DRN Reference Resource
Books
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Albiez, Sean and Pattie, David (eds.) | 2010 | Kraftwerk: Music Non Stop. New York / London: Continuum. | link | 4/6/2018 |
| Anderson, Tammy | 2009 | Rave Culture: the Alteration and Decline of a Philadelphia Music Scene. Philadelphia: Temple University Press. | link | 4/6/2018 |
| Anthony, Wayne | 1998 | Class of 88: The True Acid House Experience. London: Virgin. | 4/6/2018 | |
| Anthony, Wayne | 1999 | Spanish Highs: Sex, Drugs & Excess in Ibiza. London: Virgin. | 4/6/2018 | |
| Ayers, Michael D | 2006 | Cybersounds: Essays On Virtual Music Culture. New York: Peter Lang. | 4/6/2018 | |
| Bahr, Xenia and Oliver Rossdeutscher | 1995 | No Rites: Techno-House in Hamburg. Hamburg: Kellner. | 4/6/2018 | |
| Barr, Tim | 2000 | Techno: The Rough Guide. London: Rough Guide Ltd. | 4/6/2018 | |
| Beeler, Stanley | 2007 | Dance, Drugs, and Escape: The Club Scene in Literature, Film, and Television Since the Late 1980s. Jefferson, N.C: McFarland & Co. | 4/6/2018 | |
| Belle-Fortune, Brian | 2004 | All Crews: Journeys Through Jungle / Drum & Bass Culture. London: Vision. | 4/6/2018 | |
| Bennett, Andy, Barry Shank and Jason Toynbee | 2006 | Popular Music Studies Reader. New York: Routledge. | 4/6/2018 | |
| Bidder, Sean | 1999 | The Rough Guide to House. London: Rough Guides Ltd. | 4/6/2018 | |
| Bidder, Sean | 2001 | Pump Up The Volume: A History of House. London: Channel 4 Books. | 4/6/2018 | |
| Blackman, Shane | 2004 | Chilling Out: the cultural politics of substance consumption, youth and drug policy. Maidenhead: Open University Press. | 4/6/2018 | |
| Breinl, Christiana | 2012 | Free Tekno : Geschichte einer Gegenkultur. Wien: Lit-Verlag. | 4/6/2018 | |
| Brewtser, Bill & Frank Broughton | 1999 | Last Night a DJ Saved My Life. New York: Grove Press. | 4/6/2018 | |
| Bull, Michale, Les Back | 2003 | The Auditory Culuture Reader (Sensory Formation). Oxford: Berg. | 4/6/2018 | |
| Bussman, Jane | 1998 | Once in a Lifetime: The Crazy Days of Acid House and Afterwards. London: Virgin. | 4/6/2018 | |
| Butler, Mark J | 2006 | Unlocking the Groove: Rhythm, meter and musical design in electronic dance music. Bloomington and Indianapolis, IN: Indiana University Press. | 4/6/2018 | |
| Chang, Jeff | 2005 | Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York: Picador. | 4/6/2018 | |
| Collin, Matthew | 1997 | Altered State: The Story of Ecstasy Culture and Acid House. London: Serpent's Tail. | 4/6/2018 | |
| Colombié, Thierry, Nacer Lalam and Michel Schiray | 2000 | Drogue et techno: les trafiquants de rave. Paris: Stock. | 4/6/2018 | |
| Courtney, Dave | 2000 | Raving Lunacy: Clubbed to Death - Adventures on the Rave Scene. London: Virgin. | 4/6/2018 | |
| D'Andrea, Anthony | 2007 | Global Nomads: Techno and New Age as Transnational Countercultures. London/New York: Routledge. | 4/6/2018 | |
| De Haro, Sarah and Wilfrid Estéve | 2002 | 3672: La Free Story. Paris: Trouble-Fête. | 4/6/2018 | |
| de Jong, Alex, Marc Shuilenberg | 2006 | Mediapolis: Popular Culture and the City. Rotterdam: 010 Publishers. | 4/6/2018 | |
| Eshun, Kodwo | 1998 | More Brilliant Than The Sun: Adventures In Sonic Fiction. London: Quartet Books. | 4/6/2018 | |
| Fikentscher, Kai | 2000 | "You Better Work!": Underground Dance Music in New York City. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Fink, Robert | 2005 | Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press. | 4/6/2018 | |
| Fritz, Jimi | 1999 | Rave Culture: An Insider's Overview. Canada: Smallfry Press. | 4/6/2018 | |
| Gaillot, Michel | 1998 | Multiple Meaning Techno: An Artistic and Political Laboratory of the Present. Paris: Editions Dis Voir. | 4/6/2018 | |
| Garratt, Sheryl | 1998 | Adventures in Wonderland: A Decade of Club Culture. London: Headline. | 4/6/2018 | |
| Geoffrey Hunt, Molly Moloney and Kristin Evans | 2010 | Youth, Drugs and Nightlife. London and New York: Routledge. | 4/6/2018 | |
| Gilbert, Jeremy and Ewan Pearson | 1999 | Discographies: Dance Music, Culture and the Politics of Sound. London: Routledge. | 4/6/2018 | |
| Green, Jared | 2005 | DJ, Dance and Rave Culture. Detroit: Greenhaven Press. | 4/6/2018 | |
| Grynszpan, Emmanuel | 1999 | Bruyante Techno: réflexion sur le son de la free party. Nantes: M. Séteun. | 4/6/2018 | |
| Hebdige, Dick | 1987 | Cut 'n' Mix: Culture, Identity and Caribbean Music. New York: Methuen. | 4/6/2018 | |
| Hitzler, Ronald and Michaela Pfadenhauer | 2001 | Techno-Soziologie : Erkundungen einer Jugendkultur. Opladen: Leske + Budrich. | 4/6/2018 | |
| Hope, Donna P | 2006 | Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press. | 4/6/2018 | |
| Hutnyk, John | 2000 | Critique of Exotica: music, politics and the culture industry. London: Pluto Press. | 4/6/2018 | |
| Hutton, Fiona | 2006 | Risky Pleasures? Club Cultures and Feminine Identities. Aldershot: Ashgate. | 4/6/2018 | |
| Jackson, Phil | 2004 | Inside Clubbing: Sensual Experiments in the Art of Being Human. Oxford: Berg. | 4/6/2018 | |
| Jagodzinski, Jan | 2005 | Music in Youth Culture: A Lacanian Approach. New York :: Palgrave Macmillan. | 4/6/2018 | |
| James, Martin | 1997 | State of Bass: Jungle - The Story So Far. Basingstoke: Boxtree/ Macmillan. | 4/6/2018 | |
| James, Martin | 1998 | Prodigy: Adventures with the Voodoo Crew. London: Ebury Press. | 4/6/2018 | |
| James, Martin | 2001 | Moby: Replay - His Life and Times. London: Independent Music Press. | 4/6/2018 | |
| James, Martin | 2002 | Fatboy Slim: Funk Soul Brother. London: Sanctuary. | 4/6/2018 | |
| James, Martin | 2002 | Prodigy. London: Sanctuary. | 4/6/2018 | |
| James, Martin | 2003 | French Connections - From Discotheque to Discovery. London: Sanctuary. | 4/6/2018 | |
| Kemper, Christian | 2004 | Mapping techno: jugendliche Mentalitäten der 90er. Frankfurt am Main: Peter Lang. | 4/6/2018 | |
| Knowles, Cynthia | 2001 | Up all Night: A Closer Look at Club Drugs and Rave Culture. Geneseo, N.Y: Red House Press. | 4/6/2018 | |
| Lawrence, Pete and Vicki Howard (eds) | 2004 | Crossfade: A Big Chill Anthology. London: Serpent’s Tail. | 4/6/2018 | |
| Lawrence, Tim | 2003 | Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Durham and London: Duke University Press. | 4/6/2018 | |
| Leloup, Jean-Yves | 2007 | Digital Magma : de l'utopie des rave parties à la génération ipod. Paris: Scali. | 4/6/2018 | |
| Leloup, Jean-Yves | 2010 | Digital Magma:From the Utopia of Rave Parties to the Ipod Generation. New York: Lukas & Sternberg. | 4/6/2018 | |
| Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou | 1999 | Global Tekno vol.1 : Voyage initiatique au cœur de la musique électronique. Paris: Camion Blanc. | 4/6/2018 | |
| Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou | 2008 | Global Techno 1.0 : l'authentique histoire de la musique électronique. Paris: Scali. | 4/6/2018 | |
| Leneghan, Sean | 2010 | The Varities of Ecstasy Experience: An Exploration of Person, Mind and Body in Sydney's Club Culture. Sydney Australia: Lambert Academic Press. | 4/6/2018 | |
| Lysloff, René T.A. and Leslie C. Gay, editors | 2003 | Music and Technoculture. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Malbon, Ben | 1999 | Clubbing: dancing, ecstasy and vitality. London: Routledge. | 4/6/2018 | |
| Mellonee V. Burnim and Portia K. Maultsby | 2006 | African American Music: An Introduction. New York: Routledge. | 4/6/2018 | |
| Pinch, Trevor, Frank Trocco | 2002 | Analog Days: The Invention and Impact of the Moog Synthesizer. Boston: Harvard University Press. | 4/6/2018 | |
| Pini, Maria | 2001 | Club Cultures and Female Subjectivity: the move from home to house. Hampshire: Palgrave. | 4/6/2018 | |
| Prendergast, Mark | 2000 | The Ambient Century: from Mahler to Moby – the Evolution of Sound in the Electronic Age. London: Bloomsbury. | 4/6/2018 | |
| Push & Mireille Silcott | 2000 | The book of E: All About Ecstasy. London: Omnibus. | 4/6/2018 | |
| Queudrus, Sandy | 2000 | Un Maquis Techno: Modes de'Engagement et Pratiques Sociales dans la Free-Party. Paris: IRMA editions. | 4/6/2018 | |
| Racine, Étienne | 2002 | Le Phénomène Techno: Clubs, Raves, Free-parties. Paris: Imago. | 4/6/2018 | |
| Rapp, Tobias | 2009 | Lost and Sound: Berlin, Techno und der Easyjetset. Frankfurt am Main: Suhrkamp. | 4/6/2018 | |
| Redhead, Steve | 1993 | Rave off: Politics and Deviance in Contemporary Youth Culture. Avebury: Aldershot. | 4/6/2018 | |
| Redhead, Steve (ed.) | 1997 | The Clubcultures Reader: readings in popular cultural studies. Oxford: Blackwell. | 4/6/2018 | |
| Reynolds, Simon | 2012 | Energy Flash: A Journey Through Rave Music and Dance Culture (Reprint Edition) | 8/6/2018 | |
| Rietveld, Hillegonda C | 1998 | This Is Our House: House Music, Cultural Spaces and Technologies. Aldershot: Ashgate. | 4/6/2018 | |
| Rupert Till | 2010 | Pop Cult: religion and popular music. London: Continuum. | link | 4/6/2018 |
| Saldanha, Arun | 2007 | Psychedelic White: Goa Trance and the Viscosity of Race. Minneapolis: University of Minnesota Press. | 4/6/2018 | |
| Saunders, Nicholas | 1993 | E for Ecstasy. London: Nicholas Saunders. | link | 4/6/2018 |
| Saunders, Nicholas and Rick Doblin | 1996 | Ecstasy: Dance, trance & transformation. San Francisco: Quick American Publishing Company. | 4/6/2018 | |
| Shapiro, Peter | 1999 | Drum'n'bass: The Rough Guide. London: Rough Guide Ltd. | 4/6/2018 | |
| Shapiro, Peter ed | 2000 | Modulations: A History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha Productions Inc. | 4/6/2018 | |
| Sicko, Dan | 1999 | Techno Rebels: The Renegades of Electronic Funk. New York: Billboard Books. | 4/6/2018 | |
| Silcott, Mireille | 1999 | Rave America: New school dancescapes. Quebec: ECW Press. | 4/6/2018 | |
| Simon A. Morrison | 2010 | Discombobulated - Dispatches From The Wrong Side. London: Headpress. | link | 4/6/2018 |
| Snoman, Rick | 2004 | The Dance Music Manual: Tools, Toys and Techniques. Boston: Focal Press. | 4/6/2018 | |
| St John, Graham | 2009 | Technomad: Global Raving Countercultures. London: Equinox. | link | 4/6/2018 |
| St John, Graham (ed) | 2001 | FreeNRG: Notes From the Edge of the Dance Floor. Altona: Common Ground. | link | 4/6/2018 |
| St John, Graham (ed) | 2004 | Rave Culture and Religion. New York: Routledge. | 4/6/2018 | |
| St John, Graham (ed) | 2010 | The Local Scenes and Global Culture of Psytrance. New York: Routledge. | 4/6/2018 | |
| Sterneck, Wolfgang | 2005 | Tandzende Sterne: Party, Tribes und Widerstand. Frankfurt-main: Nacthtschatten and KomstA. | 4/6/2018 | |
| Stolzoff, Norman | 2000 | Wake the Town and Tell the People: Dancehall Culture in Jamaica. London: Duke University Press. | 4/6/2018 | |
| Stone, C. J | 1996 | Fierce Dancing: Adventures in the Underground. London: Faber and Faber. | 4/6/2018 | |
| Sylvan, Robin | 2005 | Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. New York: Routledge. | 4/6/2018 | |
| Sylvan, Robin Daniel | 2002 | Traces of the spirit: The religious dimensions of popular music. New York: New York University Press. | 4/6/2018 | |
| Taylor, Timothy D | 2001 | Strange Sounds: Music, Technology & Culture. New York: Routledge. | 4/6/2018 | |
| Thornton, Sarah | 1996 | Club Cultures: Music, Media, and Subcultural Capital. Hanover: Wesleyan University Press. | 4/6/2018 | |
| Toop, David | 1995 | Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent's Tail. | 4/6/2018 | |
| Toop, David | 2004 | Haunted Weather: Music, Silence, and Memory. London: Serpents Tail. | 4/6/2018 | |
| Twist, Cinnamon (ed.) | 1999 | Guerillas of Harmony: Communiques from the Dance Underground. LA: Tribal Donut. | 4/6/2018 | |
| Vaudrin, Marie-Claude | 2004 | La musique techno, ou, Le retour de Dionysos: je rave, tu raves, nous rêvons. Paris: Harmattan. | 4/6/2018 | |
| Veal, Michael | 2007 | Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Weinel, Jon | 2018 | Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media. New York: Oxford University Press. | link | 6/15/2018 |
| Whelan, Andrew | 2008 | Breakcore: identity and interaction on peer-to-peer. Newcastle: Cambridge Scholars. | link | 4/6/2018 |
| Wilder, Eliot | 2005 | Endtroducing. London: Continuum Books. | 4/6/2018 | |
| Wilson, Brian | 2006 | Fight, Flight Or Chill: Subcultures, Youth, And Rave In The Twenty-first Century. Kingston, Ontario: McGill-Queen's University Press. | 4/6/2018 | |
| St John, Graham (ed) | 2017 | Weekend Societies: Electronic Dance Music Festivals and Event-Cultures. New York: Bloomsbury. | 6/25/2018 | |
| Butler, Mark J | 2014 | "Playing with Something That Runs : Technology, Improvisation, and Composition in DJ and Laptop Performance." New York, NY: Oxford University Press. | link | 6/25/2018 |
| St John, Graham | 2013 | Global Tribe: Technology, Spirituality and Psytrance. Sheffield: Equinox Publishing. | 6/25/2018 | |
| Lawrence, Tim | 2016 | Life and Death on the New York Dance Floor 1980–1983. Durham and London: Duke University Press. | 7/30/2018 | |
| Brøvig-Hanssen, Ragnhild, and Anne Danielsen | 2016 | Digital Signatures. The Impact of Digitization on Popular Music Sound. Cambridge and London: MIT Press | link | 7/30/2018 |
| Rappe, Michael | 2010 | Under Construction. Kontextbezogene Analyse afroamerikanischer Popmusik. Köln: Dohr | link | 7/30/2018 |
| Chrysagis, E. and P. Karampampas (eds) | 2017 | "Collaborative Intimacies: Anthropologies of Sound and Movement." ‘Dance and Performance Studies’ book series, New York and Oxford: Berghahn. | link | 8/21/2018 |
| Anniss, Matt | 2019 | Join The Future: Bleep Techno and the Birth of British Bass Music. London: Velocity Press | link | 6/23/2019 |
| Papic, Mariette | 2016 | The Digital Nomad Manifesto | link | 1/19/2020 |
| Etyang, J. H., J. Nyairo and F. Sievers (Eds) | 2020 | TEN CITIES : Clubbing in Nairobi, Cairo, Kyiv, Johannesburg, Naples, Berlin, Luanda, Lagos, Bristol, Lisbon 1960 - March 2020 | link | 12/21/2020 |
Book Chapters
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Albiez, Sean | 2003 | "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. | 4/6/2018 | |
| Bates, Eliot | 2004 | "Glitches, Bugs, and Hisses: the degeneration of musical recordings and the contemporary musical work." In Bad Music: Music that you love to hate, edited by Chris Washburne and Maiken Derno. New York: Routledge. | 4/6/2018 | |
| Bennett, Andy | 2000 | "Dance Music, Local Identity and Urban Space." In Popular Music and Youth Culture: Music, Identity and Place, edited by (Bennett, Andy). New York: St. Martin's Press, 73-102. | 4/6/2018 | |
| Birgy, Phillipe | 2003 | "French Electronic Music: The Invention of a Tradition." In Popular Music in France from Chanson to Techno: Culture, Identity and Society, edited by Hugh Dauncey and Steve Cannon. Aldershot: Ashgate, 225-242. | 4/6/2018 | |
| Butler, Mark J | 2005 | "‘Everybody Needs a 303, Everybody Loves a Filter’: Electronic Dance Music and the Aesthetics of Obsolescence." In Digital Media: Transformations in Human Communication, edited by Paul Messaris and Lee Humphreys. New York: Peter Lang, 111-18. | 4/6/2018 | |
| Carrington, Ben and Brian Wilson | 2004 | "Dance Nation: Rethinking Youth Subcultural Theory." In After Subculture: Critical Studies of Contemporary Youth Culture, edited by Andy Bennett and Keith Kahn-Harris. New York: Palgrave, 65-78. | 4/6/2018 | |
| Chan, Seb | 1999 | "Bubbling Acid: Sydney’s Techno Underground." In Australian Youth Subcultures: On the Margins and in the Mainstream, edited by Rob White. Hobart: ACYS Publications, 65-73. | 4/6/2018 | |
| D'Andrea, Anthony | 2003 | "Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa." In Rave Culture and Religion, edited by Graham St. John. New York and London: Routledge, 236-255. | 4/6/2018 | |
| Davis, Erik | 2004 | "Hedonic Tantra: Golden Goa’s Trance Transmission." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 256-272. | 4/6/2018 | |
| Dyer, Richard | 1990 | "In Defence of Disco." In On Record: Rock, Pop and the Written Word, edited by Simon Frith and Andrew Goodwin. New York: Pantheon, 410-418. | 4/6/2018 | |
| Fikentscher, Kai | 2003 | "There's not a problem I can't fix, 'cause I can do it in the mix: On the Performative Technology of 12-inch Vinyl." In Music and Technoculture, edited by Lysloff, René and Gay, Leslie C. Middletown: Wesleyan University Press, 290-315. | 4/6/2018 | |
| Fikentscher, Kai | 2006 | "Disco and House." In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 456-470. | 4/6/2018 | |
| Gadir, Tami | 2017 | "'I Don't Play Girly House Music': Women, Sonic Stereotyping, and the Dancing DJ." In the Routledge Research Companion to Popular Music and Gender, edited by Stan Hawkins. London and New York: Routledge, 196–210. | link | 6/15/2018 |
| Garcia, Luis-Manuel | 2013 | "Crowd Solidarity on the Dance Floor in Paris and Berlin." In Musical Performance and the Changing City: Post-industrial Contexts in Europe and the United States, edited by Fabian Holt and Carsten Wergin, 227–255. New York, NY: Routledge. | link | 5/9/2018 |
| Gauthier, François | 2004 | "Rapturous Ruptures: The ‘Instituant’ Religious Experience of Rave." In Rave Culture and Religion, edited by Graham St John. London: Routledge, 65-84. | 4/6/2018 | |
| Gerard, Morgan | 2004 | "Selecting Ritual: DJs, Dancers and Liminality in Underground Dance Music." In Rave Culture and Religion, edited by Graham St. John. London: Routledge, 167-184. | 4/6/2018 | |
| Gibson, Chris | 2001 | "Appropriating the Means of Production: Dance Music Industries and Contested Digital Space." In FreeNRG: Notes From the Edge of the Dance Floor, edited by Graham St John. Melbourne: Common Ground, 237-255. | 4/6/2018 | |
| Gore, G | 1997 | "Trance, dance and Tribalism in Rave Culture." In Dance in the City, edited by Thomas, Helen. London: MacMillan, 73-83. | 4/6/2018 | |
| Grayson, Kyle | 2008 | "The (Geo)Politics of Dancing: Illicit Drugs and Canadian Rave." In Chasing Dragons: Security, Identity, and Illicit Drugs in Canada, edited by Kyle Grayson. Toronto: University of Toronto Press. | 4/6/2018 | |
| Hall, Joanna | 2008 | "Mapping the Multifarious: The Genrification of Dance Music Club Cultures." In Decentring Dancing Texts: The Challenge of Interpreting Dances, edited by Lansdale, J. Basingstoke: Palgrave Macmillan. | 4/6/2018 | |
| Hesmondhalgh, David, and Caspar Melville | 2001 | "Urban Breakbeat Culture." In Global Noise: Rap and Hip-Hop Outside the USA, edited by Timothy Mitchell. Middletown: Wesleyan University Press. | 4/6/2018 | |
| Hill, Desmond | 1999 | "Mobile Anarchy: The House Movement, Shamanism and Community." In Psychedelics Reimagined, edited by Thomas Lyttle. New York: Autonomedia, 95-106. | 4/6/2018 | |
| Hitzler, Ronald & Pfadenhauer, Michaela | 2002 | "Existential Strategies: The Making of Community and Politics in the Techno/Rave Scene." In Postmodern Existential Sociology, edited by Joseph Kotarba and John Johnson. Walnut Creek: Alta Mira, 87-101. | 4/6/2018 | |
| Huq, Rupa | 1999 | "The Right to Rave: Opposition to the Criminal Justice and Public Order Act 1994." In Storming the Millennium: The New Politics of Change, edited by Tim Jordan. London: Lawrence and Wishart, 15-33. | 4/6/2018 | |
| Huq, Rupa | 2002 | "Raving, not drowning: Authenticity, pleasure and politics in the electronic dance music scene." In Popular Music Studies, edited by David Hesmondhalgh and Keith Negus. London: Arnold. | 4/6/2018 | |
| Kiliman, Daymon | 2016 | "The Liberating Potential of Continuously Variable Circuitry: Postmodern Analogs in Electronic Dance Music Culture." In Ontic Flows: From Digital Humanities to Posthumanities, edited by Matt Bernico and Manuela Kolke. New York: Atropos Press, 49-75. | 3/9/2019 | |
| Lasén, Amparo | 2004 | "El baile de las mákinas." In Musiques, arts et technologies, edited by Roberto Barbanti, Enrique Lynch, Carmen Pardo, and Makis Solomos. Paris: L'Harmattan, 303-315. | 4/6/2018 | |
| Lipsitz, George | 2007 | "Techno: The Hidden History of Automation." In Footsteps In The Dark: The Hidden Histories of Popular Music, edited by None. Minneapolis: Univ of Minnesota Press, 238-62. | link | 4/6/2018 |
| Malbon , Ben | 1998 | "Clubbing: Consumption, Identity and the Spatial Practices of Every-Night Life." In Cool Places: Geographies of Youth Cultures, edited by Skelton, T and Valentine, G. London: Routledge, 266-286. | 4/6/2018 | |
| May, Beverly | 2006 | "Techno." In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 313-352. | 4/6/2018 | |
| McRobbie, Angela | 1994 | "Shut up and Dance: Youth Culture and Changing Modes of Femininity." In Postmodernism and Popular Culture, edited by McRobbie, Angela. London; New York: Routledge. | 4/6/2018 | |
| Measham, F. and K. Moore | 2006 | "Reluctant Reflexivity, Implicit Insider Knowledge, and the Development of Club Studies." In Drugs, Clubs and Young People: Sociological and Public Health Perspectives, edited by B.Sanders. Aldershot: Ashgate. | 4/6/2018 | |
| Melechi, Antonio | 1993 | "The Ecstasy of Disappearance." In Rave Off: Politics and Deviance in Contemporary Youth Culture, edited by Redhead, Steve. Avebury: Aldershot, 29-40. | 4/6/2018 | |
| Moore, K | 2003 | "E-heads Vs Beer Monsters: Researching young people’s drug consumption in dance club settings." In Researching Youth: Issues, Controversies and Dilemmas, edited by A. Bennett, S. Miles, and M. Cielslik (eds.). London: Palgrave. | 4/6/2018 | |
| Moore, Karenza | 2006 | "“Sort Drugs, Make Mates”: The Use and Meanings of Mobiles in Club Culture." In Consuming Music Together: Social and collaborative aspects of music consumption technologies, edited by B. Brown and K. O’Hara (eds.). Netherlands: Springer. | 4/6/2018 | |
| Moore, Karenza | 2009 | "Exploring Emotional and Spiritual Expression amongst 'Crasher Clubbers'." In Religion and Youth, edited by S. Collins-Mayo and B. Pink-Dandelion (eds.). Aldershot: Ashgate. | 4/6/2018 | |
| Murray, Enda | 2001 | "Sound Systems and Australian DiY Culture: Folk Music for the Dot Com Generation." In FreeNRG: Notes From the Edge of the Dance Floor, edited by Graham St John. Melbourne: Common Ground, 57-70. | 4/6/2018 | |
| Nye, Sean | 2006 | "Techno in der BRAVO: eine wahre Geschichte." In 50 Jahre BRAVO, edited by Archiv der Jugendkulturen. Berlin: Verlag Archiv der Jugendkulturen, 210-25. | 4/6/2018 | |
| Pini, Maria | 1997 | "Cyborgs, Nomads and the Raving Feminine." In Dance in the City, edited by Thomas, H. London: Macmillan, 111-129. | 4/6/2018 | |
| Pini, Maria | 1998 | "‘Peak Practices’: The Production and Regulation of Ecstatic Bodies." In The Virtual Embodied: Presence/Practice/Technology, edited by John Wood. London: Routledge, 168-177. | 4/6/2018 | |
| Portnoy, Sean | 1999 | "This is Fascism? Raves and the Politics of Dancing." In Reading Rock and Roll: Authenticity, Appropriation, Aesthetics, edited by Kevin Dettmar and William Richey. New York: Columbia University Press, 191-208. | 4/6/2018 | |
| Reynolds, Simon | 1997 | "Rave Culture: Living Dream or Living Death?." In The Clubcultures Reader: Readings in Popular Cultural Studies, edited by Redhead, Steve. Oxford: Blackwell, 102-111. | 4/6/2018 | |
| Reynolds, Simon | 1997 | "Return to Eden: Innocence, Indolence and Pastoralism in Psychedelic Music, 1966-1996." In Psychedelica Britannica: Hallucinogenic Drugs in Britain, edited by Antonio Melechi. London: Turnaround, 143-165. | 4/6/2018 | |
| Rietveld, Hillegonda | 1998 | "Repetitive Beats: Free Parties and the Politics of Contemporary DiY Dance Culture in Britain." In DiY Culture: Party and Protest in Nineties Britain, edited by George McKay. London: Verso, 243-268. | 4/6/2018 | |
| Rietveld, Hillegonda C | 1993 | "Living the Dream." In Rave Off, Politics and Deviance in Contemporary Youth Culture, edited by Steve Redhead. Aldershot (UK): Avebury/Ashgate, 41 - 78. | 4/6/2018 | |
| Rietveld, Hillegonda C | 1998 | "The House Sound of Chicago." In The Clubcultures Reader, edited by S. Redhead. Oxford: Blackwell. | 4/6/2018 | |
| Rietveld, Hillegonda C | 2001 | "Im Strom des Techno." In Handbuch der Musik im 20. Jahrhundert: Rock- und Popmusik, edited by Peter Wicke. Laaber (Germany): Laaber-Verlag. | 4/6/2018 | |
| Rietveld, Hillegonda C | 2004 | "House: The Hacienda Must Be Built." In Crossfade, edited by Pete Lawrence and Vicki Howard. London: Serpent's Tail, 119 - 140. | 4/6/2018 | |
| Rietveld, Hillegonda C | 2004 | "Ephemeral Spirit: Sacrificial Cyborg and Soulful Community." In Rave and Religion, edited by Graham St John. London & New York: Routledge, 45 - 60. | link | 4/6/2018 |
| Rietveld, Hillegonda C | 2005 | "Into the Spectrum of Techno." In Techno Visions, edited by Harald Wiltsche. Vienna (Austria) and Bozen (Italy): Folio. | 4/6/2018 | |
| Rietveld, Hillegonda C | 2007 | "The Residual Soul Sonic Force of the Vinyl 12" Dance Single." In Residual Media, edited by Charles Ackland. Minnesota: University of Minnesota Press, 97 - 114. | 4/6/2018 | |
| Ross, Andrew | 2003 | "Back to basics with the Roland 303." In Music and technoculture, edited by Lysloff, René and Leslie Gay. Middletown: Wesleyan University Press. | 4/6/2018 | |
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| St John, Graham | 2011 | "Rave From the Grave: Dark Trance and the Return of the Dead." In Zombies Are Us: Essays on the Humanity of the Walking Dead, edited by Cory James Rushton and Christopher M. Moreman. Jefferson, N.C: McFarland, 24-39. | 4/6/2018 | |
| St John, Graham | 2011 | "The 2012 Movement, Visionary Arts and Psytrance Culture." In 2012: Decoding the Countercultural Apocalypse, edited by Joseph Gelfer. London: Equinox, 123-143. | 4/6/2018 | |
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| Till, Rupert | 2009 | "Popular Music as Religion: from trance dancing to worshipping popular music icons." In The Quest for Spirituality and Religion / Es glaubt: Suchen nach Spiritualität und Religion, edited by Niederberger, Lukas; Müller, Lars. Baden, Switzerland: Lars Muller Publishers. | 4/6/2018 | |
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| Whelan, Andrew | 2006 | "Do U Produce?: Subcultural Capital and Amateur Musicianship in Peer-to-Peer Networks." In Cybersounds: Essays on Virtual Music Culture, edited by Ayers, Michael. New York: Peter Lang, 57-81. | 4/6/2018 | |
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| O'Grady, Alice | 2017 | “Dancing Outdoors: the DIY ethic of the campsite, the politics of outdoor space and the aesthetics of the UK alternative festival circuit”, In Weekend societies: electronic dance music festivals and event-cultures, edited by Graham St John. London: Bloomsbury. 137-158. | link | 7/2/2018 |
| St John, Graham | 2012 | "Indian Spirit: Amerindians and the Techno-Tribes of Psytrance." In Tribal Fantasies: Native Americans in the European Imagination, 1900-Present, edited by James Mackay and David Stirrup. New York: Palgrave MacMillan, 173–195. | 7/2/2018 | |
| St John, Graham and Chiara Baldini | 2012 | "Dancing at the Crossroads of Consciousness: Techno-Mysticism, Visionary Arts and Portugal’s Boom Festival." In Handbook of New Religions and Cultural Production, edited by Carole M. Cusack and Alex Norman. Leiden: Brill, 521–552. | 7/2/2018 | |
| St John, Graham | 2012 | "Experience, Tribalism and Remixology in Global Psytrance Culture." In What Matters? Ethnographies of Value in a Not So Secular Age, edited by Courtney Bender and Ann Taves. New York: Columbia University Press, 248–275. | 7/2/2018 | |
| St John, Graham | 2014 | "Begoggled in the Theater of Awe: Electronic Dance Music Culture at Burning Man." In Playa Dust: Collected Stories from Burning Man, edited by Samantha Krukowski. London: Black Dog Publishing, 144–159. | 7/2/2018 | |
| St John, Graham | 2014 | "Goatrance Travellers: Psytrance and its Seasoned Progeny." In The Globalization of Musics in Transit: Musical Migration and Tourism, edited by Simone Krüger and Ruxandra Trandafoiu. New York: Routledge, 160–182. | 7/2/2018 | |
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Journal Articles
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Albiez, Sean | 2003 | "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. | 4/6/2018 | |
| Albiez, Sean | 2005 | "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152. | 4/6/2018 | |
| Amico, Stephen | 2001 | "'I Want Muscles': House music, homosexuality and masculine signification." Popular Music 20(3), 359-378. | 4/6/2018 | |
| Anderson, Tammy L | 2009 | "Better to Complicate Rather than Homogenize Urban Nightlife." Sociological Forum 24(4), . | 4/6/2018 | |
| Ashline, William | 2002 | "Clicky Aesthetics: Deleuze, Headphonics, and the Minimalist Assemblage of 'Aberrations'." Strategies: Journal of Theory, Culture, Politics 15(1), 87-104. | 4/6/2018 | |
| Baumann, Gerd | 1990 | "The Reinvention of Bhangra. Social Change and Aesthetic Shifts in Punjabi Music in Britain." World of Music 32(2), 81-98. | 4/6/2018 | |
| Bennett, Andy | 1999 | "Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste." Sociology 33(3), 599-617. | 4/6/2018 | |
| Bradby, B | 1993 | "Sampling Sexuality: Gender, Technology and the Body in Dance Music." Popular Music 12(2), 155-176. | 4/6/2018 | |
| Butler, Mark J | 2001 | "Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music." Music Theory Online 7(6), n/a. | link | 4/6/2018 |
| Butler, Mark J | 2005 | ""Hearing Kaleidoscopes: Embedded Grouping Dissonance in Electronic Dance Music."." twentieth-century music 2(2), 221-243. | 4/6/2018 | |
| Butler, Mark J | 2007 | "• “Elektronische Tanzmusik: Loops, Patterns, Samples, Tracks – Musikalische Identitäten im Fluss.”." Lettre International 79, 113-117. | 4/6/2018 | |
| Cascone, Kim | 2000 | "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music." Computer Music Journal 24(4), 12-18. | link | 4/6/2018 |
| Cascone, Kim | 2002 | "Laptop Music—Counterfeiting Aura in the Age of Infinite Reproduction." Parachute 107, 52-60. | 4/6/2018 | |
| Cascone, Kim | 2004 | "Grain, Sequence, System (three levels of reception in the performance of laptop music)." Hz 4, N/A. | link | 4/6/2018 |
| Chapman, Dale | 2003 | "Hermeneutics of Suspicion: Paranoia and the Technological Sublime in Drum n' Bass Music." Echo: A Music-Centered Journal V(2), . | link | 4/6/2018 |
| Cole, David R | 2007 | "Techno-shamanism and Educational Research." Ashé! Journal of Experimental Spirituality 6(1), 6-34. | link | 4/6/2018 |
| Cole, Fred and Hannan, Michael | 1997 | "Goa Trance: A Psykotropic Trip Through Tribedelic Landscapes." Perfect Beat 3(3), ??. | 4/6/2018 | |
| Collins, Karen | 2005 | "Dead Channel Surfing: The commonalities between cyberpunk literature and industrial music." Popular Music 24(2), 165-178. | 4/6/2018 | |
| David Fernández | 2006 | "Discogràfiques dance. Una indústria cultural en transformació." Treballs de comunicació 21, 125-138. | link | 4/6/2018 |
| Demers, Joanna | 2006 | "Dancing machines: ‘Dance Dance Revolution’, cybernetic dance, and musical taste." Popular Music 25(3), 401-414. | link | 4/6/2018 |
| Fairley, Jan | 2006 | "Dancing back to front: regeton, sexuality, gender and transnationalism in Cuba." Popular Music 25(3), 471-488. | link | 4/6/2018 |
| Farrugia, Rebekah | 2004 | "Sisterdjs in the house: Electronic/dance music and women centered spaces on the net." Women’s Studies in Communication 27(2), 236-262. | 4/6/2018 | |
| Farrugia, Rebekah, Thomas Swiss | 2005 | "Tracking the DJs: Vinyl Records, Work, and the Debate over New Technologies." Journal of Popular Music Studies 17(1), 30-44. | 4/6/2018 | |
| Fikentscher, Kai | 2000 | "Supremely clubbed, devastatingly dubbed: Some observations on the nature of mixes on 12-inch dance singles." Soundscapes: Journal on Media Culture 3 | link | 4/7/2018 |
| Fraser, Alistair & Ettlinger, Nancy | 2008 | "Fragile empowerment: The dynamic cultural economy of British drum and bass music." Geoforum 39(5), 1647-1656. | 4/6/2018 | |
| Gadir, Tami | 2013 | "Techno Intersections: an Aural Account of Research in Edinburgh." Dancecult: Journal of Electronic Dance Music Culture 5 (1), no pages. | link | 6/15/2018 |
| Gadir, Tami | 2016 | "Resistance or Reiteration? Rethinking Gender in DJ Cultures." Contemporary Music Review 35 (1): 115–129. | link | 6/15/2018 |
| Gadir, Tami | 2017 | "Forty-Seven DJs, Four Women: Meritocracy, Talent and Postfeminist Politics." Dancecult: Journal of Electronic Dance Music Culture 9 (1): 50–72. | link | 6/15/2018 |
| Garcia, Luis-Manuel | 2005 | "On and On: Repetition as Process and Pleasure in Electronic Dance Musi." Music Theory Online 11(4), . | link | 4/6/2018 |
| Garcia, Luis-Manuel | 2011 | "Pathological Crowds: Affect and Danger in Responses to the Love Parade Disaster at Duisburg." Dancecult: Journal of Electronic Dance Music Culture 2(1), no pages. | link | 4/6/2018 |
| Garcia, Luis-Manuel | 2015 | "At Home, I’m a Tourist: Musical Migration and Affective Citizenship in Berlin." Journal of Urban Cultural Studies 2 (1+2):121–134. | link | 5/9/2018 |
| Garcia, Luis-Manuel | 2015 | "Beats, Flesh, and Grain: Sonic Tactility and Affect in Electronic Dance Music." Sound Studies 1 (1):59–76. | link | 5/9/2018 |
| Garcia, Luis-Manuel | 2017 | "Agonistic Festivities: Urban Nightlife Scenes and the Sociability of ‘Anti-Social’ Fun." Annals of Leisure Research:1–18. | link | 5/9/2018 |
| Gauthier, François | 2005 | "Orpheus and the Underground: Raves and Implicit Religion—From Interpretation to Critique." Implicit Religion 8(3), 217-265. | 4/6/2018 | |
| Gilbert, Jeremy | 1997 | "Soundtrack to an Uncivil Society: Rave Culture, The Criminal Justice Act and the Politics of Modernity." New Formations 31, 5-24. | 4/6/2018 | |
| Goulding, Christina, Avi Shankar and Richard Elliott | 2002 | "Working Weeks, Rave Weekends: Identity Fragmentation and the Emergence of New Communities." Consumption Markets & Culture 5(2), 261-284. | 4/6/2018 | |
| Greener, Tracey, Robert Hollands | 2006 | "Beyond Subculture and Post-subculture? The Case of Virtual Psytrance." Journal of Youth Studies 9(4), 393-418. | 4/6/2018 | |
| Halfacree, Keith and Rob Kitchin | 1996 | "‘Madchester Rave on’: Placing the Fragments of Popular Music." Arena 28(1), 47-55. | 4/6/2018 | |
| Hansen, Kjetil Falkenberg | 2002 | "The Basics of Scratching." Journal of New Music Research 31(4), 357-365. | link | 4/6/2018 |
| Harrison, Anthony Kwame | 2006 | "‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts." Popular Music 25(2), 283-301. | 4/6/2018 | |
| Hecker, Tim | 2002 | "Sound and the 'Victorious Realm of Electricity'." Parachute 107, 60-68. | 4/6/2018 | |
| Hemment, D | 1996 | "E is for Ekstasis." New Formations 31, 23-38. | 4/6/2018 | |
| Hesmondhalgh, David | 1997 | "The Cultural Politics of Dance Music." Soundings 5, 167-178. | 4/6/2018 | |
| Hesmondhalgh, David | 1998 | "The British Dance Music Industry: A Case Study of Independent Cultural Production." British Journal of Sociology 49(2), 234-251. | 4/6/2018 | |
| Hesmondhalgh, David | 2006 | "Digital Sampling and Cultural Inequality." Social Legal Studies 15(1), 53-75. | 4/6/2018 | |
| Hier, Sean | 2002 | "Raves, Risks and the Ecstacy Panic: A Case Study in the Subversive Nature of Moral Regulation." Canadian Journal of Sociology 27(1), 33-57. | 4/6/2018 | |
| Hill, Andrew | 2002 | "Acid House and Thatcherism: Noise, the Mob and the English Countryside." The British Journal of Sociology 53(1), 89-105. | 4/6/2018 | |
| Hill, Andrew | 2003 | "Acid House and Thatcherism: Contesting Spaces in late 1980s Britain." Space and Polity 7(3), 219-232. | 4/6/2018 | |
| Hope, Donna P | 2004 | "The British link-up crew." Interventions 6(1), 101-117. | 4/6/2018 | |
| Hutson, Scott | 1999 | "Technoshamanism: spiritual healing in the rave subculture." Popular Music and Society 23(3), 53-77. | 4/6/2018 | |
| Jones, Simon | 1995 | "Rocking the House: Sound System Cultures and the Politics of Space." Journal of Popular Music Studies 7, 1-24. | 4/6/2018 | |
| Jordan, Tim | 1996 | "Collective Bodies: Raving and the Politics of Gilles Deleuze and Felix Guattari." Body and Society 1(1`), 125-144. | 4/6/2018 | |
| Langlois, Tony | 1992 | "Can You Feel It? DJs and House Music Culture in the UK." Popular Music 11(2), 229-238. | 4/6/2018 | |
| Lasén, Amparo | 1999 | "Une filiation bâtarde (techno et musique contemporaine)." Cultures en mouvement 21, 49-52. | 4/6/2018 | |
| Lasén, Amparo | 2002 | "“Notas de felicidad extrema. La experiencia musical dance/ Notes of extreme happiness. Dance music experience”." PAC (Pensament i Arts Contemporanis) 2(2), 47-61. | 4/6/2018 | |
| Lasén, Amparo and Martínez de Albeniz, Iñaki | 2001 | "El tecno: variaciones sobre la globalización." Política y Sociedad 36, 129-149. | 4/6/2018 | |
| Loza, Susana | 2001 | "Sampling (hetero)sexuality: diva-ness and discipline in electronic dance music." Popular Music 20(3), 349-357. | link | 4/6/2018 |
| Luckman, Susan | 2003 | "Going Bush and Finding one’s “Tribe”: Raving, Escape and the Bush Doof." Continuum: Journal of Media and Cultural Studies 17(3), 315-330. | 4/6/2018 | |
| Lynch, Gordon and Emily Badger | 2006 | "The Mainstream Post-Rave Club Scene as a Secondary Institution: A British Perspective." Culture and Religion 7(1), 27-40. | 4/6/2018 | |
| Madrid, Alejandro L | 2003 | "Navigating Ideologies in ‘In-Between’ Cultures. Signifying Practices in Nor-tec Music." Latin American Music Review 24(23), 270-286. | 4/6/2018 | |
| Madrid, Alejandro L | 2005 | "Imagining Modernity, Revising Tradition. Nor-tec Music in Tijuana and Other Borders." Popular Music and Society 28(5), 595-618. | link | 4/6/2018 |
| Madrid, Alejandro L | 2006 | "Dancing with Desire. Cultural Embodiment in Tijuana's Nor-tec Music and Dance." Popular Music 25(3), 383-399. | 4/6/2018 | |
| Manuel, Peter, and Wayne Marshall | 2006 | "The riddim method: aesthetics, practice, and ownership in Jamaican dancehall." Popular Music 25(03), 447-470. | 4/6/2018 | |
| Marontate, Jan | 2005 | "Digital recording and the reconfiguration of music as performance." American Behavioral Scientist 48(11), 1422-1438. | 4/6/2018 | |
| Marsh, Charity | 2006 | "‘Understand Us Before You End Us’: Regulation, Governmentality, and the Confessional Practices of Raving Bodies." Popular Music 25/3, 415-430. | 4/6/2018 | |
| Martin, Daniel | 1999 | "Power Play and Party Politics: The Significance of Raving." Journal of Popular Culture 32(4), 77-99. | link | 4/6/2018 |
| McCutcheon, Mark A | 2007 | "Techno, Frankenstein and Copyright." Popular Music 26(2), 259-280. | 4/6/2018 | |
| McLeod, Kembrew | 2001 | "Genres, Subgenres, Sub-Subgenres and more: Musical and Social Difference Within Electronic Dance Music Communities." Journal of Popular Music Studies 13, 59-75. | 4/6/2018 | |
| Miles, S. and Moore, K | 2004 | "Young People, Dance and the Subcultural Consumption of Drugs." Addiction Research and Theory 12(6), 507-524. | 4/6/2018 | |
| Moloney, Molly, Geoffrey Hunt and Kristin Evans | 2008 | "Asian American identity and drug consumption: From acculturation to normalization." Journal of Ethnicity and Substance Abuse 7(1), 376-403. | link | 4/6/2018 |
| Montano, Ed | 2008 | "'You’re Not A Real DJ Unless You Play Vinyl’ – Technology and Formats – The Progression of Dance Music and DJ Culture." Journal on the Art of Record Production 3, 1-9. | 4/6/2018 | |
| Montano, Ed | 2009 | "The Sydney Dance Music Scene and the Global Diffusion of Contemporary Club Culture." Transforming Cultures eJournal 4(1), 43-59. | link | 4/6/2018 |
| Montano, Ed | 2009 | "DJ Culture in the Commercial Sydney Dance Music Scene." Dancecult: Journal of Electronic Dance Music Culture 1(1), 81-93. | link | 4/6/2018 |
| Montano, Ed | 2009 | ""Being Kept in the 'Back' Doesn't Mean That We're Sort of the Poor Cousin": Dance Music and Club Culture in Sydney." Stuck in the Middle: The Mainstream and Its Discontents: Selected Proceedings of the 2008 IASPM-ANZ Conference 1, 135-141. | 4/6/2018 | |
| Montano, Ed | 2010 | "'How do you know he's not playing Pac-Man while he's supposed to be DJing?': technology, formats and the digital future of DJ culture." Popular Music 29(3), 397-416. | 4/6/2018 | |
| Montano, Ed | 2010 | "Back to the Old Skool: Building the Dance Music Canon." What's It Worth?: 'Value' and Popular Music: Selected Papers from the 2009 IASPM Australia-New Zealand Conference 1, 43-47. | 4/6/2018 | |
| Montano, Ed | 2011 | "Festival Fever and International DJs: The Changing Shape of DJ Culture in Sydney’s Commercial Electronic Dance Music Scene." Dancecult: Journal of Electronic Dance Music Culture 2(1), 63-89. | link | 4/6/2018 |
| Moore, David | 1995 | "Raves and the Bohemian search for self and community: a contribution to the anthropology of public events." Anthropological Forum 7(2), 193-214. | 4/6/2018 | |
| Moore, K | 2004 | "A Commitment to Clubbing." Peace Review: A Journal of Social Justice 16(4), 459-465. | 4/6/2018 | |
| Nehring, Neil | 2007 | "'Everyone's Given Up and Just Wants to Go Dancing': From Punk to Rave in the Thatcher Era." Popular Music and Society 30(1), 1-18. | 4/6/2018 | |
| Noys, Benjamin | 1995 | "Into the 'Jungle'." Popular Music 14(3), 321-332. | link | 4/6/2018 |
| Ott, Bill & Brian Herman | 2003 | "Mixed Messages: Resistance and Reappropriation in Rave Culture." Western Journal of Communication 67(3), 249-270. | 4/6/2018 | |
| Partridge, Christopher | 2006 | "The Spiritual and the Revolutionary: Alternative Spirituality, British Free Festivals and the Emergence of Rave Culture." Culture and Religion 7(1), 41-60. | 4/6/2018 | |
| Peterson, Richard A | 1978 | ""'Disco!' Its Distinctive Sound Isn't Just Another Fad." Chronicle of Higher Education October 26-27, . | 4/6/2018 | |
| Philip R. Kavanaugh and Tammy L. Anderson | 2008 | “Solidarity and Drug Use in the ElectronicDance Music Scene.”." The Sociological Quarterly 49, 181-208. | 4/6/2018 | |
| Race, Kane | 2003 | "The death of the dance party." Australian Humanities Review 30, n/a. | link | 4/6/2018 |
| Ragland, Cathy | 2003 | "Mexican Deejays and the Transnational Space of Youth Dances in New York and New Jersey." Ethnomusicology 47(3), 338-354. | link | 4/6/2018 |
| Richardson, John | 2005 | "'The Digital Won't Let Me Go': Constructions of the Virtual and the Real in Gorillaz' 'Clint Eastwood'." Journal of Popular Music Studies 17(1), 1-29. | 4/6/2018 | |
| Rill, Brian | 2006 | "Rave, Communitas, and Embodied Idealism." Music Therapy Today 7(3), 648-661. | link | 4/6/2018 |
| Rodgers, Tara | 2003 | "On the process and aesthetics of sampling in electronic music production." Organized Sound 8, 313-320. | link | 4/6/2018 |
| Rodkey, Christopher | 1999 | "The Existential Notion that "God is Dead" in Industrial Music." Exordium 8, 17-27. | 4/6/2018 | |
| Rodkey, Christopher | 2004 | "Reconsidering Noise in Theology and in Praxis." Doxology 21, 72-91. | 4/6/2018 | |
| Saldanha, Arun | 2002 | "Music Tourism and Factions of Bodies in Goa." Tourist Studies 1, 43-62. | 4/6/2018 | |
| Schaub, Christoph | 2009 | "Beyond the Hood? Detroit Techno, Underground Resistance, and African American Metropolitan Identity Politics." FIAR: forum for inter-america research 2(2), none. | link | 4/6/2018 |
| Schütze, Bernard | 2001 | "Carnivalesque Mutations in the Bahian Carnival and Rave Culture." Religiologiques 24, 155-163. | 4/6/2018 | |
| Sean Nye | 2009 | "Love Parade, Please Not Again: A Berlin Cultural History." Echo: A Music-Centered Journal 9(1), 40. | link | 4/6/2018 |
| Siokou, Christine | 2002 | "Seeking the Vibe." Youth Studies Australia 21(1), 11-18. | 4/6/2018 | |
| Siokou, Christine and David Moore | 2008 | " ‘This is not a rave!’: Changes in the commercialised Melbourne rave/dance party scene." Youth Studies Australia 27(3), 50-57. | 4/6/2018 | |
| Siokou, Christine. Moore, David. and Lee, Helen. (2010) | 2010 | "‘Muzzas’ and ‘Old Skool Ravers’: Ethnicity, drugs and the changing face of Melbourne’s dance party/club scene." Health Sociology Review 19(2), 192-204. | link | 4/6/2018 |
| Smith, Jacob | 2004 | "I Can See Tomorrow In Your Dance: A Study of Dance Dance Revolution and Music Video Games." Journal of Popular Music Studies 16(1), 58-84. | 4/6/2018 | |
| Sommer, Sally | 2001 | "C’mon to my House: Underground-House Dancing." Dance Research Journal 33(2), 72-86. | 4/6/2018 | |
| St John, Graham | 2001 | "The Battle of the Bands: ConFest Musics and the Politics of Authenticity." Perfect Beat 5(2), 69-90. | 4/6/2018 | |
| St John, Graham | 2005 | "Outback Vibes: Sound Systems on the Road to Legitimacy." Postcolonial Studies: Culture, Politics, Economy 8(3), 321-336. | 4/6/2018 | |
| St John, Graham | 2005 | "Off Road Show: Techno, Protest and Feral Theatre." Continuum: Journal of Media and Cultural Studies 19(1), 7-22. | 4/6/2018 | |
| St John, Graham | 2006 | "Electronic Dance Music Culture and Religion: An Overview." Culture and Religion 7(1), 1-26. | 4/6/2018 | |
| St John, Graham | 2009 | "Neotrance and the Psychedelic Festival." Dancecult: Journal of Electronic Dance Music Culture 1(1), 35-64. | link | 4/6/2018 |
| St John, Graham | 2010 | "Making a Noise—Making a Difference: Techno-Punk and Terra-ism." Dancecult: Journal of Electronic Dance Music Culture 1(2), 1-28.. | link | 4/6/2018 |
| St John, Graham | 2011 | "DJ Goa Gil: Kalifornian Exile, Dark Yogi and Dreaded Anomaly." Dancecult: Journal of Electronic Dance Music Culture 3(1), 97-128. | link | 4/6/2018 |
| Stanley-Niaah, Sonjah | 2004 | "Kingston's Dancehall: A Story of Space and Celebration." Space & Culture 7(1), 102-118. | 4/6/2018 | |
| Szepanksi, Achim | 2002 | "Digital Music and Media Theory." Parachute 107, 24-27. | 4/6/2018 | |
| Takahashi, Melanie and Tim Olaveson. 2003 | 2003 | "Music, Dance and Raving Bodies: Raving as Spirituality in the Central Canadian Rave Scene." Journal of Ritual Studies 17(2), 72-96. | 4/6/2018 | |
| Tammy L. Anderson and Philip R. Kavanaugh | 2007 | “A ‘Rave’ Review: Conceptual Interests and Analytical Shifts in Research on Rave Culture.”." Sociology Compass 1, 499-519. | 4/6/2018 | |
| Till, Rupert | 2006 | "The Nine O’Clock Service: Mixing Club Culture and Postmodern Christianity”." Culture and Religion 7(1), 93-110. | 4/6/2018 | |
| Tramacchi, Des | 2000 | "Field tripping: psychedelic communitas and ritual in the Australian bush." Journal of Contemporary Religion 15(2), 201-213. | 4/6/2018 | |
| Turner, Tad | 2003 | "The Resonance of the Cubicle: Laptop Performance in Post-digital Musics." Contemporary Music Review 22(4), 81-92. | 4/6/2018 | |
| van der Laan, J.M | 2007 | "Is it Live, or is it Memorex?." Bulletin of Science Technology Society 27(2), 136-141. | link | 4/6/2018 |
| van Veen, Tobias C | 2003 | "It’s Not a Rave." Journal for the Arts, Sciences and Technology 1(2), 90-96. | 4/6/2018 | |
| van Veen, tobias c | 2003 | "FUCK ART LET’S DANCE." FUSE 26(3), 12-19. | link | 4/6/2018 |
| van Veen, tobias c | 2003 | "It's Not A Rave, Officer [v 1.0]." FUSE 26(1), 30-39. | 4/6/2018 | |
| van Veen, tobias c | 2003 | "It's Not A Rave, Officer [v 2.0]." Graduate Researcher: Journal for the Arts, Sciences and Technology 1(2), 90-96. | link | 4/6/2018 |
| van Veen, tobias c | 2003 | "Turn/Stile: Interpreting Udo Kasemets’ 'CaleNdarON'." Leonardo Music Journal 13, N/A. | link | 4/6/2018 |
| van Veen, tobias c | 2003 | "warehouse . space: rave culture, selling-out, and sonic revolution." Capital 1(1), 10-12. | link | 4/6/2018 |
| van Veen, tobias c | 2005 | "Sonic Warfare, Tactical SoundSystems and the Post-World of Grey Filastine." FUSE 28(4), 11-17. | link | 4/6/2018 |
| van Veen, tobias c | 2006 | "Rhythm Science, Part 1." ElectronicBookReview.com: Music Sound Noise 12-23-2006, N/A. | link | 4/6/2018 |
| Velayutham, S and A. Wise | 2001 | " Dancing with Ga(y)nesh: Rethinking Cultural Appropriation in Multicultural Australia." Postcolonial Studies 4(2), 143-160. | 4/6/2018 | |
| Vitos, Botond | 2009 | "The Inverted Sublimity of the Dark Psytrance Dance Floor." Dancecult: Journal of Electronic Dance Music Culture 1(1), 137-141. | link | 4/6/2018 |
| Vitos, Botond | 2012 | "Discursive Demarcation and Identity Construction in the Czech Psytrance Scene: Experiential Versus Ideological Motivations." EastBound 3(1), 1-22. | link | 4/6/2018 |
| Vitos, Botond | 2014 | "Along the Lines of the Roland TB-303: Three Perversions of Acid Techno." Dancecult: Journal of Electronic Dance Music Culture 6 (1). | link | 6/15/2018 |
| Vitos, Botond | 2014 | "'An Avatar . . . in a Physical Space': Researching the Mediated Immediacy of Electronic Dance Floors." Dancecult: Journal of Electronic Dance Music Culture 6 (2), 1–21. | link | 6/15/2018 |
| Vitos, Botond | 2015 | "Tracing the Lines of an Electronic Tattoo: The Covert Operation of Melbourne Techno." Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture 16 (1–2), 51–70. | link | 6/15/2018 |
| Vitos, Botond | 2017 | "'Go Out on the Weekends to the Forest, Get Trashed and Dance': Residual Behaviors and Reconfigured Environments at Psytrance Festivals." Leisure Sciences 39 (6), 543–560. | link | 6/15/2018 |
| Vitos, Botond | 2017 | "The Dance Floor Experiment: Researching the Mediating Technologies and Embodied Experiences of Electronic Dance Music Events." Popular Music and Society 40 (2), 131–150. | link | 6/15/2018 |
| Williams, Gilbert | 1986 | "The Black Disc Jockey as Cultural Hero." Popular Music and Society 10(3), 79-90. | 4/6/2018 | |
| Wilson, Brian | 2002 | "The Canadian Rave Scene and Five Theses on Youth Resistance." Canadian Journal of Sociology 27(3), 373-412. | 4/6/2018 | |
| Fraser, Alistair | 2014 | "On the Content and Contribution of MCs in British Drum 'n' Bass." Dancecult: Journal of Electronic Dance Music Culture 6(2): 42-60. | link | 6/25/2018 |
| Fraser, Alistair | 2012 | "The spaces, politics, and cultural economies of electronic dance music." Geography Compass 6(8): 500-511. | link | 6/26/2018 |
| O'Grady, Alice | 2012 | “Spaces of play: the spatial dimensions of underground club culture and locating the subjunctive.” Dancecult: Journal of Electronic Dance Music Culture 4(1): 86-106. | link | 7/2/2018 |
| O'Grady, Alice and Rebekka Kill | 2013 | “Exploring Festival Performance as a State of Encounter.” Arts and Humanities in Higher Education: an international journal of theory, research and practice 12(2-3): 268-283. | link | 7/2/2018 |
| O'Grady, Alice | 2013 | “Exploring radical openness: a porous model for relational festival performance.” Studies in Theatre and Performance 33(2): 133-151. | link | 7/2/2018 |
| O'Grady, Alice | 2013 | “Interrupting flow: researching play, performance and immersion in festival scenes.” Dancecult: Journal of Electronic Dance Music Culture 5(1): 18-38. | link | 7/2/2018 |
| O'Grady, Alice | 2015 | “Dancing Outdoors: DiY Ethics and Democratised Practices of Well-being on the UK Alternative Festival Circuit.” Dancecult: Journal of Electronic Dance Music Culture 7(1): 76-96. | link | 7/2/2018 |
| St John, Graham | 2012 | "Freak Media: Vibe Tribes, Sampledelic Outlaws and Israeli Psytrance." Continuum: Journal of Media and Cultural Studies 26(3): 437–447. | link | 7/2/2018 |
| St John, Graham | 2012 | "Seasoned Exodus: The Exile Mosaic of Psyculture." Dancecult: Journal of Electronic Dance Music Culture 4(1): 4–37. | link | 7/2/2018 |
| St John, Graham | 2013 | "The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture." Dancecult: Journal of Electronic Dance Music Culture 5(2): 56–87. | link | 7/2/2018 |
| St John, Graham | 2013 | "Aliens Are Us: Cosmic Liminality, Remixticism and Alienation in Psytrance." Journal of Religion and Popular Culture 25(2): 186–204. | link | 7/2/2018 |
| St John, Graham | 2013 | "Writing the Vibe: Arts of Representation in Electronic Dance Music Culture." Dancecult: Journal of Electronic Dance Music Culture 5(1). | link | 7/2/2018 |
| St John, Graham | 2015 | "Introduction to Weekend Societies: EDM Festivals & Event-Cultures." Dancecult: Journal of Electronic Dance Music Culture 7(1): 1–14. | link | 7/2/2018 |
| Aguiar, Rafae | 2014 | "Na Cabine Do Dj: Observações Na Noite Dos Djs Underground De Música Eletrônica De Fortaleza." Monografia (Graduação em Ciências Sociais), Universidade Federal do Ceará. | link | 8/20/2018 |
| Weinel, Jonathan | 2014 | "Shamanic diffusions: a technoshamanic philosophy of electroacoustic music" Sonic Ideas/Ideas Sonicas, vol. 6, no. 12 | link | 8/18/2019 |
Theses and Dissertations
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Abreu, Carolina | 2005 | Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. | link | 4/6/2018 |
| Avery, Anthony P | 2005 | Folklore and alternative masculinities in a rave scene. Ph.D. Dissertation (Folklore), University of New Mexico. | 4/6/2018 | |
| Bates, Eliot | 1997 | Ambient Music. M.A. Thesis (Ethnomusicology), Wesleyan University. | link | 4/6/2018 |
| Borthwick, Stuart | 1998 | Dance, Culture, Television: An Analysis of the Politics of Contemproary Dance Culture and its Televisual Representations. Ph.D. Dissertation, Liverpool John Moores University. | link | 4/6/2018 |
| Butler, Mark J | 2003 | Unlocking the groove: Rhythm, meter, and musical design in electronic dance music. Ph.D. Dissertation, Indiana University. | 4/6/2018 | |
| Chan, Sara Wei-Ming | 2003 | Imaginary soundscapes : electronic music culture and the aesthetics of the virtual. M.A. Thesis, Ryerson University and York University. | 4/6/2018 | |
| Farrugia, Rebekah L | 2004 | Spin-sters: Women, new media technologies and electronic/dance music. Ph.D. Dissertation (Communication studies), University of Iowa. | 4/6/2018 | |
| Ferrigno, Emily | 2008 | Technologies of Emotion: Creating and Performing Drum 'n' Bass. Ph.D. Dissertation (Ethnomusicology), Wesleyan University. | 4/6/2018 | |
| Gadir, Tami | 2014 | Musical Meaning and Social Significance: Techno Triggers for Dancing. Ph.D. Dissertation (Music), University of Edinburgh. | link | 6/15/2018 |
| Garcia, Luis-Manuel | 2011 | ‘Can You Feel It, Too?’: Intimacy and Affect at Electronic Dance Music Events. Ph.D. Dissertation (Department of Music, Ethnomusicology), University of Chicago. | 4/6/2018 | |
| Goldschmitt, Kariann Elaine | 2004 | Foreign Bodies: innovation, repetition, and corporeality in electronic dance music. M.A. Thesis (Music), University of California, San Diego. | 4/6/2018 | |
| Hemmerling, Scott | 1999 | Trance Dancing in Modern Urban America: Rave Culture and the Search for Ritual. M.A. Thesis (M.S. Thesis), University of New Orleans. | 4/6/2018 | |
| Hutton, Fiona | 2001 | Making Out in the City: Negotiating the Feminine on Club Scenes in Manchester. Ph.D. Dissertation, Manchester Metropolitan University. | 4/6/2018 | |
| Kale, Stephanie | 2006 | Beyond Gender?: Women in the Cultural Economy of Electronic Music. M.A. Thesis (Institute of Political Economy), Carleton University. | 4/6/2018 | |
| Kau, Cheryleen | 2006 | Raves and drug use. M.A. Thesis (Criminology), California State University, Long Beach. | 4/6/2018 | |
| Kavanaugh, Philip R | 2006 | Solidarity and drug use in the electronic dance music scene. M.A. Thesis (Cultural Anthropology), University of Delaware. | 4/6/2018 | |
| Kelly, Robert Thomas | 2001 | Physicality and the Edmonton electronic dance music experience. M.A. Thesis, University of Alberta. | 4/6/2018 | |
| Loza, Susana Ilma | 2004 | Global rhetoric, transnational markets: The (post)modern trajectories of electronic dance music. Ph.D. Dissertation, University of California Berkeley. | 4/6/2018 | |
| Luckman, Susan | 2002 | Party people : mapping contemporary dance music cultures in Australia. Ph.D. Dissertation, University of Queensland. | 4/6/2018 | |
| Luvaas, Brent Adam | 2004 | Electro clashes: the politics, practice, and performance of an electronic dance music. M.A. Thesis (Anthropology), University of California, Los Angeles. | 4/6/2018 | |
| Malone, Seamus | 2008 | M24:Starlight. M.A. Thesis (London Consortium / Cultural Studies), University of London / Birkbeck College. | link | 4/6/2018 |
| Marsh, Charity | 2005 | Raving Cyborgs, Queering Practices, and Discourses of Freedom: The Search for Meaning in Toronto's Rave Culture. Ph.D. Dissertation (Popular Music Studies/ Ethnomusicology), York University, Toronto, Canada. | 4/6/2018 | |
| Miller, Graham | 2005 | The Sound of The Third Wave: Science Fiction, Imaginary Machines and the Future of Techno. M.A. Thesis (Ethnomusicology), York University, Toronto. | 4/6/2018 | |
| Montano, Ed | 2007 | DJs, Clubs and Vinyl: The Cultural Commodification and Operational Logics of Contemporary Commercial Dance Music in Sydney. Ph.D. Dissertation (Department of Contemporary Music Studies), Macquarie University. | link | 4/6/2018 |
| Rodkey, Christopher | 2002 | Form, Fragmentation, and Theonomy: Noise as an Expression of Reality. M.A. Thesis (The Divinity School), University of Chicago. | 4/6/2018 | |
| Schmidt, Joshua | 2006 | Fused by Paradox: The Challenge of Being an Israeli Psy-trancer. M.A. Thesis, Ben-Gurion University of the Negev. | 4/6/2018 | |
| Sellin, Yara | 1999 | San Francisco style rave music performance practice and analysis. M.S. Thesis, University of California, Santa Cruz. | 4/6/2018 | |
| Sellin, Yara | 2005 | DJ: Performer, Cyborg, Dominatrix. Ph.D. Dissertation (Musicology), University of California, Los Angeles. | 4/6/2018 | |
| Sliavaite, Kristina | 1998 | When Global Becomes Local: Rave Culture in Lithuania. M.A. Thesis (Department of Social Anthropology), Lund University. | link | 4/6/2018 |
| Sylvan, Robin Daniel | 1998 | Traces of the spirit: The religious dimensions of popular music. Ph.D. Dissertation (Religious Studies), University of California, Santa Barbara. | 4/6/2018 | |
| Terpstra, Hans | 2011 | Transforming the jungle: The transition to digital labels in the world of drum ‘n bass. M.A. Thesis (New Media), University of Amsterdam. | link | 4/6/2018 |
| Vályi, Gábor | 2002 | Grassroots cultural globalisation in the east-central European nu jazz scene. M.A. Thesis (Sociology/ Centre for Urban and Community Research), Goldsmiths College (University of London). | link | 4/6/2018 |
| van Veen, tobias c | 2004 | Reconstruction & Rhythm Science: networks and properties of remix culture. M.A. Thesis (Art History and Communication Studies), McGill University. | link | 4/6/2018 |
| Vecchiola, Carla | 2006 | Detroit's rhythmic resistance: Electronic music and community pride. Ph.D. Dissertation (American Studies), University of Michigan. | 4/6/2018 | |
| Zeiner-Henriksen, Hans T | 2010 | The “PoumTchak” Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music. PhD Thesis (Musicology), University of Oslo, Norway. | link | 4/7/2018 |
| Aguiar, Rafael Silveira de | 2018 | Eu Só Vou Dizer Que Você É Um Dj Daqui A Dez Anos: A Busca Por Reconhecimento E Consagração Entre Os Dj De. Fortaleza - Ce. Dissertação. Programa de Pós-Graduação em Comunicação. Universidade Federal do Ceará | link | 3/7/2019 |
| Castagner, Marc-Olivier | 2019 | Rave-o-lution et appareillages de sécurité en Occident : Résonances 24 heures [Rave-o-lution and security apparatuses in the West : 24 hours Resounding]. Ph.D. Dissertation (Political Science), University of Ottawa | link | 5/12/2019 |
| Dalphond, Denise | 2014 | Detroit Players: Wax, Tracks, and Soul in Electronic Music. PhD dissertation. Indiana University. | 12/21/2020 |
Filmography
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Bredow, Gary | 2006 | High Tech Soul: The Creation of Techno Music. USA: Plexifilm. | link | 4/27/2018 |
| Frisch, Tom | 1999 | Rave culture. | link | 4/27/2018 |
| Latham, Adam | 2006 | Short films of dance parties from UK orbital Sunrise in 1989 to Moontribe Gatherings in the Mojave. | link | 4/28/2018 |
Conference Proceedings
| Author(s) | Year | Publication | Link | Date Added |
|---|---|---|---|---|
| Gates, Carrie, Subramanian, Sriram, Gutwin, Carl | 2006 | DJs' perspectives on interaction and awareness in nightclubs. DIS '06 Proceedings of the 6th conference on Designing Interactive System, 70-79 | link | 4/28/2018 |
| Zeiner-Henriksen, Hans T | 2006 | A multimedia-enhanced conference paper on early house production methods and their cultural functions and implications. "Manchester, Music and Place" at the Manchester Institute for Popular Culture, Manchester Metropolitan University | link | 4/29/2018 |
| St John, Graham | 2015 | Remixticism: DMT, Psychedelic Electronica and Mystical Experience. In Neurotransmissions: Essays on Psychedelics from Breaking Convention, edited by Dave King, Cameron Adams, David Luke, Ben Sessa, and Aimee Tollan. London: Strange Attractor Press, 215–228. | 7/2/2018 |
Other Resources
Complete Reference List
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| Fink, Robert | 2005 | Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press. | 4/6/2018 | 1_book | |
| Fritz, Jimi | 1999 | Rave Culture: An Insider's Overview. Canada: Smallfry Press. | 4/6/2018 | 1_book | |
| Gaillot, Michel | 1998 | Multiple Meaning Techno: An Artistic and Political Laboratory of the Present. Paris: Editions Dis Voir. | 4/6/2018 | 1_book | |
| Garratt, Sheryl | 1998 | Adventures in Wonderland: A Decade of Club Culture. London: Headline. | 4/6/2018 | 1_book | |
| Geoffrey Hunt, Molly Moloney and Kristin Evans | 2010 | Youth, Drugs and Nightlife. London and New York: Routledge. | 4/6/2018 | 1_book | |
| Gilbert, Jeremy and Ewan Pearson | 1999 | Discographies: Dance Music, Culture and the Politics of Sound. London: Routledge. | 4/6/2018 | 1_book | |
| Green, Jared | 2005 | DJ, Dance and Rave Culture. Detroit: Greenhaven Press. | 4/6/2018 | 1_book | |
| Grynszpan, Emmanuel | 1999 | Bruyante Techno: réflexion sur le son de la free party. Nantes: M. Séteun. | 4/6/2018 | 1_book | |
| Hebdige, Dick | 1987 | Cut 'n' Mix: Culture, Identity and Caribbean Music. New York: Methuen. | 4/6/2018 | 1_book | |
| Hitzler, Ronald and Michaela Pfadenhauer | 2001 | Techno-Soziologie : Erkundungen einer Jugendkultur. Opladen: Leske + Budrich. | 4/6/2018 | 1_book | |
| Hope, Donna P | 2006 | Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press. | 4/6/2018 | 1_book | |
| Hutnyk, John | 2000 | Critique of Exotica: music, politics and the culture industry. London: Pluto Press. | 4/6/2018 | 1_book | |
| Hutton, Fiona | 2006 | Risky Pleasures? Club Cultures and Feminine Identities. Aldershot: Ashgate. | 4/6/2018 | 1_book | |
| Jackson, Phil | 2004 | Inside Clubbing: Sensual Experiments in the Art of Being Human. Oxford: Berg. | 4/6/2018 | 1_book | |
| Jagodzinski, Jan | 2005 | Music in Youth Culture: A Lacanian Approach. New York :: Palgrave Macmillan. | 4/6/2018 | 1_book | |
| James, Martin | 1997 | State of Bass: Jungle - The Story So Far. Basingstoke: Boxtree/ Macmillan. | 4/6/2018 | 1_book | |
| James, Martin | 1998 | Prodigy: Adventures with the Voodoo Crew. London: Ebury Press. | 4/6/2018 | 1_book | |
| James, Martin | 2001 | Moby: Replay - His Life and Times. London: Independent Music Press. | 4/6/2018 | 1_book | |
| James, Martin | 2002 | Fatboy Slim: Funk Soul Brother. London: Sanctuary. | 4/6/2018 | 1_book | |
| James, Martin | 2002 | Prodigy. London: Sanctuary. | 4/6/2018 | 1_book | |
| James, Martin | 2003 | French Connections - From Discotheque to Discovery. London: Sanctuary. | 4/6/2018 | 1_book | |
| Kemper, Christian | 2004 | Mapping techno: jugendliche Mentalitäten der 90er. Frankfurt am Main: Peter Lang. | 4/6/2018 | 1_book | |
| Knowles, Cynthia | 2001 | Up all Night: A Closer Look at Club Drugs and Rave Culture. Geneseo, N.Y: Red House Press. | 4/6/2018 | 1_book | |
| Lawrence, Pete and Vicki Howard (eds) | 2004 | Crossfade: A Big Chill Anthology. London: Serpent’s Tail. | 4/6/2018 | 1_book | |
| Lawrence, Tim | 2003 | Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Durham and London: Duke University Press. | 4/6/2018 | 1_book | |
| Leloup, Jean-Yves | 2007 | Digital Magma : de l'utopie des rave parties à la génération ipod. Paris: Scali. | 4/6/2018 | 1_book | |
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| Leloup, Jean-Yves, Jean-Philippe Renoult, Pierre-Emmanuel Rastoin and Ariel Kyrou | 1999 | Global Tekno vol.1 : Voyage initiatique au cœur de la musique électronique. Paris: Camion Blanc. | 4/6/2018 | 1_book | |
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| Mellonee V. Burnim and Portia K. Maultsby | 2006 | African American Music: An Introduction. New York: Routledge. | 4/6/2018 | 1_book | |
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| Pini, Maria | 2001 | Club Cultures and Female Subjectivity: the move from home to house. Hampshire: Palgrave. | 4/6/2018 | 1_book | |
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| Queudrus, Sandy | 2000 | Un Maquis Techno: Modes de'Engagement et Pratiques Sociales dans la Free-Party. Paris: IRMA editions. | 4/6/2018 | 1_book | |
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| Redhead, Steve | 1993 | Rave off: Politics and Deviance in Contemporary Youth Culture. Avebury: Aldershot. | 4/6/2018 | 1_book | |
| Redhead, Steve (ed.) | 1997 | The Clubcultures Reader: readings in popular cultural studies. Oxford: Blackwell. | 4/6/2018 | 1_book | |
| Reynolds, Simon | 2012 | Energy Flash: A Journey Through Rave Music and Dance Culture (Reprint Edition) | 8/6/2018 | 1_book | |
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| Rupert Till | 2010 | Pop Cult: religion and popular music. London: Continuum. | link | 4/6/2018 | 1_book |
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| O'Grady, Alice | 2012 | “Spaces of play: the spatial dimensions of underground club culture and locating the subjunctive.” Dancecult: Journal of Electronic Dance Music Culture 4(1): 86-106. | link | 7/2/2018 | 3_article |
| O'Grady, Alice and Rebekka Kill | 2013 | “Exploring Festival Performance as a State of Encounter.” Arts and Humanities in Higher Education: an international journal of theory, research and practice 12(2-3): 268-283. | link | 7/2/2018 | 3_article |
| O'Grady, Alice | 2013 | “Exploring radical openness: a porous model for relational festival performance.” Studies in Theatre and Performance 33(2): 133-151. | link | 7/2/2018 | 3_article |
| O'Grady, Alice | 2013 | “Interrupting flow: researching play, performance and immersion in festival scenes.” Dancecult: Journal of Electronic Dance Music Culture 5(1): 18-38. | link | 7/2/2018 | 3_article |
| O'Grady, Alice | 2015 | “Dancing Outdoors: DiY Ethics and Democratised Practices of Well-being on the UK Alternative Festival Circuit.” Dancecult: Journal of Electronic Dance Music Culture 7(1): 76-96. | link | 7/2/2018 | 3_article |
| O'Grady, Alice | 2015 | “Alternative playworlds: Psytrance festivals, deep play and creative zones of transcendence.” In The Pop Festival: history, music, media, culture, edited by Gerogre McKay. London: Bloomsbury. 149-164. | link | 7/2/2018 | 2_chapter |
| O'Grady, Alice | 2017 | “Dancing Outdoors: the DIY ethic of the campsite, the politics of outdoor space and the aesthetics of the UK alternative festival circuit”, In Weekend societies: electronic dance music festivals and event-cultures, edited by Graham St John. London: Bloomsbury. 137-158. | link | 7/2/2018 | 2_chapter |
| St John, Graham | 2012 | "Freak Media: Vibe Tribes, Sampledelic Outlaws and Israeli Psytrance." Continuum: Journal of Media and Cultural Studies 26(3): 437–447. | link | 7/2/2018 | 3_article |
| St John, Graham | 2012 | "Seasoned Exodus: The Exile Mosaic of Psyculture." Dancecult: Journal of Electronic Dance Music Culture 4(1): 4–37. | link | 7/2/2018 | 3_article |
| St John, Graham | 2013 | "The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture." Dancecult: Journal of Electronic Dance Music Culture 5(2): 56–87. | link | 7/2/2018 | 3_article |
| St John, Graham | 2013 | "Aliens Are Us: Cosmic Liminality, Remixticism and Alienation in Psytrance." Journal of Religion and Popular Culture 25(2): 186–204. | link | 7/2/2018 | 3_article |
| St John, Graham | 2013 | "Writing the Vibe: Arts of Representation in Electronic Dance Music Culture." Dancecult: Journal of Electronic Dance Music Culture 5(1). | link | 7/2/2018 | 3_article |
| St John, Graham | 2015 | "Introduction to Weekend Societies: EDM Festivals & Event-Cultures." Dancecult: Journal of Electronic Dance Music Culture 7(1): 1–14. | link | 7/2/2018 | 3_article |
| St John, Graham | 2012 | "Indian Spirit: Amerindians and the Techno-Tribes of Psytrance." In Tribal Fantasies: Native Americans in the European Imagination, 1900-Present, edited by James Mackay and David Stirrup. New York: Palgrave MacMillan, 173–195. | 7/2/2018 | 2_chapter | |
| St John, Graham and Chiara Baldini | 2012 | "Dancing at the Crossroads of Consciousness: Techno-Mysticism, Visionary Arts and Portugal’s Boom Festival." In Handbook of New Religions and Cultural Production, edited by Carole M. Cusack and Alex Norman. Leiden: Brill, 521–552. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2012 | "Experience, Tribalism and Remixology in Global Psytrance Culture." In What Matters? Ethnographies of Value in a Not So Secular Age, edited by Courtney Bender and Ann Taves. New York: Columbia University Press, 248–275. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2014 | "Begoggled in the Theater of Awe: Electronic Dance Music Culture at Burning Man." In Playa Dust: Collected Stories from Burning Man, edited by Samantha Krukowski. London: Black Dog Publishing, 144–159. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2014 | "Goatrance Travellers: Psytrance and its Seasoned Progeny." In The Globalization of Musics in Transit: Musical Migration and Tourism, edited by Simone Krüger and Ruxandra Trandafoiu. New York: Routledge, 160–182. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2015 | "Electronic Dance Music Events." In The Routledge Companion to Religion and Popular Culture, edited by John Lyden and Eric Michael Mazur. New York: Routledge, 336–355. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2015 | "Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance." The Sage Handbook of Popular Music, edited by Andy Bennett and Steve Waksman. London: Sage Publications, 243–260. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2016 | "Spiritechnics: Liminalité et techno-chamanisme dans la psytrance." In Anthropologies du corps en transes, edited by Sébastien Baud. Paris: Connaissances et Savoirs, 259–279. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2017 | "Charms War: Dance Camps and Sound Cars at Burning Man." In Weekend Societies: Electronic Dance Music Festivals and Event-Cultures, edited by Graham St John. New York: Bloomsbury, 219–244. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2017 | "Techno-Shamanism and Trance." In The Bloomsbury Handbook of Religion and Popular Music, edited by Chris Partridge and Marcus Moberg. London: Bloomsbury, 278–285. | 7/2/2018 | 2_chapter | |
| St John, Graham | 2015 | Remixticism: DMT, Psychedelic Electronica and Mystical Experience. In Neurotransmissions: Essays on Psychedelics from Breaking Convention, edited by Dave King, Cameron Adams, David Luke, Ben Sessa, and Aimee Tollan. London: Strange Attractor Press, 215–228. | 7/2/2018 | 6_conference | |
| St John, Graham | 2013 | Global Tribe: Technology, Spirituality and Psytrance. Sheffield: Equinox Publishing. | 6/25/2018 | 1_book | |
| Gilli, Lorenz | 2017 | "'Navigate Your Set'. Zur Virtuosität von DJs." In Schneller, höher, lauter. Virtuosität in populären Musiken, edited by Thomas Phleps. Bielefeld: transcript,153–179 | link | 7/30/2018 | 2_chapter |
| Lawrence, Tim | 2016 | Life and Death on the New York Dance Floor 1980–1983. Durham and London: Duke University Press. | 7/30/2018 | 1_book | |
| Brøvig-Hanssen, Ragnhild, and Anne Danielsen | 2016 | Digital Signatures. The Impact of Digitization on Popular Music Sound. Cambridge and London: MIT Press | link | 7/30/2018 | 1_book |
| Rappe, Michael | 2010 | Under Construction. Kontextbezogene Analyse afroamerikanischer Popmusik. Köln: Dohr | link | 7/30/2018 | 1_book |
| Aguiar, Rafae | 2014 | "Na Cabine Do Dj: Observações Na Noite Dos Djs Underground De Música Eletrônica De Fortaleza." Monografia (Graduação em Ciências Sociais), Universidade Federal do Ceará. | link | 8/20/2018 | 3_article |
| Chrysagis, E. and P. Karampampas (eds) | 2017 | "Collaborative Intimacies: Anthropologies of Sound and Movement." ‘Dance and Performance Studies’ book series, New York and Oxford: Berghahn. | link | 8/21/2018 | 1_book |
| Avery, Anthony | 2005 | “‘I feel that I’m freer to show my feminine side’: Folklore and Alternative Masculinities in a Rave Scene.” In Manly Traditions: The Folk Roots of American Masculinities, edited by Simon J. Bronner. Bloomington: Indiana University Press, 157-170. | link | 8/27/2018 | 2_chapter |
| Avery, Anthony | 2016 | “Rave.” In Youth Cultures in America, edited by Simon J. Bronner and Cindy Dell Clark. New York: ABC-CLIO, 578-581. | link | 8/29/2018 | 2_chapter |
| Aguiar, Rafael Silveira de | 2018 | Eu Só Vou Dizer Que Você É Um Dj Daqui A Dez Anos: A Busca Por Reconhecimento E Consagração Entre Os Dj De. Fortaleza - Ce. Dissertação. Programa de Pós-Graduação em Comunicação. Universidade Federal do Ceará | link | 3/7/2019 | 4_thesis |
| Castagner, Marc-Olivier | 2019 | Rave-o-lution et appareillages de sécurité en Occident : Résonances 24 heures [Rave-o-lution and security apparatuses in the West : 24 hours Resounding]. Ph.D. Dissertation (Political Science), University of Ottawa | link | 5/12/2019 | 4_thesis |
| Anniss, Matt | 2019 | Join The Future: Bleep Techno and the Birth of British Bass Music. London: Velocity Press | link | 6/23/2019 | 1_book |
| Weinel, Jonathan | 2014 | "Shamanic diffusions: a technoshamanic philosophy of electroacoustic music" Sonic Ideas/Ideas Sonicas, vol. 6, no. 12 | link | 8/18/2019 | 3_article |
| Crawford, Kahlil O | 2018 | “An existential shift from organicity to digitopia.” In 'Digitopia 2035: All Stories Collected', 9-10. Stamford: Gartner, 2018. | 8/19/2019 | 2_chapter | |
| Papic, Mariette | 2016 | The Digital Nomad Manifesto | link | 1/19/2020 | 1_book |
| Dalphond, Denise | 2014 | Detroit Players: Wax, Tracks, and Soul in Electronic Music. PhD dissertation. Indiana University. | 12/21/2020 | 4_thesis | |
| Dalphond, Denise | 2018 | “Black Detroit: Sonic Distortion Fuels Social Distortion.” In Black Lives Matter and Music. Eds. Fernando Orejuela and Stephanie Shonekan. Bloomington, IN: Indiana University Press. | 12/21/2020 | 2_chapter | |
| Dalphond, Denise | 2021 | “Black Electronic Music and Resistance.” In Oxford Handbook of Electronic Dance Music. Oxford: Oxford University Press. | 12/21/2020 | 2_chapter | |
| Dalphond, Denise | 2014 | “Detroit Techno.” In African American Music: An Introduction, 2nd Ed. Eds. Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge. | 12/21/2020 | 2_chapter | |
| Etyang, J. H., J. Nyairo and F. Sievers (Eds) | 2020 | TEN CITIES : Clubbing in Nairobi, Cairo, Kyiv, Johannesburg, Naples, Berlin, Luanda, Lagos, Bristol, Lisbon 1960 - March 2020 | link | 12/21/2020 | 1_book |