jared | 2005 | DJ, Dance and Rave Culture. Detroit: Greenhaven Press. | 4/6/2018 | |
| Grynszpan, Emmanuel | 1999 | Bruyante Techno: réflexion sur le son de la free party. Nantes: M. Séteun. | 4/6/2018 | |
| Hebdige, Dick | 1987 | Cut 'n' Mix: Culture, Identity and Caribbean Music. New York: Methuen. | 4/6/2018 | |
| Hitzler, Ronald and Michaela Pfadenhauer | 2001 | Techno-Soziologie : Erkundungen einer Jugendkultur. Opladen: Leske + Budrich. | 4/6/2018 | |
| Hope, Donna P | 2006 | Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press. | 4/6/2018 | |
| Hutnyk, John | 2000 | Critique of Exotica: music, politics and the culture industry. London: Pluto Press. | 4/6/2018 | |
| Hutton, Fiona | 2006 | Risky Pleasures? Club Cultures and Feminine Identities. Aldershot: Ashgate. | 4/6/2018 | |
| Jackson, Phil | 2004 | Inside Clubbing: Sensual Experiments in the Art of Being Human. Oxford: Berg. | 4/6/2018 | |
| Jagodzinski, Jan | 2005 | Music in Youth Culture: A Lacanian Approach. New York :: Palgrave Macmillan. | 4/6/2018 | |
| James, Martin | 1997 | State of Bass: Jungle - The Story So Far. Basingstoke: Boxtree/ Macmillan. | 4/6/2018 | |
| James, Martin | 1998 | Prodigy: Adventures with the Voodoo Crew. London: Ebury Press. | 4/6/2018 | |
| James, Martin | 2001 | Moby: Replay - His Life and Times. London: Independent Music Press. | 4/6/2018 | |
| James, Martin | 2002 | Fatboy Slim: Funk Soul Brother. London: Sanctuary. | 4/6/2018 | |
| James, Martin | 2002 | Prodigy. London: Sanctuary. | 4/6/2018 | |
| James, Martin | 2003 | French Connections - From Discotheque to Discovery. London: Sanctuary. | 4/6/2018 | |
| Kemper, Christian | 2004 | Mapping techno: jugendliche Mentalitäten der 90er. Frankfurt am Main: Peter Lang. | 4/6/2018 | |
| Knowles, Cynthia | 2001 | Up all Night: A Closer Look at Club Drugs and Rave Culture. Geneseo, N.Y: Red House Press. | 4/6/2018 | |
| Lawrence, Pete and Vicki Howard (eds) | 2004 | Crossfade: A Big Chill Anthology. London: Serpent’s Tail. | 4/6/2018 | |
| Lawrence, Tim | 2003 | Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Durham and London: Duke University Press. | 4/6/2018 | |
| Leloup, Jean-Yves | 2007 | Digital Magma : de l'utopie des rave parties à la génération ipod. Paris: Scali. | 4/6/2018 | |
| Leloup, Jean-Yves | 2010 | Digital Magma:From the Utopia of Rave Parties to the Ipod Generation. New York: Lukas & Sternberg. | 4/6/2018 | |
| Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou | 1999 | Global Tekno vol.1 : Voyage initiatique au cœur de la musique électronique. Paris: Camion Blanc. | 4/6/2018 | |
| Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou | 2008 | Global Techno 1.0 : l'authentique histoire de la musique électronique. Paris: Scali. | 4/6/2018 | |
| Leneghan, Sean | 2010 | The Varities of Ecstasy Experience: An Exploration of Person, Mind and Body in Sydney's Club Culture. Sydney Australia: Lambert Academic Press. | 4/6/2018 | |
| Lysloff, René T.A. and Leslie C. Gay, editors | 2003 | Music and Technoculture. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Malbon, Ben | 1999 | Clubbing: dancing, ecstasy and vitality. London: Routledge. | 4/6/2018 | |
| Mellonee V. Burnim and Portia K. Maultsby | 2006 | African American Music: An Introduction. New York: Routledge. | 4/6/2018 | |
| Pinch, Trevor, Frank Trocco | 2002 | Analog Days: The Invention and Impact of the Moog Synthesizer. Boston: Harvard University Press. | 4/6/2018 | |
| Pini, Maria | 2001 | Club Cultures and Female Subjectivity: the move from home to house. Hampshire: Palgrave. | 4/6/2018 | |
| Prendergast, Mark | 2000 | The Ambient Century: from Mahler to Moby – the Evolution of Sound in the Electronic Age. London: Bloomsbury. | 4/6/2018 | |
| Push & Mireille Silcott | 2000 | The book of E: All About Ecstasy. London: Omnibus. | 4/6/2018 | |
| Queudrus, Sandy | 2000 | Un Maquis Techno: Modes de'Engagement et Pratiques Sociales dans la Free-Party. Paris: IRMA editions. | 4/6/2018 | |
| Racine, Étienne | 2002 | Le Phénomène Techno: Clubs, Raves, Free-parties. Paris: Imago. | 4/6/2018 | |
| Rapp, Tobias | 2009 | Lost and Sound: Berlin, Techno und der Easyjetset. Frankfurt am Main: Suhrkamp. | 4/6/2018 | |
| Redhead, Steve | 1993 | Rave off: Politics and Deviance in Contemporary Youth Culture. Avebury: Aldershot. | 4/6/2018 | |
| Redhead, Steve (ed.) | 1997 | The Clubcultures Reader: readings in popular cultural studies. Oxford: Blackwell. | 4/6/2018 | |
| Reynolds, Simon | 2012 | Energy Flash: A Journey Through Rave Music and Dance Culture (Reprint Edition) | 8/6/2018 | |
| Rietveld, Hillegonda C | 1998 | This Is Our House: House Music, Cultural Spaces and Technologies. Aldershot: Ashgate. | 4/6/2018 | |
| Rupert Till | 2010 | Pop Cult: religion and popular music. London: Continuum. | link | 4/6/2018 |
| Saldanha, Arun | 2007 | Psychedelic White: Goa Trance and the Viscosity of Race. Minneapolis: University of Minnesota Press. | 4/6/2018 | |
| Saunders, Nicholas | 1993 | E for Ecstasy. London: Nicholas Saunders. | link | 4/6/2018 |
| Saunders, Nicholas and Rick Doblin | 1996 | Ecstasy: Dance, trance & transformation. San Francisco: Quick American Publishing Company. | 4/6/2018 | |
| Shapiro, Peter | 1999 | Drum'n'bass: The Rough Guide. London: Rough Guide Ltd. | 4/6/2018 | |
| Shapiro, Peter ed | 2000 | Modulations: A History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha Productions Inc. | 4/6/2018 | |
| Sicko, Dan | 1999 | Techno Rebels: The Renegades of Electronic Funk. New York: Billboard Books. | 4/6/2018 | |
| Silcott, Mireille | 1999 | Rave America: New school dancescapes. Quebec: ECW Press. | 4/6/2018 | |
| Simon A. Morrison | 2010 | Discombobulated - Dispatches From The Wrong Side. London: Headpress. | link | 4/6/2018 |
| Snoman, Rick | 2004 | The Dance Music Manual: Tools, Toys and Techniques. Boston: Focal Press. | 4/6/2018 | |
| St John, Graham | 2009 | Technomad: Global Raving Countercultures. London: Equinox. | link | 4/6/2018 |
| St John, Graham (ed) | 2001 | FreeNRG: Notes From the Edge of the Dance Floor. Altona: Common Ground. | link | 4/6/2018 |
| St John, Graham (ed) | 2004 | Rave Culture and Religion. New York: Routledge. | 4/6/2018 | |
| St John, Graham (ed) | 2010 | The Local Scenes and Global Culture of Psytrance. New York: Routledge. | 4/6/2018 | |
| Sterneck, Wolfgang | 2005 | Tandzende Sterne: Party, Tribes und Widerstand. Frankfurt-main: Nacthtschatten and KomstA. | 4/6/2018 | |
| Stolzoff, Norman | 2000 | Wake the Town and Tell the People: Dancehall Culture in Jamaica. London: Duke University Press. | 4/6/2018 | |
| Stone, C. J | 1996 | Fierce Dancing: Adventures in the Underground. London: Faber and Faber. | 4/6/2018 | |
| Sylvan, Robin | 2005 | Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. New York: Routledge. | 4/6/2018 | |
| Sylvan, Robin Daniel | 2002 | Traces of the spirit: The religious dimensions of popular music. New York: New York University Press. | 4/6/2018 | |
| Taylor, Timothy D | 2001 | Strange Sounds: Music, Technology & Culture. New York: Routledge. | 4/6/2018 | |
| Thornton, Sarah | 1996 | Club Cultures: Music, Media, and Subcultural Capital. Hanover: Wesleyan University Press. | 4/6/2018 | |
| Toop, David | 1995 | Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent's Tail. | 4/6/2018 | |
| Toop, David | 2004 | Haunted Weather: Music, Silence, and Memory. London: Serpents Tail. | 4/6/2018 | |
| Twist, Cinnamon (ed.) | 1999 | Guerillas of Harmony: Communiques from the Dance Underground. LA: Tribal Donut. | 4/6/2018 | |
| Vaudrin, Marie-Claude | 2004 | La musique techno, ou, Le retour de Dionysos: je rave, tu raves, nous rêvons. Paris: Harmattan. | 4/6/2018 | |
| Veal, Michael | 2007 | Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Weinel, Jon | 2018 | Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media. New York: Oxford University Press. | link | 6/15/2018 |
| Whelan, Andrew | 2008 | Breakcore: identity and interaction on peer-to-peer. Newcastle: Cambridge Scholars. | link | 4/6/2018 |
| Wilder, Eliot | 2005 | Endtroducing. London: Continuum Books. | 4/6/2018 | |
| Wilson, Brian | 2006 | Fight, Flight Or Chill: Subcultures, Youth, And Rave In The Twenty-first Century. Kingston, Ontario: McGill-Queen's University Press. | 4/6/2018 | |
| St John, Graham (ed) | 2017 | Weekend Societies: Electronic Dance Music Festivals and Event-Cultures. New York: Bloomsbury. | 6/25/2018 | |
| Butler, Mark J | 2014 | "Playing with Something That Runs : Technology, Improvisation, and Composition in DJ and Laptop Performance." New York, NY: Oxford University Press. | link | 6/25/2018 |
| St John, Graham | 2013 | Global Tribe: Technology, Spirituality and Psytrance. Sheffield: Equinox Publishing. | 6/25/2018 | |
| Lawrence, Tim | 2016 | Life and Death on the New York Dance Floor 1980–1983. Durham and London: Duke University Press. | 7/30/2018 | |
| Brøvig-Hanssen, Ragnhild, and Anne Danielsen | 2016 | Digital Signatures. The Impact of Digitization on Popular Music Sound. Cambridge and London: MIT Press | 7/30/2018 | |
| Rappe, Michael | 2010 | Under Construction. Kontextbezogene Analyse afroamerikanischer Popmusik. Köln: Dohr | 7/30/2018 | |
| Chrysagis, E. and P. Karampampas (eds) | 2017 | "Collaborative Intimacies: Anthropologies of Sound and Movement." ‘Dance and Performance Studies’ book series, New York and Oxford: Berghahn. | 8/21/2018 | |
| Anniss, Matt | 2019 | Join The Future: Bleep Techno and the Birth of British Bass Music. London: Velocity Press | 6/23/2019 | |
| Papic, Mariette | 2016 | The Digital Nomad Manifesto | 1/19/2020 | |
| Etyang, J. H., J. Nyairo and F. Sievers (Eds) | 2020 | TEN CITIES : Clubbing in Nairobi, Cairo, Kyiv, Johannesburg, Naples, Berlin, Luanda, Lagos, Bristol, Lisbon 1960 - March 2020 | link | 12/21/2020 |
| Cardew, Ben | 2021 | Daft Punk's Discovery: The Future Unfurled. London: Velocity Press | 11/1/2022 | |
| Haq, N., | 2016 | RAVE: Rave and its Influence on Art and Culture. London: Black Dog Press | link | 11/8/2022 |
| Jóri, A. and Lücke, M. | 2020 | The New Age of Electronic Dance Music and Club Culture. Springer, Cham | link | 11/8/2022 |
| Reynolds, S. | 1999 | Generation Ecstacy: Into the World of Techno and Rave Culture. London: Routledge | link | 11/8/2022 |
| Collin, M. | 2018 | Rave On: Global Adventures in Electronic Dance Music. London: Serpent's Tail | 11/8/2022 | |
| Farrugia, R. | 2012 | Beyond the Dance Floor: Female DJs, Technology and Electronic Dance Music Culture. Bristol: Intellect Books | 11/8/2022 | |
| Mazierska, E., Rigg, T. and Gillon, L. | 2021 | The Evolution of Electronic Dance Music. London: Bloomsbury | 11/8/2022 | |
| Darchen, S., Charrieras, D., and Willsteed, J. | 2021 | Electronic cities: music, policies and space in the 21st Century. London: Palgrave Macmillan | 11/8/2022 | |
| Mateo, J. N. and Eldridge, A. | 2018 | Exploring nightlife: Space, society and governance. London: Rowman & Littlefield. | 11/9/2022 | |
| Van Bergen, M. | 2018 | Dutch Dance, 1988-2018: How the Netherlands Took the Lead in Electronic Music Culture. Amsterdam: Mary Go Wild | link | 11/9/2022 |
| Muggs, J. and Stevens, B. D. | 2019 | Bass, Mids, Tops: An Oral History of Sound System Culture. London: Strange Attractor Press | 11/9/2022 | |
| Kries, M., Eisenbrand, J. and Rossim C. | 2018 | Night Fever: Designing Club Culture 1960 – Today. Weil am Rhein: Vitra Design Museum | link | 11/9/2022 |
| Kronenburg, R. | 2019 | This Must Be The Place: An Architectural History of Popular Music Performance Venues. London: Bloomsbury | 11/9/2022 | |
| Castle, R. | 2019 | Moon Juice Stomper: A Novel (Goa 1987-96). New Zeland: Independently Published | link | 11/9/2022 |
| Attias, B., Gavanas, A., and Rietveld, H. | 2013 | DJ culture in the mix: power, technology, and social change in electronic dance music. New York: Bloomsbury. | 11/9/2022 | |
| Henriques, J. | 2011 | Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing. New York: Continuum | 11/9/2022 | |
| Paul, J. | 2016 | Low End Theory: Bass, Bodies, and the Materiality of Sonic Experience. London: Bloomsbury. | 11/9/2022 | |
| Mazierska, Ewa | 2019 | Popular Viennese Electronic Music, 1990–2015: A Cultural History. London: Routledge | 11/9/2022 | |
| Fink, Robert, Melinda Latour and Zachary Wallmark | 2018 | The Relentless Pursuit of Tone: Timbre in Popular Music. New York: Oxford University Press | link | 11/9/2022 |
| Balli, Riccardo | 2016 | Frankenstein Goes to Holocaust: Mostri Sonori, Hyper Mash-up, Audio Espropri. Milan: Agenzia. | 11/12/2022 | |
| Prior, Nick | 2018 | Popular Music, Digital Technology and Society. London: Sage | 11/12/2022 | |
| Feser, K. and Pasdzierny, M. | 2016 | Techno Studies: Ästhetik und Geschichte Elektronischer Tanzmusik. Berlin: b_books | 11/12/2022 | |
| Hosken, D. | 2015 | An Introduction to Music Technology, Second Edition. New York: Routledge | 11/12/2022 | |
| Hope, C. and Ryan, J. | 2014 | Digital Arts: An Introduction to New Media. London: Bloomsbury | 11/12/2022 | |
| Salkind, Michael E. | 2018 | Do You Remember House? Chicago’s Queer of Colour Undergrounds. Oxford: Oxford University Press | link | 11/30/2022 |
| Moore, Maddison | 2018 | Fabulous: The Rise of the Beautiful Eccentric. Yale: Yale University Press | 11/30/2022 | |
| Weinel, Jonathon | 2021 | Explosions in the Mind: Composing Psychedelic Sounds and Visualisations. Singapore: Palgrave Macmillan | 11/30/2022 | |
| Jóri, Anita | 2022 | The Discourse Community of Electronic Dance Music. Bielefeld: Transcript Verlag | 11/30/2022 | |
| Morrison, Simon | 2020 | Dancefloor-Driven Literature: The Rave Scene in Fiction. London: Bloomsbury | 11/30/2022 | |
| De Paris Fontanari, Ivan P. | 2013 | Os DJs da Perifa: Música Eletrônica, Trajetórias e Mediações Culturais em São Paulo. Porto Alegre: Sulina | 12/2/2022 | |
| Weidenbaum, Marc | 2014 | Aphex Twin’s Selected Ambient Works Volume II (33 1/3 Series). New York: Bloomsbury | 12/2/2022 | |
| Veogelin, Salomé | 2014 | Sonic Possible Worlds: Hearing the Continuum of Sound. New York: Bloomsbury | 12/2/2022 | |
| Albiez, Sean and David Pattie | 2016 | Brian Eno: Oblique Music. New York: Bloomsbury | 12/2/2022 | |
| Kolioulis, Alessio | 2015 | Borderlands: Dub Techno’s Hauntological Politics of Acoustic Ecology. Dancecult: Journal of Electronic Dance Music Culture 7(2): 64–85 | link | 12/2/2022 |
| Sullivan, Paul | 2014 | Remixology: Tracing the Dub Diaspora. London: Reaktion Books | 12/2/2022 | |
| Navas, Eduardo, Owen Gallagher and Xtine Burrough | 2015 | The Routledge Companion to Remix Studies. London: Routledge | 12/2/2022 | |
| Roholt, Tiger C. | 2014 | Groove: A Phenomenology of Rhythmic Nuance. New York: Bloomsbury Academic | 12/2/2022 | |
| Briggs, Daniel | 2013 | Deviance and Risk on Holiday: An Ethnography of British Tourists in Ibiza. Basingstoke: Palgrave Macmillan | 12/2/2022 | |
| Nye, Sean | 2022 | Modeselektor’s Happy Birthday (33 1/3 Series). New York: Bloomsbury Academic | 12/7/2022 | |
| Schütte, Uwe | 2022 | The Cambridge Companion to Krautrock. Cambridge: Cambridge University Press | link | 12/7/2022 |
| Schütte, Uwe | 2020 | Kraftwerk: Future Music from Germany. London: Penguin | 12/7/2022 |
Book Chapters
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Albiez, Sean | 2003 | "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. | 4/6/2018 | |
| Bates, Eliot | 2004 | "Glitches, Bugs, and Hisses: the degeneration of musical recordings and the contemporary musical work." In Bad Music: Music that you love to hate, edited by Chris Washburne and Maiken Derno. New York: Routledge. | 4/6/2018 | |
| Bennett, Andy | 2000 | "Dance Music, Local Identity and Urban Space." In Popular Music and Youth Culture: Music, Identity and Place, edited by (Bennett, Andy). New York: St. Martin's Press, 73-102. | 4/6/2018 | |
| Birgy, Phillipe | 2003 | "French Electronic Music: The Invention of a Tradition." In Popular Music in France from Chanson to Techno: Culture, Identity and Society, edited by Hugh Dauncey and Steve Cannon. Aldershot: Ashgate, 225-242. | 4/6/2018 | |
| Butler, Mark J | 2005 | "‘Everybody Needs a 303, Everybody Loves a Filter’: Electronic Dance Music and the Aesthetics of Obsolescence." In Digital Media: Transformations in Human Communication, edited by Paul Messaris and Lee Humphreys. New York: Peter Lang, 111-18. | 4/6/2018 | |
| Carrington, Ben and Brian Wilson | 2004 | "Dance Nation: Rethinking Youth Subcultural Theory." In After Subculture: Critical Studies of Contemporary Youth Culture, edited by Andy Bennett and Keith Kahn-Harris. New York: Palgrave, 65-78. | 4/6/2018 | |
| Chan, Seb | 1999 | "Bubbling Acid: Sydney’s Techno Underground." In Australian Youth Subcultures: On the Margins and in the Mainstream, edited by Rob White. Hobart: ACYS Publications, 65-73. | 4/6/2018 | |
| D'Andrea, Anthony | 2003 | "Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa." In Rave Culture and Religion, edited by Graham St. John. New York and London: Routledge, 236-255. | 4/6/2018 | |
| Davis, Erik | 2004 | "Hedonic Tantra: Golden Goa’s Trance Transmission." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 256-272. | 4/6/2018 | |
| Dyer, Richard | 1990 | "In Defence of Disco." In On Record: Rock, Pop and the Written Word, edited by Simon Frith and Andrew Goodwin. New York: Pantheon, 410-418. | 4/6/2018 | |
| Fikentscher, Kai | 2003 | "There's not a problem I can't fix, 'cause I can do it in the mix: On the Performative Technology of 12-inch Vinyl." In Music and Technoculture, edited by Lysloff, René and Gay, Leslie C. Middletown: Wesleyan University Press, 290-315. | 4/6/2018 | |
| Fikentscher, Kai | 2006 | "Disco and House." In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 456-470. | 4/6/2018 | |
| Gadir, Tami | 2017 | "'I Don't Play Girly House Music': Women, Sonic Stereotyping, and the Dancing DJ." In the Routledge Research Companion to Popular Music and Gender, edited by Stan Hawkins. London and New York: Routledge, 196–210. | link | 6/15/2018 |
| Garcia, Luis-Manuel | 2013 | "Crowd Solidarity on the Dance Floor in Paris and Berlin." In Musical Performance and the Changing City: Post-industrial Contexts in Europe and the United States, edited by Fabian Holt and Carsten Wergin, 227–255. New York, NY: Routledge. | link | 5/9/2018 |
| Gauthier, François | 2004 | "Rapturous Ruptures: The ‘Instituant’ Religious Experience of Rave." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 65-84. | 4/6/2018 | |
| Gerard, Morgan | 2004 | "Selecting Ritual: DJs, Dancers and Liminality in Underground Dance Music." In Rave Culture and Religion, edited by Graham St. John. London: Routledge, 167-184. | 4/6/2018 | |
| Gibson, Chris | 2001 | "Appropriating the Means of Production: Dance Music Industries and Contested Digital Space." In FreeNRG: Notes From the Edge of the Dance Floor, edited by Graham St John. Melbourne: Common Ground, 237-255. | 4/6/2018 | |
| Gore, G | 1997 | "Trance, dance and Tribalism in Rave Culture." In Dance in the City, edited by Thomas, Helen. London: MacMillan, 73-83. | 4/6/2018 | |
| Grayson, Kyle | 2008 | "The (Geo)Politics of Dancing: Illicit Drugs and Canadian Rave." In Chasing Dragons: Security, Identity, and Illicit Drugs in Canada, edited by Kyle Grayson. Toronto: University of Toronto Press. | 4/6/2018 | |
| Hall, Joanna | 2008 | "Mapping the Multifarious: The Genrification of Dance Music Club Cultures." In Decentring Dancing Texts: The Challenge of Interpreting Dances, edited by Lansdale, J. Basingstoke: Palgrave Macmillan. | 4/6/2018 | |
| Hesmondhalgh, David, and Caspar Melville | 2001 | "Urban Breakbeat Culture." In Global Noise: Rap and Hip-Hop Outside the USA, edited by Timothy Mitchell. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Hill, Desmond | 1999 | "Mobile Anarchy: The House Movement, Shamanism and Community." In Psychedelics Reimagined, edited by Thomas Lyttle. New York: Autonomedia, 95-106. | 4/6/2018 | |
| Hitzler, Ronald & Pfadenhauer, Michaela | 2002 | "Existential Strategies: The Making of Community and Politics in the Techno/Rave Scene." In Postmodern Existential Sociology, edited by Joseph Kotarba and John Johnson. Walnut Creek: Alta Mira, 87-101. | 4/6/2018 | |
| Huq, Rupa | 1999 | "The Right to Rave: Opposition to the Criminal Justice and Public Order Act 1994." In Storming the Millennium: The New Politics of Change, edited by Tim Jordan. London: Lawrence and Wishart, 15-33. | 4/6/2018 | |
| Huq, Rupa | 2002 | "Raving, not drowning: Authenticity, pleasure and politics in the electronic dance music scene." In Popular Music Studies, edited by David Hesmondhalgh and Keith Negus. London: Arnold. | 4/6/2018 | |
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Journal Articles
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Albiez, Sean | 2003 | "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. | 4/6/2018 | |
| Albiez, Sean | 2005 | "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152. | 4/6/2018 | |
| Amico, Stephen | 2001 | "'I Want Muscles': House music, homosexuality and masculine signification." Popular Music 20(3), 359-378. | 4/6/2018 | |
| Anderson, Tammy L | 2009 | "Better to Complicate Rather than Homogenize Urban Nightlife." Sociological Forum 24(4), . | 4/6/2018 | |
| Ashline, William | 2002 | "Clicky Aesthetics: Deleuze, Headphonics, and the Minimalist Assemblage of 'Aberrations'." Strategies: Journal of Theory, Culture, Politics 15(1), 87-104. | 4/6/2018 | |
| Baumann, Gerd | 1990 | "The Reinvention of Bhangra. Social Change and Aesthetic Shifts in Punjabi Music in Britain." World of Music 32(2), 81-98. | 4/6/2018 | |
| Bennett, Andy | 1999 | "Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste." Sociology 33(3), 599-617. | 4/6/2018 | |
| Bradby, B | 1993 | "Sampling Sexuality: Gender, Technology and the Body in Dance Music." Popular Music 12(2), 155-176. | 4/6/2018 | |
| Butler, Mark J | 2001 | "Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music." Music Theory Online 7(6), n/a. | link | 4/6/2018 |
| Butler, Mark J | 2005 | ""Hearing Kaleidoscopes: Embedded Grouping Dissonance in Electronic Dance Music."." twentieth-century music 2(2), 221-243. | 4/6/2018 | |
| Butler, Mark J | 2007 | "• “Elektronische Tanzmusik: Loops, Patterns, Samples, Tracks – Musikalische Identitäten im Fluss.”." Lettre International 79, 113-117. | 4/6/2018 | |
| Cascone, Kim | 2000 | "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music." Computer Music Journal 24(4), 12-18. | link | 4/6/2018 |
| Cascone, Kim | 2002 | "Laptop Music—Counterfeiting Aura in the Age of Infinite Reproduction." Parachute 107, 52-60. | 4/6/2018 | |
| Cascone, Kim | 2004 | "Grain, Sequence, System (three levels of reception in the performance of laptop music)." Hz 4, N/A. | link | 4/6/2018 |
| Chapman, Dale | 2003 | "Hermeneutics of Suspicion: Paranoia and the Technological Sublime in Drum n' Bass Music." Echo: A Music-Centered Journal V(2), . | link | 4/6/2018 |
| Cole, David R | 2007 | "Techno-shamanism and Educational Research." Ashé! Journal of Experimental Spirituality 6(1), 6-34. | link | 4/6/2018 |
| Cole, Fred and Hannan, Michael | 1997 | "Goa Trance: A Psykotropic Trip Through Tribedelic Landscapes." Perfect Beat 3(3), ??. | 4/6/2018 | |
| Collins, Karen | 2005 | "Dead Channel Surfing: The commonalities between cyberpunk literature and industrial music." Popular Music 24(2), 165-178. | 4/6/2018 | |
| David Fernández | 2006 | "Discogràfiques dance. Una indústria cultural en transformació." Treballs de comunicació 21, 125-138. | link | 4/6/2018 |
| Demers, Joanna | 2006 | "Dancing machines: ‘Dance Dance Revolution’, cybernetic dance, and musical taste." Popular Music 25(3), 401-414. | link | 4/6/2018 |
| Fairley, Jan | 2006 | "Dancing back to front: regeton, sexuality, gender and transnationalism in Cuba." Popular Music 25(3), 471-488. | link | 4/6/2018 |
| Farrugia, Rebekah | 2004 | "Sisterdjs in the house: Electronic/dance music and women centered spaces on the net." Women’s Studies in Communication 27(2), 236-262. | 4/6/2018 | |
| Farrugia, Rebekah, Thomas Swiss | 2005 | "Tracking the DJs: Vinyl Records, Work, and the Debate over New Technologies." Journal of Popular Music Studies 17(1), 30-44. | 4/6/2018 | |
| Fikentscher, Kai | 2000 | "Supremely clubbed, devastatingly dubbed: Some observations on the nature of mixes on 12-inch dance singles." Soundscapes: Journal on Media Culture 3 | link | 4/7/2018 |
| Fraser, Alistair & Ettlinger, Nancy | 2008 | "Fragile empowerment: The dynamic cultural economy of British drum and bass music." Geoforum 39(5), 1647-1656. | 4/6/2018 | |
| Gadir, Tami | 2013 | "Techno Intersections: an Aural Account of Research in Edinburgh." Dancecult: Journal of Electronic Dance Music Culture 5 (1), no pages. | link | 6/15/2018 |
| Gadir, Tami | 2016 | "Resistance or Reiteration? Rethinking Gender in DJ Cultures." Contemporary Music Review 35 (1): 115–129. | link | 6/15/2018 |
| Gadir, Tami | 2017 | "Forty-Seven DJs, Four Women: Meritocracy, Talent and Postfeminist Politics." Dancecult: Journal of Electronic Dance Music Culture 9 (1): 50–72. | link | 6/15/2018 |
| Garcia, Luis-Manuel | 2005 | "On and On: Repetition as Process and Pleasure in Electronic Dance Music." Music Theory Online 11(4), . | link | 4/6/2018 |
| Garcia, Luis-Manuel | 2011 | "Pathological Crowds: Affect and Danger in Responses to the Love Parade Disaster at Duisburg." Dancecult: Journal of Electronic Dance Music Culture 2(1), no pages. | link | 4/6/2018 |
| Garcia, Luis-Manuel | 2015 | "At Home, I’m a Tourist: Musical Migration and Affective Citizenship in Berlin." Journal of Urban Cultural Studies 2 (1+2):121–134. | link | 5/9/2018 |
| Garcia, Luis-Manuel | 2015 | "Beats, Flesh, and Grain: Sonic Tactility and Affect in Electronic Dance Music." Sound Studies 1 (1):59–76. | link | 5/9/2018 |
| Garcia, Luis-Manuel | 2017 | "Agonistic Festivities: Urban Nightlife Scenes and the Sociability of ‘Anti-Social’ Fun." Annals of Leisure Research:1–18. | link | 5/9/2018 |
| Gauthier, François | 2005 | "Orpheus and the Underground: Raves and Implicit Religion—From Interpretation to Critique." Implicit Religion 8(3), 217-265. | 4/6/2018 | |
| Gilbert, Jeremy | 1997 | "Soundtrack to an Uncivil Society: Rave Culture, The Criminal Justice Act and the Politics of Modernity." New Formations 31, 5-24. | 4/6/2018 | |
| Goulding, Christina, Avi Shankar and Richard Elliott | 2002 | "Working Weeks, Rave Weekends: Identity Fragmentation and the Emergence of New Communities." Consumption Markets & Culture 5(2), 261-284. | 4/6/2018 | |
| Greener, Tracey, Robert Hollands | 2006 | "Beyond Subculture and Post-subculture? The Case of Virtual Psytrance." Journal of Youth Studies 9(4), 393-418. | 4/6/2018 | |
| Halfacree, Keith and Rob Kitchin | 1996 | "‘Madchester Rave on’: Placing the Fragments of Popular Music." Arena 28(1), 47-55. | 4/6/2018 | |
| Hansen, Kjetil Falkenberg | 2002 | "The Basics of Scratching." Journal of New Music Research 31(4), 357-365. | link | 4/6/2018 |
| Harrison, Anthony Kwame | 2006 | "‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts." Popular Music 25(2), 283-301. | 4/6/2018 | |
| Hecker, Tim | 2002 | "Sound and the 'Victorious Realm of Electricity'." Parachute 107, 60-68. | 4/6/2018 | |
| Hemment, D | 1996 | "E is for Ekstasis." New Formations 31, 23-38. | 4/6/2018 | |
| Hesmondhalgh, David | 1997 | "The Cultural Politics of Dance Music." Soundings 5, 167-178. | 4/6/2018 | |
| Hesmondhalgh, David | 1998 | "The British Dance Music Industry: A Case Study of Independent Cultural Production." British Journal of Sociology 49(2), 234-251. | 4/6/2018 | |
| Hesmondhalgh, David | 2006 | "Digital Sampling and Cultural Inequality." Social Legal Studies 15(1), 53-75. | 4/6/2018 | |
| Hier, Sean | 2002 | "Raves, Risks and the Ecstacy Panic: A Case Study in the Subversive Nature of Moral Regulation." Canadian Journal of Sociology 27(1), 33-57. | 4/6/2018 | |
| Hill, Andrew | 2002 | "Acid House and Thatcherism: Noise, the Mob and the English Countryside." The British Journal of Sociology 53(1), 89-105. | 4/6/2018 | |
| Hill, Andrew | 2003 | "Acid House and Thatcherism: Contesting Spaces in late 1980s Britain." Space and Polity 7(3), 219-232. | 4/6/2018 | |
| Hope, Donna P | 2004 | "The British link-up crew." Interventions 6(1), 101-117. | 4/6/2018 | |
| Hutson, Scott | 1999 | "Technoshamanism: spiritual healing in the rave subculture." Popular Music and Society 23(3), 53-77. | 4/6/2018 | |
| Jones, Simon | 1995 | "Rocking the House: Sound System Cultures and the Politics of Space." Journal of Popular Music Studies 7, 1-24. | 4/6/2018 | |
| Jordan, Tim | 1996 | "Collective Bodies: Raving and the Politics of Gilles Deleuze and Felix Guattari." Body and Society 1(1`), 125-144. | 4/6/2018 | |
| Langlois, Tony | 1992 | "Can You Feel It? DJs and House Music Culture in the UK." Popular Music 11(2), 229-238. | 4/6/2018 | |
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| Mclean, Alex, Giovanni Fanfani and Ellen Harlizius-Klück | 2018 | "Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding." Dancecult: Journal of Electronic Dance Music Culture, 10(1): 5–3 | link | 11/12/2022 |
| Armitage, Joanne | 2018 | "Spaces to Fail in: Negotiating Gender, Community and Technology in Algorave." Dancecult: Journal of Electronic Dance Music Culture, 10(1): 31–45 | link | 11/12/2022 |
| Savery, Richard | 2018 | "An Interactive Algorithmic Music System for EDM." Dancecult: Journal of Electronic Dance Music Culture, 10(1): 46–62 | link | 11/12/2022 |
| Smith, Ryan R. and Shawn Lawson | 2018 | Rogue Two: Reflections on the Creative and Technological Development of the Audiovisual Duo—The Rebel Scum | link | 11/12/2022 |
| Wooller, René and Andrew R. Brown | 2011 | "Note sequence morphing algorithms for performance of electronic dance music." Digital Creativity, 22(1), 13-25. | link | 11/12/2022 |
| Morgan, Frances | 2017 | "Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music." Dancecult: Journal of Electronic Dance Music Culture, 9(1): 9–27 | link | 11/12/2022 |
| James, Robin | 2017 | Post-Feminism’s “New Sexual Contract”and Electronic Dance Music’s Queered Femme Voices. Dancecult: Journal of Electronic Dance Music Culture, 9(1): 28–49 | link | 11/12/2022 |
| Gadir, Tami | 2017 | Forty-Seven DJs, Four Women: Meritocracy, Talent and Postfeminist Politics. Dancecult: Journal of Electronic Dance Music Culture, 9(1): 50–72 | link | 11/12/2022 |
| Hancock, Maren | 2017 | Lick My Legacy: Are Women-Identified Spaces Still Needed to Nurture Women-Identified DJs? Dancecult: Journal of Electronic Dance Music Culture, 9(1): 73–8 | link | 11/12/2022 |
| Perrone, Dina | 2010 | "Gender and Sexuality in the Field: A Female Ethnographer’s Experience Researching Drug Use in Dance Clubs.” Substance Use & Misuse 45(5): 717–35. | link | 11/12/2022 |
| Whitehead, Gareth | 2022 | "Exploring Personal Spectres in Electronic Music." Dancecult: Journal of Electronic Dance Music Culture 14(1): 2–22 | link | 11/16/2022 |
| Pascual, Luciano | 2022 | "Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink." Dancecult: Journal of Electronic Dance Music Culture 14(1): 23–3 | link | 11/16/2022 |
| Avis-Ward, Daisy | 2022 | "Moments of Connection As Means of Survival: A Study of Queer Identity, Freedom and Community in UK Raves During the Covid-19 Pandemic." Dancecult: Journal of Electronic Dance Music Culture 14(1): 39–5 | link | 11/16/2022 |
| Marquez, Israel | 2022 | "Digital Cumbia: Tradition and Postmodernity." Dancecult: Journal of Electronic Dance Music Culture 14(1): 60–75 | link | 11/16/2022 |
| Madden, David | 2016 | "DJ Mini and Montreal’s Vulgar Dance Music. "Dancecult: Journal of Electronic Dance Music Culture 8(1): 26–45 | link | 12/2/2022 |
| MacCutcheon, Douglas, Alinka E. Greasley and Mark T. Elliot. | 2016 | "Investigating the Value of DJ Performance for Contemporary Music Education and Sensorimotor Synchronisation (SMS) Abilities." Dancecult: Journal of Electronic Dance Music Culture 8(1): 46–7 | link | 12/2/2022 |
| Heuguet, Guillaume | 2016 | "When Club Culture Goes Online: The Case of Boiler Room." Dancecult: Journal of Electronic Dance Music Culture 8(1): 73–8 | link | 12/2/2022 |
| Vendryes, Thomas | 2015 | "Versions, Dubs and Riddims: Dub and the Transient Dynamics of Jamaican Music." Dancecult: Journal of Electronic Dance Music Culture 7(2): 5–24 | link | 12/2/2022 |
| Ramstedt, Kim | 2015 | "“Chase Sound Boys Out of Earth”: The Aura of Dubplate Specials in Finnish Reggae Sound System Culture." Dancecult: Journal of Electronic Dance Music Culture 7(2): 25–42 | link | 12/2/2022 |
| Harries, John | 2015 | "Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub." Dancecult: Journal of Electronic Dance Music Culture 7(2): 43–63 | link | 12/2/2022 |
| Parsley, Samantha | 2022 | "Feeling your way as an occupational minority: The gendered sensilisation of women electronic music artists" Management Learning, 53(4) 697–717 | link | 12/7/2022 |
| Nye, Sean | 2013 | Minimal Understandings: The Berlin Decade, The Minimal Continuum, and Debates on the Legacy of German Techno," Journal of Popular Music Studies, 25(2), 154-184. | link | 12/7/2022 |
| Nye, Sean | 2011 | "Headphone-Headset-Jetset: DJ Culture, Mobility and Science Fictions of Listening." Dancecult: Journal of Electronic Dance Music Culture 3(1): 45-77. | link | 12/7/2022 |
Theses and Dissertations
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Abreu, Carolina | 2005 | Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. | link | 4/6/2018 |
| Avery, Anthony P | 2005 | Folklore and alternative masculinities in a rave scene. Ph.D. Dissertation (Folklore), University of New Mexico. | 4/6/2018 | |
| Bates, Eliot | 1997 | Ambient Music. M.A. Thesis (Ethnomusicology), Wesleyan University. | link | 4/6/2018 |
| Borthwick, Stuart | 1998 | Dance, Culture, Television: An Analysis of the Politics of Contemproary Dance Culture and its Televisual Representations. Ph.D. Dissertation, Liverpool John Moores University. | link | 4/6/2018 |
| Butler, Mark J | 2003 | Unlocking the groove: Rhythm, meter, and musical design in electronic dance music. Ph.D. Dissertation, Indiana University. | 4/6/2018 | |
| Chan, Sara Wei-Ming | 2003 | Imaginary soundscapes : electronic music culture and the aesthetics of the virtual. M.A. Thesis, Ryerson University and York University. | 4/6/2018 | |
| Farrugia, Rebekah L | 2004 | Spin-sters: Women, new media technologies and electronic/dance music. Ph.D. Dissertation (Communication studies), University of Iowa. | 4/6/2018 | |
| Ferrigno, Emily | 2008 | Technologies of Emotion: Creating and Performing Drum 'n' Bass. Ph.D. Dissertation (Ethnomusicology), Wesleyan University. | 4/6/2018 | |
| Gadir, Tami | 2014 | Musical Meaning and Social Significance: Techno Triggers for Dancing. Ph.D. Dissertation (Music), University of Edinburgh. | link | 6/15/2018 |
| Garcia, Luis-Manuel | 2011 | ‘Can You Feel It, Too?’: Intimacy and Affect at Electronic Dance Music Events. Ph.D. Dissertation (Department of Music, Ethnomusicology), University of Chicago. | 4/6/2018 | |
| Goldschmitt, Kariann Elaine | 2004 | Foreign Bodies: innovation, repetition, and corporeality in electronic dance music. M.A. Thesis (Music), University of California, San Diego. | 4/6/2018 | |
| Hemmerling, Scott | 1999 | Trance Dancing in Modern Urban America: Rave Culture and the Search for Ritual. M.A. Thesis (M.S. Thesis), University of New Orleans. | 4/6/2018 | |
| Hutton, Fiona | 2001 | Making Out in the City: Negotiating the Feminine on Club Scenes in Manchester. Ph.D. Dissertation, Manchester Metropolitan University. | 4/6/2018 | |
| Kale, Stephanie | 2006 | Beyond Gender?: Women in the Cultural Economy of Electronic Music. M.A. Thesis (Institute of Political Economy), Carleton University. | 4/6/2018 | |
| Kau, Cheryleen | 2006 | Raves and drug use. M.A. Thesis (Criminology), California State University, Long Beach. | 4/6/2018 | |
| Kavanaugh, Philip R | 2006 | Solidarity and drug use in the electronic dance music scene. M.A. Thesis (Cultural Anthropology), University of Delaware. | 4/6/2018 | |
| Kelly, Robert Thomas | 2001 | Physicality and the Edmonton electronic dance music experience. M.A. Thesis, University of Alberta. | 4/6/2018 | |
| Loza, Susana Ilma | 2004 | Global rhetoric, transnational markets: The (post)modern trajectories of electronic dance music. Ph.D. Dissertation, University of California Berkeley. | 4/6/2018 | |
| Luckman, Susan | 2002 | Party people : mapping contemporary dance music cultures in Australia. Ph.D. Dissertation, University of Queensland. | 4/6/2018 | |
| Luvaas, Brent Adam | 2004 | Electro clashes: the politics, practice, and performance of an electronic dance music. M.A. Thesis (Anthropology), University of California, Los Angeles. | 4/6/2018 | |
| Malone, Seamus | 2008 | M24:Starlight. M.A. Thesis (London Consortium / Cultural Studies), University of London / Birkbeck College. | link | 4/6/2018 |
| Marsh, Charity | 2005 | Raving Cyborgs, Queering Practices, and Discourses of Freedom: The Search for Meaning in Toronto's Rave Culture. Ph.D. Dissertation (Popular Music Studies/ Ethnomusicology), York University, Toronto, Canada. | 4/6/2018 | |
| Miller, Graham | 2005 | The Sound of The Third Wave: Science Fiction, Imaginary Machines and the Future of Techno. M.A. Thesis (Ethnomusicology), York University, Toronto. | 4/6/2018 | |
| Montano, Ed | 2007 | DJs, Clubs and Vinyl: The Cultural Commodification and Operational Logics of Contemporary Commercial Dance Music in Sydney. Ph.D. Dissertation (Department of Contemporary Music Studies), Macquarie University. | link | 4/6/2018 |
| Rodkey, Christopher | 2002 | Form, Fragmentation, and Theonomy: Noise as an Expression of Reality. M.A. Thesis (The Divinity School), University of Chicago. | 4/6/2018 | |
| Schmidt, Joshua | 2006 | Fused by Paradox: The Challenge of Being an Israeli Psy-trancer. M.A. Thesis, Ben-Gurion University of the Negev. | 4/6/2018 | |
| Sellin, Yara | 1999 | San Francisco style rave music performance practice and analysis. M.S. Thesis, University of California, Santa Cruz. | 4/6/2018 | |
| Sellin, Yara | 2005 | DJ: Performer, Cyborg, Dominatrix. Ph.D. Dissertation (Musicology), University of California, Los Angeles. | 4/6/2018 | |
| Sliavaite, Kristina | 1998 | When Global Becomes Local: Rave Culture in Lithuania. M.A. Thesis (Department of Social Anthropology), Lund University. | link | 4/6/2018 |
| Sylvan, Robin Daniel | 1998 | Traces of the spirit: The religious dimensions of popular music. Ph.D. Dissertation (Religious Studies), University of California, Santa Barbara. | 4/6/2018 | |
| Terpstra, Hans | 2011 | Transforming the jungle: The transition to digital labels in the world of drum ‘n bass. M.A. Thesis (New Media), University of Amsterdam. | link | 4/6/2018 |
| Vályi, Gábor | 2002 | Grassroots cultural globalisation in the east-central European nu jazz scene. M.A. Thesis (Sociology/ Centre for Urban and Community Research), Goldsmiths College (University of London). | link | 4/6/2018 |
| van Veen, tobias c | 2004 | Reconstruction & Rhythm Science: networks and properties of remix culture. M.A. Thesis (Art History and Communication Studies), McGill University. | link | 4/6/2018 |
| Vecchiola, Carla | 2006 | Detroit's rhythmic resistance: Electronic music and community pride. Ph.D. Dissertation (American Studies), University of Michigan. | 4/6/2018 | |
| Zeiner-Henriksen, Hans T | 2010 | The “PoumTchak” Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music. PhD Thesis (Musicology), University of Oslo, Norway. | link | 4/7/2018 |
| Aguiar, Rafael Silveira de | 2018 | Eu Só Vou Dizer Que Você É Um Dj Daqui A Dez Anos: A Busca Por Reconhecimento E Consagração Entre Os Dj De. Fortaleza - Ce. Dissertação. Programa de Pós-Graduação em Comunicação. Universidade Federal do Ceará | link | 3/7/2019 |
| Castagner, Marc-Olivier | 2019 | Rave-o-lution et appareillages de sécurité en Occident : Résonances 24 heures [Rave-o-lution and security apparatuses in the West : 24 hours Resounding]. Ph.D. Dissertation (Political Science), University of Ottawa | link | 5/12/2019 |
| Dalphond, Denise | 2014 | Detroit Players: Wax, Tracks, and Soul in Electronic Music. PhD dissertation. Indiana University. | 12/21/2020 | |
| Garcia, Luis-Manuel | 2011 | “Can you feel it, too?”: "Intimacy and affect at electronic dance music events in Paris, Chicago, and Berlin." Doctoral Thesis. The University of Chicago. | 11/7/2022 | |
| Perevedentseva, M. | 2022 | Something for Your Mind, Your Body and Your Soul. Timbre and Meaning in Electronic Dance Music. Doctoral thesis, Goldsmiths, University of London. | link | 11/8/2022 |
Filmography
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Bredow, Gary | 2006 | High Tech Soul: The Creation of Techno Music. USA: Plexifilm. | link | 4/27/2018 |
| Frisch, Tom | 1999 | Rave culture. | link | 4/27/2018 |
| Latham, Adam | 2006 | Short films of dance parties from UK orbital Sunrise in 1989 to Moontribe Gatherings in the Mojave. | link | 4/28/2018 |
| Tsikurishvili, L. | 2017 | Avicii: True Stories | link | 11/9/2022 |
| Meures, Susanne | 2016 | Raving Iran | link | 11/9/2022 |
| Furst, Jenner and Julia W. Nason. | 2019 | Fyre Fraud | link | 11/9/2022 |
| Smith, Chris | 2019 | Fyre: The Greatest Party That Never Happened | link | 11/9/2022 |
| Lee, Iara | 1998 | Modulations: Cinema for the Ear | link | 11/9/2022 |
| Reiss, Jon | 1999 | Better Living Through Circuitry | link | 11/9/2022 |
| Marcus, Bert and Cyrus Saidi | 2017 | What We Started | link | 11/9/2022 |
| Johner, Andrew | 2011 | Electronic Awakening | link | 11/9/2022 |
| Lee, Stacey | 2020 | Underplayed | link | 11/9/2022 |
| Sanderson, Piers | 2015 | The Art of the DJ | link | 11/9/2022 |
| Cutforth, Dan and Jane Lipsitz | 2013 | EDC: Under the Electric Sky | link | 11/9/2022 |
| Deller, Jeremy | 2019 | Everybody In The Place - An Incomplete History of Britain 1984 -1992 | link | 11/9/2022 |
| Hyatt, Bailey | 2020 | Drum & Bass: The Movement - A D&B Documentary | link | 11/9/2022 |
| Jenkins, Hugo | 2021 | Better Days: The Story of UK Rave | link | 11/9/2022 |
| Fantinatto, Robert | 2014 | I Dream of Wires | link | 11/12/2022 |
| Jorden, Kandeyce | 2018 | Girl | link | 11/12/2022 |
| Heineman, Matthew | 2020 | The Boy from Medellín | link | 11/30/2022 |
| Drury, Matt | 2022 | The Hacienda: The Club That Shook Britain | link | 12/7/2022 |
Conference Proceedings
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Gates, Carrie, Subramanian, Sriram, Gutwin, Carl | 2006 | DJs' perspectives on interaction and awareness in nightclubs. DIS '06 Proceedings of the 6th conference on Designing Interactive System, 70-79 | link | 4/28/2018 |
| Zeiner-Henriksen, Hans T | 2006 | A multimedia-enhanced conference paper on early house production methods and their cultural functions and implications. "Manchester, Music and Place" at the Manchester Institute for Popular Culture, Manchester Metropolitan University | link | 4/29/2018 |
| St John, Graham | 2015 | Remixticism: DMT, Psychedelic Electronica and Mystical Experience. In Neurotransmissions: Essays on Psychedelics from Breaking Convention, edited by Dave King, Cameron Adams, David Luke, Ben Sessa, and Aimee Tollan. London: Strange Attractor Press, 215–228. | 7/2/2018 | |
| Anderson, Christopher, Arne Eigenfeldt, and Philippe Pasquie | 2013 | “The Generative Electronic Dance Music Algorithmic Systems (GEDMAS).” In: Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, 5–8. Bellevue: AAAI Press. | link | 11/12/2022 |
| Collins, Nick | 2008 | "Infno: Generating Synth Pop and Electronic Dance Music on Demand.” In: Proceedings of the International Computer Music Conference. Montreal: International Computer Music Association. | link | 11/12/2022 |
| Mclean, Alex and Adam Parkinson | 2014 | "Interfacing with the Night."In: INTER-FACE: International Conference on Live Interfaces 2014. Lisbon, Portugal 19-23 November. | link | 11/12/2022 |
Other Resources
Complete Reference List
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| Fritz, Jimi | 1999 | Rave Culture: An Insider's Overview. Canada: Smallfry Press. | 4/6/2018 | 1_book | |
| Gaillot, Michel | 1998 | Multiple Meaning Techno: An Artistic and Political Laboratory of the Present. Paris: Editions Dis Voir. | 4/6/2018 | 1_book | |
| Garratt, Sheryl | 1998 | Adventures in Wonderland: A Decade of Club Culture. London: Headline. | 4/6/2018 | 1_book | |
| Geoffrey Hunt, Molly Moloney and Kristin Evans | 2010 | Youth, Drugs and Nightlife. London and New York: Routledge. | 4/6/2018 | 1_book | |
| Gilbert, Jeremy and Ewan Pearson | 1999 | Discographies: Dance Music, Culture and the Politics of Sound. London: Routledge. | 4/6/2018 | 1_book | |
| Green, Jared | 2005 | DJ, Dance and Rave Culture. Detroit: Greenhaven Press. | 4/6/2018 | 1_book | |
| Grynszpan, Emmanuel | 1999 | Bruyante Techno: réflexion sur le son de la free party. Nantes: M. Séteun. | 4/6/2018 | 1_book | |
| Hebdige, Dick | 1987 | Cut 'n' Mix: Culture, Identity and Caribbean Music. New York: Methuen. | 4/6/2018 | 1_book | |
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| Hope, Donna P | 2006 | Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press. | 4/6/2018 | 1_book | |
| Hutnyk, John | 2000 | Critique of Exotica: music, politics and the culture industry. London: Pluto Press. | 4/6/2018 | 1_book | |
| Hutton, Fiona | 2006 | Risky Pleasures? Club Cultures and Feminine Identities. Aldershot: Ashgate. | 4/6/2018 | 1_book | |
| Jackson, Phil | 2004 | Inside Clubbing: Sensual Experiments in the Art of Being Human. Oxford: Berg. | 4/6/2018 | 1_book | |
| Jagodzinski, Jan | 2005 | Music in Youth Culture: A Lacanian Approach. New York :: Palgrave Macmillan. | 4/6/2018 | 1_book | |
| James, Martin | 1997 | State of Bass: Jungle - The Story So Far. Basingstoke: Boxtree/ Macmillan. | 4/6/2018 | 1_book | |
| James, Martin | 1998 | Prodigy: Adventures with the Voodoo Crew. London: Ebury Press. | 4/6/2018 | 1_book | |
| James, Martin | 2001 | Moby: Replay - His Life and Times. London: Independent Music Press. | 4/6/2018 | 1_book | |
| James, Martin | 2002 | Fatboy Slim: Funk Soul Brother. London: Sanctuary. | 4/6/2018 | 1_book | |
| James, Martin | 2002 | Prodigy. London: Sanctuary. | 4/6/2018 | 1_book | |
| James, Martin | 2003 | French Connections - From Discotheque to Discovery. London: Sanctuary. | 4/6/2018 | 1_book | |
| Kemper, Christian | 2004 | Mapping techno: jugendliche Mentalitäten der 90er. Frankfurt am Main: Peter Lang. | 4/6/2018 | 1_book | |
| Knowles, Cynthia | 2001 | Up all Night: A Closer Look at Club Drugs and Rave Culture. Geneseo, N.Y: Red House Press. | 4/6/2018 | 1_book | |
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| Queudrus, Sandy | 2000 | Un Maquis Techno: Modes de'Engagement et Pratiques Sociales dans la Free-Party. Paris: IRMA editions. | 4/6/2018 | 1_book | |
| Racine, Étienne | 2002 | Le Phénomène Techno: Clubs, Raves, Free-parties. Paris: Imago. | 4/6/2018 | 1_book | |
| Rapp, Tobias | 2009 | Lost and Sound: Berlin, Techno und der Easyjetset. Frankfurt am Main: Suhrkamp. | 4/6/2018 | 1_book | |
| Redhead, Steve | 1993 | Rave off: Politics and Deviance in Contemporary Youth Culture. Avebury: Aldershot. | 4/6/2018 | 1_book | |
| Redhead, Steve (ed.) | 1997 | The Clubcultures Reader: readings in popular cultural studies. Oxford: Blackwell. | 4/6/2018 | 1_book | |
| Reynolds, Simon | 2012 | Energy Flash: A Journey Through Rave Music and Dance Culture (Reprint Edition) | 8/6/2018 | 1_book | |
| Rietveld, Hillegonda C | 1998 | This Is Our House: House Music, Cultural Spaces and Technologies. Aldershot: Ashgate. | 4/6/2018 | 1_book | |
| Rupert Till | 2010 | Pop Cult: religion and popular music. London: Continuum. | link | 4/6/2018 | 1_book |
| Saldanha, Arun | 2007 | Psychedelic White: Goa Trance and the Viscosity of Race. Minneapolis: University of Minnesota Press. | 4/6/2018 | 1_book | |
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| O'Grady, Alice | 2013 | “Exploring radical openness: a porous model for relational festival performance.” Studies in Theatre and Performance 33(2): 133-151. | link | 7/2/2018 | 3_article |
| O'Grady, Alice | 2013 | “Interrupting flow: researching play, performance and immersion in festival scenes.” Dancecult: Journal of Electronic Dance Music Culture 5(1): 18-38. | link | 7/2/2018 | 3_article |
| O'Grady, Alice | 2015 | “Dancing Outdoors: DiY Ethics and Democratised Practices of Well-being on the UK Alternative Festival Circuit.” Dancecult: Journal of Electronic Dance Music Culture 7(1): 76-96. | link | 7/2/2018 | 3_article |
| O'Grady, Alice | 2015 | “Alternative playworlds: Psytrance festivals, deep play and creative zones of transcendence.” In The Pop Festival: history, music, media, culture, edited by Gerogre McKay. London: Bloomsbury. 149-164. | link | 7/2/2018 | 2_chapter |
| O'Grady, Alice | 2017 | “Dancing Outdoors: the DIY ethic of the campsite, the politics of outdoor space and the aesthetics of the UK alternative festival circuit”, In Weekend societies: electronic dance music festivals and event-cultures, edited by Graham St John. London: Bloomsbury. 137-158. | link | 7/2/2018 | 2_chapter |
| St John, Graham | 2012 | "Freak Media: Vibe Tribes, Sampledelic Outlaws and Israeli Psytrance." Continuum: Journal of Media and Cultural Studies 26(3): 437–447. | link | 7/2/2018 | 3_article |
| St John, Graham | 2012 | "Seasoned Exodus: The Exile Mosaic of Psyculture." Dancecult: Journal of Electronic Dance Music Culture 4(1): 4–37. | link | 7/2/2018 | 3_article |
| St John, Graham | 2013 | "The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture." Dancecult: Journal of Electronic Dance Music Culture 5(2): 56–87. | link | 7/2/2018 | 3_article |
| St John, Graham | 2013 | "Aliens Are Us: Cosmic Liminality, Remixticism and Alienation in Psytrance." Journal of Religion and Popular Culture 25(2): 186–204. | link | 7/2/2018 | 3_article |
| St John, Graham | 2013 | "Writing the Vibe: Arts of Representation in Electronic Dance Music Culture." Dancecult: Journal of Electronic Dance Music Culture 5(1). | link | 7/2/2018 | 3_article |
| St John, Graham | 2015 | "Introduction to Weekend Societies: EDM Festivals & Event-Cultures." Dancecult: Journal of Electronic Dance Music Culture 7(1): 1–14. | link | 7/2/2018 | 3_article |
| St John, Graham | 2012 | "Indian Spirit: Amerindians and the Techno-Tribes of Psytrance." In Tribal Fantasies: Native Americans in the European Imagination, 1900-Present, edited by James Mackay and David Stirrup. New York: Palgrave MacMillan, 173–195. | 7/2/2018 | 2_chapter | |
| St John, Graham and Chiara Baldini | 2012 | "Dancing at the Crossroads of Consciousness: Techno-Mysticism, Visionary Arts and Portugal’s Boom Festival." In Handbook of New Religions and Cultural Production, edited by Carole M. Cusack and Alex Norman. Leiden: Brill, 521–552. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2012 | "Experience, Tribalism and Remixology in Global Psytrance Culture." In What Matters? Ethnographies of Value in a Not So Secular Age, edited by Courtney Bender and Ann Taves. New York: Columbia University Press, 248–275. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2014 | "Begoggled in the Theater of Awe: Electronic Dance Music Culture at Burning Man." In Playa Dust: Collected Stories from Burning Man, edited by Samantha Krukowski. London: Black Dog Publishing, 144–159. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2014 | "Goatrance Travellers: Psytrance and its Seasoned Progeny." In The Globalization of Musics in Transit: Musical Migration and Tourism, edited by Simone Krüger and Ruxandra Trandafoiu. New York: Routledge, 160–182. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2015 | "Electronic Dance Music Events." In The Routledge Companion to Religion and Popular Culture, edited by John Lyden and Eric Michael Mazur. New York: Routledge, 336–355. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2015 | "Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance." The Sage Handbook of Popular Music, edited by Andy Bennett and Steve Waksman. London: Sage Publications, 243–260. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2016 | "Spiritechnics: Liminalité et techno-chamanisme dans la psytrance." In Anthropologies du corps en transes, edited by Sébastien Baud. Paris: Connaissances et Savoirs, 259–279. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2017 | "Charms War: Dance Camps and Sound Cars at Burning Man." In Weekend Societies: Electronic Dance Music Festivals and Event-Cultures, edited by Graham St John. New York: Bloomsbury, 219–244. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2017 | "Techno-Shamanism and Trance." In The Bloomsbury Handbook of Religion and Popular Music, edited by Chris Partridge and Marcus Moberg. London: Bloomsbury, 278–285. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2015 | Remixticism: DMT, Psychedelic Electronica and Mystical Experience. In Neurotransmissions: Essays on Psychedelics from Breaking Convention, edited by Dave King, Cameron Adams, David Luke, Ben Sessa, and Aimee Tollan. London: Strange Attractor Press, 215–228. | 7/2/2018 | 6_conference | |
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| Gilli, Lorenz | 2017 | "'Navigate Your Set'. Zur Virtuosität von DJs." In Schneller, höher, lauter. Virtuosität in populären Musiken, edited by Thomas Phleps. Bielefeld: transcript,153–179 | link | 7/30/2018 | 2_chapter |
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| Avery, Anthony | 2005 | “‘I feel that I’m freer to show my feminine side’: Folklore and Alternative Masculinities in a Rave Scene.” In Manly Traditions: The Folk Roots of American Masculinities, edited by Simon J. Bronner. Bloomington: Indiana University Press, 157-170. | link | 8/27/2018 | 2_chapter |
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| Schaap, J., Berghman, M., and Calkins, T. | 2022 | "Attractive People Make Better Music? How Gender and Perceived Attractiveness Affect the Evaluation of Electronic Dance Music Artists." Empirical Studies of the Arts, 1-20 | link | 11/8/2022 | 3_article |
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| Jansson, J., and Gavanas, A. | 2021 | Curated by pioneers, spaces and resistance: The development of electronic dance music in Stockholm. In Hracs, B. J., Brydges, T., Haisch, T., Hauge, A., Jansson, J., & Sjöholm, J. (eds). Culture, Creativity and Economy. Culture, Creativity and Economy (pp. 124-138). Routledge | link | 11/8/2022 | 2_chapter |
| Smith, J. W. | 2021 | "The Functions of Continuous Processes in Contemporary Electronic Dance Music." Music Theory Online, 27(2). | link | 11/8/2022 | 3_article |
| Brøvig-Hanssen, R., Sandvik, B., Aareskjold-Drecker, J. M., and Danielsen, A. | 2022 | "A grid in flux: Sound and timing in Electronic Dance Music." Music Theory Spectrum, 44(1), 1-16. | link | 11/8/2022 | 3_article |
| Toppin, J. | 2021 | “They're Not in It Like the Man Dem”: How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music. In: Anderton, C., & James, M. (eds.). Media Narratives in Popular Music. USA: Bloomsbury Publishing | link | 11/8/2022 | 2_chapter |
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| Solberg, R. T. | 2014 | "“Waiting for the Bass to Drop”: Correlations between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electronic Dance Music." Dancecult: Journal of Electronic Dance Music Culture, 6(1), 61-82. | link | 11/8/2022 | 3_article |
| Burger, B., and Toiviainen, P. | 2021 | "Embodiment in electronic dance music: Effects of musical content and structure on body movement." Musicae Scientiae, 24(2), 186-205. | link | 11/8/2022 | 3_article |
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| Perevedentseva, M. | 2022 | Something for Your Mind, Your Body and Your Soul. Timbre and Meaning in Electronic Dance Music. Doctoral thesis, Goldsmiths, University of London. | link | 11/8/2022 | 4_thesis |
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| Madden, D. | 2021 | "COVID Nights: Crisis and Street-level Institutions in Montreal and Beyond." Dancecult: Journal of Electronic Dance Music Culture, 13(1): 54–68 | link | 11/9/2022 | 3_article |
| Mazierska, E. and Rigg, T. | 2021 | "Challenges to British Nightclubs During and After the Covid-19 Pandemic." Dancecult: Journal of Electronic Dance Music Culture, 13(1): 69–8 | link | 11/9/2022 | 3_article |
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| Castagner, Marc-Oliver. | 2020 | "The Vibe as Peace: EDMC Conflict Studies and Montreal Psytrance Spheres." Dancecult: Journal of Electronic Dance Music Culture, 12(1): 66–84 | link | 11/9/2022 | 3_article |
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| Attias, B., Gavanas, A., and Rietveld, H. | 2013 | DJ culture in the mix: power, technology, and social change in electronic dance music. New York: Bloomsbury. | 11/9/2022 | 1_book | |
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| Wilson, Brian and Michael Atkinson | 2005 | "Rave and Straightedge, the Virtual and the Real: Exploring Online and Offline Experiences in Canadian Youth Subcultures." Youth & Society, 36(3), 276–311. | link | 11/9/2022 | 3_article |
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| Meures, Susanne | 2016 | Raving Iran | link | 11/9/2022 | 5_film |
| Mazierska, Ewa | 2019 | Popular Viennese Electronic Music, 1990–2015: A Cultural History. London: Routledge | 11/9/2022 | 1_book | |
| Fink, Robert, Melinda Latour and Zachary Wallmark | 2018 | The Relentless Pursuit of Tone: Timbre in Popular Music. New York: Oxford University Press | link | 11/9/2022 | 1_book |
| Furst, Jenner and Julia W. Nason. | 2019 | Fyre Fraud | link | 11/9/2022 | 5_film |
| Smith, Chris | 2019 | Fyre: The Greatest Party That Never Happened | link | 11/9/2022 | 5_film |
| Lee, Iara | 1998 | Modulations: Cinema for the Ear | link | 11/9/2022 | 5_film |
| Reiss, Jon | 1999 | Better Living Through Circuitry | link | 11/9/2022 | 5_film |
| Marcus, Bert and Cyrus Saidi | 2017 | What We Started | link | 11/9/2022 | 5_film |
| Johner, Andrew | 2011 | Electronic Awakening | link | 11/9/2022 | 5_film |
| Lee, Stacey | 2020 | Underplayed | link | 11/9/2022 | 5_film |
| Sanderson, Piers | 2015 | The Art of the DJ | link | 11/9/2022 | 5_film |
| Cutforth, Dan and Jane Lipsitz | 2013 | EDC: Under the Electric Sky | link | 11/9/2022 | 5_film |
| Deller, Jeremy | 2019 | Everybody In The Place - An Incomplete History of Britain 1984 -1992 | link | 11/9/2022 | 5_film |
| Hyatt, Bailey | 2020 | Drum & Bass: The Movement - A D&B Documentary | link | 11/9/2022 | 5_film |
| Jenkins, Hugo | 2021 | Better Days: The Story of UK Rave | link | 11/9/2022 | 5_film |
| Hawkins, Stan | 2003 | "Feel the beat come down: house music as rhetoric." In: Moore, A. (2003) (ed.) Analyzing popular music, pp. 80-102. Cambridge: Cambridge University Press. | link | 11/12/2022 | 2_chapter |
| Mclean, Alex, Giovanni Fanfani and Ellen Harlizius-Klück | 2018 | "Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding." Dancecult: Journal of Electronic Dance Music Culture, 10(1): 5–3 | link | 11/12/2022 | 3_article |
| Armitage, Joanne | 2018 | "Spaces to Fail in: Negotiating Gender, Community and Technology in Algorave." Dancecult: Journal of Electronic Dance Music Culture, 10(1): 31–45 | link | 11/12/2022 | 3_article |
| Savery, Richard | 2018 | "An Interactive Algorithmic Music System for EDM." Dancecult: Journal of Electronic Dance Music Culture, 10(1): 46–62 | link | 11/12/2022 | 3_article |
| Smith, Ryan R. and Shawn Lawson | 2018 | Rogue Two: Reflections on the Creative and Technological Development of the Audiovisual Duo—The Rebel Scum | link | 11/12/2022 | 3_article |
| Anderson, Christopher, Arne Eigenfeldt, and Philippe Pasquie | 2013 | “The Generative Electronic Dance Music Algorithmic Systems (GEDMAS).” In: Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, 5–8. Bellevue: AAAI Press. | link | 11/12/2022 | 6_conference |
| Wooller, René and Andrew R. Brown | 2011 | "Note sequence morphing algorithms for performance of electronic dance music." Digital Creativity, 22(1), 13-25. | link | 11/12/2022 | 3_article |
| Collins, Nick | 2008 | "Infno: Generating Synth Pop and Electronic Dance Music on Demand.” In: Proceedings of the International Computer Music Conference. Montreal: International Computer Music Association. | link | 11/12/2022 | 6_conference |
| Fantinatto, Robert | 2014 | I Dream of Wires | link | 11/12/2022 | 5_film |
| Mclean, Alex and Adam Parkinson | 2014 | "Interfacing with the Night."In: INTER-FACE: International Conference on Live Interfaces 2014. Lisbon, Portugal 19-23 November. | link | 11/12/2022 | 6_conference |
| Jorden, Kandeyce | 2018 | Girl | link | 11/12/2022 | 5_film |
| Balli, Riccardo | 2016 | Frankenstein Goes to Holocaust: Mostri Sonori, Hyper Mash-up, Audio Espropri. Milan: Agenzia. | 11/12/2022 | 1_book | |
| Prior, Nick | 2018 | Popular Music, Digital Technology and Society. London: Sage | 11/12/2022 | 1_book | |
| Morgan, Frances | 2017 | "Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music." Dancecult: Journal of Electronic Dance Music Culture, 9(1): 9–27 | link | 11/12/2022 | 3_article |
| James, Robin | 2017 | Post-Feminism’s “New Sexual Contract”and Electronic Dance Music’s Queered Femme Voices. Dancecult: Journal of Electronic Dance Music Culture, 9(1): 28–49 | link | 11/12/2022 | 3_article |
| Gadir, Tami | 2017 | Forty-Seven DJs, Four Women: Meritocracy, Talent and Postfeminist Politics. Dancecult: Journal of Electronic Dance Music Culture, 9(1): 50–72 | link | 11/12/2022 | 3_article |
| Hancock, Maren | 2017 | Lick My Legacy: Are Women-Identified Spaces Still Needed to Nurture Women-Identified DJs? Dancecult: Journal of Electronic Dance Music Culture, 9(1): 73–8 | link | 11/12/2022 | 3_article |
| Perrone, Dina | 2010 | "Gender and Sexuality in the Field: A Female Ethnographer’s Experience Researching Drug Use in Dance Clubs.” Substance Use & Misuse 45(5): 717–35. | link | 11/12/2022 | 3_article |
| Feser, K. and Pasdzierny, M. | 2016 | Techno Studies: Ästhetik und Geschichte Elektronischer Tanzmusik. Berlin: b_books | 11/12/2022 | 1_book | |
| Hosken, D. | 2015 | An Introduction to Music Technology, Second Edition. New York: Routledge | 11/12/2022 | 1_book | |
| Hope, C. and Ryan, J. | 2014 | Digital Arts: An Introduction to New Media. London: Bloomsbury | 11/12/2022 | 1_book | |
| Whitehead, Gareth | 2022 | "Exploring Personal Spectres in Electronic Music." Dancecult: Journal of Electronic Dance Music Culture 14(1): 2–22 | link | 11/16/2022 | 3_article |
| Pascual, Luciano | 2022 | "Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink." Dancecult: Journal of Electronic Dance Music Culture 14(1): 23–3 | link | 11/16/2022 | 3_article |
| Avis-Ward, Daisy | 2022 | "Moments of Connection As Means of Survival: A Study of Queer Identity, Freedom and Community in UK Raves During the Covid-19 Pandemic." Dancecult: Journal of Electronic Dance Music Culture 14(1): 39–5 | link | 11/16/2022 | 3_article |
| Marquez, Israel | 2022 | "Digital Cumbia: Tradition and Postmodernity." Dancecult: Journal of Electronic Dance Music Culture 14(1): 60–75 | link | 11/16/2022 | 3_article |
| Salkind, Michael E. | 2018 | Do You Remember House? Chicago’s Queer of Colour Undergrounds. Oxford: Oxford University Press | link | 11/30/2022 | 1_book |
| Moore, Maddison | 2018 | Fabulous: The Rise of the Beautiful Eccentric. Yale: Yale University Press | 11/30/2022 | 1_book | |
| Heineman, Matthew | 2020 | The Boy from Medellín | link | 11/30/2022 | 5_film |
| Weinel, Jonathon | 2021 | Explosions in the Mind: Composing Psychedelic Sounds and Visualisations. Singapore: Palgrave Macmillan | 11/30/2022 | 1_book | |
| Jóri, Anita | 2022 | The Discourse Community of Electronic Dance Music. Bielefeld: Transcript Verlag | 11/30/2022 | 1_book | |
| Morrison, Simon | 2020 | Dancefloor-Driven Literature: The Rave Scene in Fiction. London: Bloomsbury | 11/30/2022 | 1_book | |
| Madden, David | 2016 | "DJ Mini and Montreal’s Vulgar Dance Music. "Dancecult: Journal of Electronic Dance Music Culture 8(1): 26–45 | link | 12/2/2022 | 3_article |
| MacCutcheon, Douglas, Alinka E. Greasley and Mark T. Elliot. | 2016 | "Investigating the Value of DJ Performance for Contemporary Music Education and Sensorimotor Synchronisation (SMS) Abilities." Dancecult: Journal of Electronic Dance Music Culture 8(1): 46–7 | link | 12/2/2022 | 3_article |
| Heuguet, Guillaume | 2016 | "When Club Culture Goes Online: The Case of Boiler Room." Dancecult: Journal of Electronic Dance Music Culture 8(1): 73–8 | link | 12/2/2022 | 3_article |
| De Paris Fontanari, Ivan P. | 2013 | Os DJs da Perifa: Música Eletrônica, Trajetórias e Mediações Culturais em São Paulo. Porto Alegre: Sulina | 12/2/2022 | 1_book | |
| Weidenbaum, Marc | 2014 | Aphex Twin’s Selected Ambient Works Volume II (33 1/3 Series). New York: Bloomsbury | 12/2/2022 | 1_book | |
| Veogelin, Salomé | 2014 | Sonic Possible Worlds: Hearing the Continuum of Sound. New York: Bloomsbury | 12/2/2022 | 1_book | |
| Albiez, Sean and David Pattie | 2016 | Brian Eno: Oblique Music. New York: Bloomsbury | 12/2/2022 | 1_book | |
| Vendryes, Thomas | 2015 | "Versions, Dubs and Riddims: Dub and the Transient Dynamics of Jamaican Music." Dancecult: Journal of Electronic Dance Music Culture 7(2): 5–24 | link | 12/2/2022 | 3_article |
| Ramstedt, Kim | 2015 | "“Chase Sound Boys Out of Earth”: The Aura of Dubplate Specials in Finnish Reggae Sound System Culture." Dancecult: Journal of Electronic Dance Music Culture 7(2): 25–42 | link | 12/2/2022 | 3_article |
| Harries, John | 2015 | "Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub." Dancecult: Journal of Electronic Dance Music Culture 7(2): 43–63 | link | 12/2/2022 | 3_article |
| Kolioulis, Alessio | 2015 | Borderlands: Dub Techno’s Hauntological Politics of Acoustic Ecology. Dancecult: Journal of Electronic Dance Music Culture 7(2): 64–85 | link | 12/2/2022 | 1_book |
| Sullivan, Paul | 2014 | Remixology: Tracing the Dub Diaspora. London: Reaktion Books | 12/2/2022 | 1_book | |
| Navas, Eduardo, Owen Gallagher and Xtine Burrough | 2015 | The Routledge Companion to Remix Studies. London: Routledge | 12/2/2022 | 1_book | |
| Roholt, Tiger C. | 2014 | Groove: A Phenomenology of Rhythmic Nuance. New York: Bloomsbury Academic | 12/2/2022 | 1_book | |
| Briggs, Daniel | 2013 | Deviance and Risk on Holiday: An Ethnography of British Tourists in Ibiza. Basingstoke: Palgrave Macmillan | 12/2/2022 | 1_book | |
| Drury, Matt | 2022 | The Hacienda: The Club That Shook Britain | link | 12/7/2022 | 5_film |
| Parsley, Samantha | 2022 | "Feeling your way as an occupational minority: The gendered sensilisation of women electronic music artists" Management Learning, 53(4) 697–717 | link | 12/7/2022 | 3_article |
| Nye, Sean | 2022 | Modeselektor’s Happy Birthday (33 1/3 Series). New York: Bloomsbury Academic | 12/7/2022 | 1_book | |
| Schütte, Uwe | 2022 | The Cambridge Companion to Krautrock. Cambridge: Cambridge University Press | link | 12/7/2022 | 1_book |
| Schütte, Uwe | 2020 | Kraftwerk: Future Music from Germany. London: Penguin | 12/7/2022 | 1_book | |
| Nye, Sean | 2013 | Minimal Understandings: The Berlin Decade, The Minimal Continuum, and Debates on the Legacy of German Techno," Journal of Popular Music Studies, 25(2), 154-184. | link | 12/7/2022 | 3_article |
| Nye, Sean | 2011 | "Headphone-Headset-Jetset: DJ Culture, Mobility and Science Fictions of Listening." Dancecult: Journal of Electronic Dance Music Culture 3(1): 45-77. | link | 12/7/2022 | 3_article |
| Nye, Sean | 2019 | “Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika,” in Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor, ed. Neil Gregor and Thomas Irvine (New York: Berghahn) 271-294. | 12/7/2022 | 2_chapter | |
| Nye Sean and Michael Krikorian | 2022 | "Tangerine Dream," in The Cambridge Companion to Krautrock, ed. Uwe Schütte (Cambridge: Cambridge University Press), 126-142. | link | 12/7/2022 | 2_chapter |